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Exodus 15:1
Verse
Context
The Song at the Sea
1Then Moses and the Israelites sang this song to the LORD: “I will sing to the LORD, for He is highly exalted. The horse and rider He has thrown into the sea. 2The LORD is my strength and my song, and He has become my salvation. He is my God, and I will praise Him, my father’s God, and I will exalt Him.
Sermons
David Wilkerson
Jonathan EdwardsDavid Wilkerson
C.H. Spurgeon
Leonard Ravenhill
Chuck Smith
J. Glyn OwenSummary
Commentary
- Adam Clarke
- Keil-Delitzsch
- John Gill
- Matthew Henry
- Tyndale
Adam Clarke Bible Commentary
Then sang Moses and the children of Israel this song - Poetry has been cultivated in all ages and among all people, from the most refined to the most barbarous; and to it principally, under the kind providence of God, we are indebted for most of the original accounts we have of the ancient nations of the universe. Equally measured lines, with a harmonious collocation of expressive, sonorous, and sometimes highly metaphorical terms, the alternate lines either answering to each other in sense, or ending with similar sounds, were easily committed to memory, and easily retained. As these were often accompanied with a pleasing air or tune, the subject being a concatenation of striking and interesting events, histories formed thus became the amusement of youth, the softeners of the tedium of labor, and even the solace of age. In such a way the histories of most nations have been preserved. The interesting events celebrated, the rhythm or metre, and the accompanying tune or recitativo air, rendered them easily transmissible to posterity; and by means of tradition they passed safely from father to son through the times of comparative darkness, till they arrived at those ages in which the pen and the press have given them a sort of deathless duration and permanent stability, by multiplying the copies. Many of the ancient historic and heroic British tales are continued by tradition among the aboriginal inhabitants of Ireland to the present day; and the repetition of them constitutes the chief amusement of the winter evenings. Even the prose histories, which were written on the ground of the poetic, copied closely their exemplars, and the historians themselves were obliged to study all the beauties and ornaments of style, that their works might become popular; and to this circumstance we owe not a small measure of what is termed refinement of language. How observable is this in the history of Herodotus, who appears to have closely copied the ancient poetic records in his inimitable and harmonious prose; and, that his books might bear as near a resemblance as possible to the ancient and popular originals, he divided them into nine, and dedicated each to one of the muses! His work therefore seems to occupy the same place between the ancient poetic compositions and mere prosaic histories, as the polype does between plants and animals. Much even of our sacred records is written in poetry, which God has thus consecrated to be the faithful transmitter of remote and important events; and of this the song before the reader is a proof in point. Though this is not the first specimen of poetry we have met with in the Pentateuch, (see Lamech's speech to his wives, Gen 4:23, Gen 4:24; Noah's prophecy concerning his sons, Gen 9:25-27; and Jacob's blessing to the twelve patriarchs, Genesis 49:2-27 (note)), yet it is the first regular ode of any considerable length, having but one subject; and it is all written in hemistichs, or half lines, the usual form in Hebrew poetry; and though this form frequently occurs, it is not attended to in our common printed Hebrew Bibles, except in this and three other places, (Deuteronomy 32, Judges 5, and 2 Samuel 22)., all of which shall be noticed as they occur. But in Dr. Kennicott's edition of the Hebrew Bible, all the poetry, wheresoever it occurs, is printed in its own hemistich form. After what has been said it is perhaps scarcely necessary to observe, that as such ancient poetic histories commemorated great and extraordinary displays of providence, courage, strength, fidelity, heroism, and piety; hence the origin of Epic poems, of which the song in this chapter is the earliest specimen. And on the principle of preserving the memory of such events, most nations have had their epic poets, who have generally taken for their subject the most splendid or most remote events of their country's history, which either referred to the formation or extension of their empire, the exploits of their ancestors, or the establishment of their religion. Hence the ancient Hebrews had their Shir Mosheh, the piece in question: the Greeks, their Ilias; the Hindoos, their Mahabarat; the Romans, their Aeneid; the Norwegians, their Edda; the Irish and Scotch, their Fingal and Chronological poems; the Welsh, their Taliessin and his Triads; the Arabs, their Nebiun-Nameh (exploits of Mohammed) and Hamleh Heedry, (exploits of Aly); the Persians, their Shah Nameh, (book of kings); the Italians, their Gerusalemme Liberata; the Portuguese, their Lusiad; the English, their Paradise Lost; and, in humble imitation of all the rest, (etsi non passibus aequis), the French, their Henriade. The song of Moses has been in the highest repute in the Church of God from the beginning; the author of the Book of The Wisdom of Solomon attributes it in a particular manner to the wisdom of God, and says that on this occasion God opened the mouth of the dumb, and made the tongues of infants eloquent; The Wisdom of Solomon 10:21. As if he had said, Every person felt an interest in the great events which had taken place, and all labored to give Jehovah that praise which was due to his name. "With this song of victory over Pharaoh," says Mr. Ainsworth, "the Holy Ghost compares the song of those who have gotten the victory over the spiritual Pharaoh, the beast, (Antichrist), when they stand by the sea of glass mingled with fire, (as Israel stood here by the Red Sea), having the harps of God, (as the women here had timbrels, Exo 15:20), and they sing the song of Moses the servant of God, and the song of the Lamb, the Son of God," Rev 15:2-4. I will sing unto the Lord - Moses begins the song, and in the two first hemistichs states the subject of it; and these two first lines became the grand chorus of the piece, as we may learn from Exo 15:21. See Dr. Kennicott's arrangement and translation of this piece at the end of this chapter. See Clarke's note on Exo 15:26. Triumphed gloriously - כי גאה גאה ki gaoh gaah, he is exceedingly exalted, rendered by the Septuagint, Ενδοξως γαρ δεδοξασται, He is gloriously glorified; and surely this was one of the most signal displays of the glorious majesty of God ever exhibited since the creation of the world. And when it is considered that the whole of this transaction shadowed out the redemption of the human race from the thraldom and power of sin and iniquity by the Lord Jesus, and the final triumph of the Church of God over all its enemies, we may also join in the song, and celebrate Him who has triumphed so gloriously, having conquered death, and opened the kingdom of heaven to all believers.
Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary
In the song of praise which Moses and the children of Israel sang at the Red Sea, in celebration of the wonderful works of Jehovah, the congregation of Israel commemorated the fact of its deliverance and its exaltation into the nation of God. By their glorious deliverance from the slave-house of Egypt, Jehovah had practically exalted the seed of Abraham into His own nation; and in the destruction of Pharaoh and his host, He had glorified Himself as God of the gods and King of the heathen, whom no power on earth could defy with impunity. As the fact of Israel's deliverance from the power of its oppressors is of everlasting importance to the Church of the Lord in its conflict with the ungodly powers of the world, in which the Lord continually overthrows the enemies of His kingdom, as He overthrew Pharaoh and his horsemen in the depths of the sea: so Moses' song at the Red Sea furnishes the Church of the Lord with the materials for its songs of praise in all the great conflicts which it has to sustain, during its onward course, with the powers of the world. Hence not only does the key-note of this song resound through all Israel's songs, in praise of the glorious works of Jehovah for the good of His people (see especially Isa 12:1-6), but the song of Moses the servant of God will also be sung, along with the song of the Lamb, by the conquerors who stand upon the "sea of glass," and have gained the victory over the beast and his image (Rev 15:3). The substance of this song, which is entirely devoted to the praise and adoration of Jehovah, is the judgment inflicted upon the heathen power of the world in the fall of Pharaoh, and the salvation which flowed from this judgment to Israel. Although Moses is not expressly mentioned as the author of the song, its authenticity, or Mosaic authorship, is placed beyond all doubt by both the contents and the form. The song is composed of three gradually increasing strophes, each of which commences with the praise of Jehovah, and ends with a description of the overthrow of the Egyptian host (Exo 15:2-5, Exo 15:6-10, Exo 15:11-18). The theme announced in the introduction in Exo 15:1 is thus treated in three different ways; and whilst the omnipotence of God, displayed in the destruction of the enemy, is the prominent topic in the first two strophes, the third depicts with prophetic confidence the fruit of this glorious event in the establishment of Israel, as a kingdom of Jehovah, in the promised inheritance. Modern criticism, it is true, has taken offence at this prophetic insight into the future, and rejected the song of Moses, just because the wonders of God are carried forward in Exo 15:16, Exo 15:17, beyond the Mosaic times. But it was so natural a thing that, after the miraculous deliverance of the Israelites from Egypt, they should turn their eyes to Canaan, and, looking forward with certainty to the possession of the promised land, should anticipate with believing confidence the foundation of a sanctuary there, in which their God would dwell with them, that none but those who altogether reject the divine mission of Moses, and set down the mighty works of God in Egypt as myths, could ever deny to Moses this anticipation and prospect. Even Ewald admits that this grand song of praise "was probably the immediate effect of first enthusiasm in the Mosaic age," though he also ignores the prophetic character of the song, and denies the reality of any of the supernatural wonders of the Old Testament. There is nothing to prevent our understanding words, "then sang Moses," as meaning that Moses not only sang this song with the Israelites, but composed it for the congregation to the praise of Jehovah. Exo 15:1-5 Introduction and first strophe. - The introduction, which contains the theme of the song, "Sing will I to the Lord, for highly exalted is He, horse and his rider He hath thrown into the sea," was repeated, when sung, as an anti-strophe by a chorus of women, with Miriam at their head (cf. Exo 15:20, Exo 15:21); whether after every verse, or only at the close of the longer strophes, cannot be determined. גּאה to arise, to grow up, trop. to show oneself exalted; connected with an inf. abs. to give still further emphasis. Jehovah had displayed His superiority to all earthly power by casting horses and riders, the proud army of the haughty Pharaoh, into the sea. This had filled His people with rejoicing: (Exo 15:2), "My strength and song is Jah, He became my salvation; He is my God, whom I extol, my father's God, whom I exalt." עז strength, might, not praise or glory, even in Psa 8:2. זמרת, an old poetic form for זמרה, from זמר, primarily to hum; thence זמּר רב́ככוים, to play music, or sing with a musical accompaniment. Jah, the concentration of Jehovah, the God of salvation ruling the course of history with absolute freedom, has passed from this song into the Psalms, but is restricted to the higher style of poetry. "For He became salvation to me, granted me deliverance and salvation:" on the use of vav consec. in explanatory clauses, see Gen 26:12. This clause is taken from our song, and introduced in Isa 12:2; Psa 118:14. אלי זה: this Jah, such an one is my God. אנוהוּ: Hiphil of נוה, related to נאה, נאוה, to be lovely, delightful, Hiph. to extol, to praise, δοξάσω, glorificabo (lxx, Vulg.). "The God of my father:" i.e., of Abraham as the ancestor of Israel, or, as in Exo 3:6, of the three patriarchs combined. What He promised them (Gen 15:14; Gen 46:3-4) He had now fulfilled. Exo 15:3-4 "Jehovah is a man of war:" one who knows how to make war, and possesses the power to destroy His foes. "Jehovah is His name:" i.e., He has just proved Himself to be the God who rules with unlimited might. For (Exo 15:4) "Pharaoh's chariots and his might (his military force) He cast into the sea, and the choice (the chosen ones) of his knights (shelishim, see Exo 14:7) were drowned in the Red Sea." Exo 15:5 "Floods cover them (יכסימוּ, defectively written for יכסיוּ = יכסּוּ, and the suffix מוּ for מו, only used here); they go down into the deep like stone," which never appears again. Exo 15:6-10 Jehovah had not only proved Himself to be a true man of war in destroying the Egyptians, but also as the glorious and strong one, who overthrows His enemies at the very moment when they think they are able to destroy His people. Exo 15:6-7 "Thy right hand, Jehovah, glorified in power (gloriously equipped with power: on the Yod in נאדּרי, see Gen 31:39; the form is masc., and ימין, which is of common gender, is first of all construed as a masculine, as in Pro 27:16, and then as a feminine), "Thy right hand dashes in pieces the enemy." רעץ = רצץ: only used here, and in Jdg 10:8. The thought it quite a general one: the right hand of Jehovah smites every foe. This thought is deduced from the proof just seen of the power of God, and is still further expanded in Exo 15:7, "In the fulness of Thy majesty Thou pullest down Thine opponents." הרס generally applied to the pulling down of buildings; then used figuratively for the destruction of foes, who seek to destroy the building (the work) of God; in this sense here and Psa 28:5. קמים: those that rise up in hostility against a man (Deu 33:11; Psa 18:40, etc.). "Thou lettest out Thy burning heat, it devours them like stubble." חרן, the burning breath of the wrath of God, which Jehovah causes to stream out like fire (Eze 7:3), was probably a play upon the fiery look cast upon the Egyptians from the pillar of cloud (cf. Isa 9:18; Isa 10:17; and on the last words, Isa 5:24; Nah 1:10). Exo 15:8-10 Thus had Jehovah annihilated the Egyptians. "And by the breath of Thy nostrils (i.e., the strong east wind sent by God, which is described as the blast of the breath of His nostrils; cf. Psa 18:16) the waters heaped themselves up (piled themselves up, so that it was possible to go between them like walls); the flowing ones stood like a heap" (נד cumulus; it occurs in Jos 3:13, Jos 3:16, and Psa 33:7; Psa 78:13, where it is borrowed from this passage. מזלים: the running, flowing ones; a poetic epithet applied to waves, rivers, or brooks, Psa 78:16, Psa 78:44; Isa 44:3). "The waves congealed in the heart of the sea:" a poetical description of the piling up of the waves like solid masses. Exo 15:9 "The enemy said: I pursue, overtake, divide spoil, my soul becomes full of them; I draw my sword, my hand will root them out." By these short clauses following one another without any copula, the confidence of the Egyptian as he pursued them breathing vengeance is very strikingly depicted. נפשׁ: the soul as the seat of desire, i.e., of fury, which sought to take vengeance on the enemy, "to cool itself on them." הורישׁ: to drive from their possession, to exterminate (cf. Num 14:12). Exo 15:10 "Thou didst blow with Thy breath: the sea covered them, they sank as lead in the mighty waters." One breath of God was sufficient to sink the proud foe in the waves of the sea. The waters are called אדּרים, because of the mighty proof of the Creator's glory which is furnished by the waves as they rush majestically along. Exo 15:11-18 Third strophe. On the ground of this glorious act of God, the song rises in the third strophe into firm assurance, that in His incomparable exaltation above all gods Jehovah will finish the word of salvation, already begun, fill all the enemies of Israel with terror at the greatness of His arm, bring His people to His holy dwelling-place, and plant them on the mountain of His inheritance. What the Lord had done thus far, the singer regarded as a pledge of the future. Exo 15:11-12 "Who is like unto Thee among the gods, O Jehovah (אלים: not strong ones, but gods, Elohim, Psa 86:8, because none of the many so-called gods could perform such deeds), who is like unto Thee, glorified in holiness?" God had glorified Himself in holiness through the redemption of His people and the destruction of His foes; so that Asaph could sing, "Thy way, O God, is in holiness" (Psa 78:13). קדשׁ, holiness, is the sublime and incomparable majesty of God, exalted above all the imperfections and blemishes of the finite creature (vid., Exo 19:6). "Fearful for praises, doing wonders." The bold expression תהלּת נורא conveys more than summe venerandus, s. colendus laudibus, and signifies terrible to praise, terribilis laudibus. As His rule among men is fearful (Psa 66:5), because He performs fearful miracles, so it is only with fear and trembling that man can sing songs of praise worthy of His wondrous works. Omnium enim laudantium vires, linguas et mentes superant ideoque magno cum timore et tremore eum laudant omnes angeli et sancti (C. a Lap.). "Thou stretchest out Thy hand, the earth swallows them." With these words the singer passes in survey all the mighty acts of the Lord, which were wrapt up in this miraculous overthrow of the Egyptians. The words no longer refer to the destruction of Pharaoh and his host. What Egypt had experienced would come upon all the enemies of the Lord and His people. Neither the idea of the earth swallowing them, nor the use of the imperfect, is applicable to the destruction of the Egyptians (see Exo 15:1, Exo 15:4, Exo 15:5, Exo 15:10, Exo 15:19, where the perfect is applied to it as already accomplished). Exo 15:13 "Thou leadest through Thy mercy the people whom Thou redeemest; Thou guidest them through Thy might to Thy holy habitation." The deliverance from Egypt and guidance through the Red Sea were a pledge to the redeemed people of their entrance into the promised land. The holy habitation of God was Canaan (Psa 78:54), which had been consecrated as a sacred abode for Jehovah in the midst of His people by the revelations made to the patriarchs there, and especially by the appearance of God at Bethel (Gen 28:16., Exo 31:13; Exo 35:7). Exo 15:14 "People hear, they are afraid; trembling seizes the inhabitants of Philistia." Exo 15:15 "Then are the princes (alluphim, see Gen 36:15) of Edom confounded; the mighty men of Moab, trembling seizes them; all the inhabitants of Canaan despair." אלים, like אוּלים in Kg2 24:15, scriptio plena for אלים, strong, powerful ones. As soon as these nations should hear of the miraculous guidance of Israel through the Red Sea, and Pharaoh's destruction, they would be thrown into despair from anxiety and alarm, and would not oppose the march of Israel through their land. Exo 15:16 "Fear and dread fall upon them; for the greatness of Thine arm (the adjective גּדול placed as a substantive before the noun) they are dumb (ידּמוּ from דּמם) as stones, till Thy people pass through, Jehovah, till the people which Thou hast purchased pass through." Israel was still on its march to Canaan, an evident proof that Exo 15:13-15 do not describe what was past, but that future events were foreseen in spirit, and are represented by the use of perfects as being quite as certain as if they had already happened. The singer mentions not only Edom and Moab, but Philistia also, and the inhabitants of Canaan, as enemies who are so paralyzed with terror, as to offer no resistance to the passage of Israel through their territory; whereas the history shows that Edom did oppose their passing through its land, and they were obliged to go round in consequence (Num 20:18.; Deu 2:3, Deu 2:8), whilst Moab attempted to destroy them through the power of Balaam's curse (Num 22:2.); and what the inhabitants of Philistia and Canaan had to fear, was not their passing through, but their conquest of the land. (Note: The fact that the inhabitants of Philistia and Canaan are described in the same terms as Edom and Moab, is an unquestionable proof that this song was composed at a time when the command to exterminate the Canaanites had not yet been given, and the boundary of the territory to be captured by the Israelites was not yet fixed; in other words, that it was sung by Moses and the Israelites after the passage through the Red Sea. In the words יעבר עד in Exo 15:16, there is by no means the allusion to, or play upon, the passage through the Jordan, which Knobel introduces.) We learn, however, from Jos 2:9-10 and Jos 9:9, that the report of Israel's miraculous passage through the Red Sea had reached to Canaan, and filled its inhabitants with terror. Exo 15:17-18 "Thou wilt bring and plant them in the mountain of Thine inheritance, the place which Thou hast made for Thy dwelling-place, Jehovah, for the sanctuary, Lord, which Thy hands prepared." On the dagesh dirim. in מקּדשׁ, see Exo 2:3. The futures are not to be taken as expressive of wishes, but as simple predictions, and are not to be twisted into preterites, as they have been by Knobel. The "mountain of Jehovah's inheritance" was not the hill country of Canaan (Deu 3:25), but the mountain which Jehovah had prepared for a sanctuary (Psa 78:54), and chosen as a dwelling-place through the sacrifice of Isaac. The planting of Israel upon this mountain does not signify the introduction of the Israelites into the promised land, but the planting of the people of God in the house of the Lord (Psa 92:14), in the future sanctuary, where Jehovah would perfect His fellowship with His people, and where the people would show themselves by their sacrifices to be the "people of possession," and would serve Him for ever as their King. This was the goal, to which the redemption from Egypt pointed, and to which the prophetic foresight of Moses raised both himself and his people in this song, as he beholds in spirit and ardently desires the kingdom of Jehovah in its ultimate completion. (Note: Auberlen's remarks in the Jahrb.f. d. Theol. iii. p. 793, are quite to the point: "In spirit Moses already saw the people brought to Canaan, which Jehovah had described, in the promise given to the fathers and repeated to him, as His own dwelling-place where He would abide in the midst of His people in holy separation from the nations of the world. When the first stage had been so gloriously finished, he could already see the termination of the journey."..."The nation was so entirely devoted to Jehovah, that its own dwelling-place fell into the shade beside that of its God, and assumed the appearance of a sojourning around the sanctuary of Jehovah, for God went up before the people in the pillar of cloud and fire. The fact that a mountain is mentioned in Exo 15:17 as the dwelling-place of Jehovah is no proof of a vaticinium post eventum, but is a true prophecy, having its natural side, however, in the fact that mountains were generally the sites chosen for divine worship and for temples; a fact with which Moses was already acquainted (Gen 22:2; Exo 3:1, Exo 3:12; compare such passages as Num 22:41; Num 33:52; Mic 4:1-2). In the actual fulfilment its was Mount Zion upon which Jehovah was enthroned as King in the midst of his People.) The song closes in Exo 15:18 with an inspiring prospect of the time, when "Jehovah will be King (of His people) for ever and ever;" and in Exo 15:19, it is dovetailed into the historical narrative by the repetition of the fact to which it owed its origin, and by the explanatory "for," which points back to the opening verse. Exo 15:19-21 In the words "Pharaoh's horse, with his chariots and horsemen," Pharaoh, riding upon his horse as the leader of the army, is placed at the head of the enemies destroyed by Jehovah. In Exo 15:20, Miriam is called "the prophetess," not ob poeticam et musicam facultatem (Ros.), but because of her prophetic gift, which may serve to explain her subsequent opposition to Moses (Num 11:1, Num 11:6); and "the sister of Aaron," though she was Moses' sister as well, and had been his deliverer in his infancy, not "because Aaron had his own independent spiritual standing by the side of Moses" (Baumg.), but to point out the position which she was afterwards to occupy in the congregation of Israel, namely, as ranking, not with Moses, but with Aaron, and like him subordinate to Moses, who had been placed at the head of Israel as the mediator of the Old Covenant, and as such was Aaron's god (Exo 4:16, Kurtz). As prophetess and sister of Aaron she led the chorus of women, who replied to the male chorus with timbrels and dancing, and by taking up the first strophe of the song, and in this way took part in the festival; a custom that was kept up in after times in the celebration of victories (Jdg 11:34; Sa1 18:6-7; Sa1 21:12; Sa1 29:5), possibly in imitation of an Egyptian model (see my Archologie, 137, note 8).
John Gill Bible Commentary
Then sang Moses and the children of Israel this song unto the Lord,.... Which is the first song recorded in Scripture, though no doubt before this time songs of praise were sung to the Lord; the people of God having occasion in all ages more or less to sing his praises. The Jews (n) speak of ten songs, the first of which was sung by Adam, when his sins were forgiven him, and this song of Moses is the second; though sometimes they say (o), from the creation of the world to the standing of Israel by the Red sea, we do not find that ever any man sung a song but Israel; God created the first man, but he sang no song: however, this is the first on record, and is a typical one; Moses the composer of it, and who bore a principal part in it, and was the deliverer of the people of Israel, was a type of Christ, the Redeemer of his church: and Israel that joined with him in it, and were the persons delivered, were typical of the spiritual Israel of God redeemed by Christ; and the deliverance here celebrated bore a great resemblance to the redemption wrought out by him; and Christ, the Angel of the Lord, that went before the Israelites through the Red sea, and fought for them, is the principal person concerned in it, and who is meant by the Lord throughout the whole of it, and to whom it is sung; and a song upon a similar occasion to this will be sung in the latter day, upon the destruction of spiritual Egypt, or antichrist, and is called the song of Moses and the Lamb in allusion to it, Rev 15:3 The Jews (p) say, this shall be sung at the time, when the wicked shall perish out of the world, and observe that it is not written "then sung", but "then shall sing", &c. Moses had reason to sing, since God had heard his prayer, and had done him honour before the people, and he was both an instrument of and a sharer in the salvation wrought; and the children of Israel had reason to sing, inasmuch as they were a people chosen of God, and distinguished by him; were redeemed from bondage, called out of Egypt, and now saved out of the hands of their enemies, who were all destroyed, and they brought safely through the Red sea, and landed on firm ground. And the time when they sung this song was then, when they had passed through the sea on dry land; and when they had seen the Egyptians their enemies dead on the sea shore; and when they were in a proper frame of spirit to sing, when they had taken notice of and considered what great and wonderful things the Lord had done for them, and their minds were suitably impressed with a sense of them; when they were in the exercise of the graces of the fear of God, and faith in him, and which is necessary to the performance of all religious duties, and particularly this of singing the praises of God: and spake, saying, I will sing unto the Lord: that went before them in a pillar of cloud and fire; who had led them safely through the Red sea, and troubled and destroyed the host of the Egyptians; even the same Jehovah, who has undertook the salvation of his people, is become the author of it, and to whom the song of redeeming grace is due: for he hath triumphed gloriously; over Pharaoh and all the Egyptians, the enemies of Israel, as Christ has over sin, in the destruction of it by his sacrifice, and over Satan, and his principalities and powers, when he spoiled them on the cross, and over death the last enemy, and all others; over whom he has made his people more than conquerors, through himself: or, "in excelling he excels" (q); all the angels of heaven, in his name, and nature, relation, and office; and all the sons of men, even the greatest among them, being King of kings, and Lord of lords; in the wonderful things done by him, no such achievements having ever been wrought by any of them: or, "in magnifying, he is magnified" (r); appears to be what he is, great in his nature, perfections, and works; and to be magnified, or declared to be great, and extolled as such by all that know and fear him: the horse and his rider hath he thrown into the sea; the horses and horsemen of Pharaoh; and which is not amiss allegorically applied, by Tertullian (s), to the world and the devil; the world is the horse, and the rider the devil; that being under his power and direction, he being the god of it, and working effectually in it; spurring and exciting the men of it to every sinful lust and pleasure; and may be put for all the spiritual enemies of God's people, especially their sins; which are cast by the Lord into the midst of the sea, never to be seen and remembered any more, and which is to them matter of a song of praise and thanksgiving. (n) Targum in Cant. i. 1. (o) Shemot Rabba, sect. 23. fol. 107. 3. (p) Tikkune Zohar, correct. 10. fol. 20. 2. (q) "excellendo excelluit", Piscator. (r) "Magnificando magnificatus est", Pagninus, Montanus, Vatablus. (s) Contr. Marcion, l. 4. c. 20.
Matthew Henry Bible Commentary
Having read how that complete victory of Israel over the Egyptians was obtained, here we are told how it was celebrated; those that were to hold their peace while the deliverance was in working (Exo 14:14) must not hold their peace now that it was wrought; the less they had to do then the more they had to do now. If God accomplishes deliverance by his own immediate power, it redounds so much the more to his glory. Moses, no doubt by divine inspiration, indited this song, and delivered it to the children of Israel, to be sung before they stirred from the place where they saw the Egyptians dead upon the shore. Observe, 1. They expressed their joy in God, and thankfulness to him, by singing; it is almost natural to us thus to give vent to our joy and the exultations of our spirit. By this instance it appears that the singing of psalms, as an act of religious worship, was used in the church of Christ before the giving of the ceremonial law, and therefore was no part of it, nor abolished with it. Singing is as much the language of holy joy as praying is of holy desire. 2. Moses, who had gone before them through the sea, goes before them in the song, and composes it for them. Note, Those that are active in public services should not be neuters in public praises. 3. When the mercy was fresh, and they were much affected with it, then they sang this song. Note, When we have received special mercy from God, we ought to be quick and speedy in our returns of praise to him, before time and the deceitfulness of our own hearts efface the good impressions that have been made. David sang his triumphant song in the day that the Lord delivered him, Sa2 22:1. Bis dat qui cito dat - He gives twice who gives quickly. 4. When they believed the Lord (Exo 14:31) then they sang this song: it was a song of faith; this connection is observed (Psa 106:12): Then believed they his words, they sang his praise. If with the heart man believes, thus confession must be made. Here is, I. The song itself; and, 1. We may observe respecting this song, that it is, (1.) An ancient song, the most ancient that we know of. (2.) A most admirable composition, the style lofty and magnificent, the images lively and proper, and the whole very moving. (3.) It is a holy song, consecrated to the honour of God, and intended to exalt his name and celebrate his praise, and his only, not in the least to magnify any man: holiness to the Lord is engraven in it, and to him they made melody in the singing of it. (4.) It is a typical song. The triumphs of the gospel church, in the downfall of its enemies, are expressed in the song of Moses and the song of the Lamb put together, which are said to be sung upon a sea of glass, as this was upon the Red Sea, Rev 15:2, Rev 15:3. 2. Let us observe what Moses chiefly aims at in this song. (1.) He gives glory to God, and triumphs in him; this is first in his intention (Exo 15:1): I will sing unto the Lord. Note, All our joy must terminate in God, and all our praises be offered up to him, the Father of lights and Father of mercies, for he hath triumphed. Note, All that love God triumph in his triumphs; what is his honour should be our joy. Israel rejoiced in God, [1.] As their own God, and therefore their strength, song, and salvation, Exo 15:2. Happy therefore the people whose God is the Lord; they need no more to make them happy. They have work to do, temptations to grapple with, and afflictions to bear, and are weak in themselves; but he strengthens them: his grace is their strength. They are often in sorrow, upon many accounts, but in him they have comfort, he is their song; sin, and death, and hell, threaten them, but he is, and will be, their salvation: See Isa 12:2. [2.] As their fathers' God. This they take notice of, because, being conscious to themselves of their own unworthiness and provocations, they had reason to think that what God had now done for them was for their fathers' sake, Deu 4:37. Note, The children of the covenant ought to improve their fathers' relation to God as their God for comfort, for caution, and for quickening. [3.] As a God of infinite power (Exo 15:3): The Lord is a man of war, that is, well able to deal with all those that strive with their Maker, and will certainly be too hard for them. [4.] As a God of matchless and incomparable perfection, Exo 15:11. This is expressed, First, More generally: Who is like unto thee, O Lord, among the gods! This is pure praise, and a high expression of humble adoration. - It is a challenge to all other gods to compare with him: "Let them stand forth, and pretend their utmost; none of them dare make the comparison." Egypt was notorious for the multitude of its gods, but the God of the Hebrews was too hard for them and baffled them all, Num 33:4; Deu. 32:23-39. The princes and potentates of the world are called gods, but they are feeble and mortal, none of them all comparable to Jehovah, the almighty and eternal God. - It is confession of his infinite perfection, as transcendent and unparalleled. Note, God is to be worshipped and adored as a being of such infinite perfection that there is none like him, nor any to be compared with him, as one that in all things has and must have the pre-eminence, Psa 89:6. Secondly, More particularly, 1. He is glorious in holiness; his holiness is his glory. It is that attribute which angels adore, Isa 6:3. His holiness appeared in the destruction of Pharaoh, his hatred of sin, and his wrath against obstinate sinners. It appeared in the deliverance of Israel, his delight in the holy seed, and his faithfulness to his own promise. God is rich in mercy - this is his treasure, glorious in holiness - this is his honour. Let us always give thanks at the remembrance of his holiness. 2. He is fearful in praises. That which is the matter of our praise, though it is joyful to the servants of God, is dreadful and very terrible to his enemies, Psa 66:1-3. Or it directs us in the manner of our praising God; we should praise him with a humble holy awe, and serve the Lord with fear. Even our spiritual joy and triumph must be balanced with a religious fear. 3. He is doing wonders, wondrous to all, being above the power and out of the common course of nature; especially wondrous to us, in whose favour they are wrought, who are so unworthy that we had little reason to expect them. They were wonders of power and wonders of grace; in both God was to be humbly adored. (2.) He describes the deliverance they were now triumphing in, because the song was intended, not only to express and excite their thankfulness for the present, but to preserve and perpetuate the remembrance of this work of wonder to after-ages. Two things were to be taken notice of: - [1.] The destruction of the enemy; the waters were divided, Exo 15:8. The floods stood upright as a heap. Pharaoh and all his hosts were buried in the waters. The horse and his rider could not escape (Exo 15:1), the chariots, and the chosen captains (Exo 15:4); they themselves went into the sea, and they were overwhelmed, Exo 15:19. The depths, the sea, covered them, and the proud waters went over the proud sinners; they sank like a stone, like lead (Exo 15:5, Exo 15:10), under the weight of their own guilt and God's wrath. Their sin had made them hard like a stone, and now they justly sink like a stone. Nay, the earth itself swallowed them (Exo 15:12); their dead bodies sank into the sands upon which they were thrown up, which sucked them in. Those whom the Creator fights against the whole creation is at war with. All this was the Lord's doing, and his only. It was an act of his power: Thy right hand, O Lord, not ours, has dashed in pieces the enemy, Exo 15:6. It was with the blast of thy nostrils (Exo 15:8), and thy wind (Exo 15:10), and the stretching out of thy right hand, Exo 15:12. It was an instance of his transcendent power - in the greatness of thy excellency; and it was the execution of his justice: Thou sentest forth thy wrath, Exo 15:7. This destruction of the Egyptians was made the more remarkable by their pride and insolence, and their strange assurance of success: The enemy said, I will pursue, Exo 15:9. Here is, First, Great confidence. When they pursue, they do not question but they shall overtake; and, when they overtake, they do not question but they shall overcome, and obtain so decisive a victory as to divide the spoil. Note, It is common for men to be most elevated with the hope of success when they are upon the brink of ruin, which makes their ruin so much the sorer. See Isa 37:24, Isa 37:25. Secondly, Great cruelty - nothing but killing, and slaying, and destroying, and this will satisfy his lust; and a barbarous lust that is which so much blood must be the satisfaction of. Note, It is a cruel hatred with which the church is hated; its enemies are bloody men. This is taken notice of here to show, 1. That God resists the proud, and delights to humble those who lift up themselves; he that says, "I will, and I will, whether God will or no," shall be made to know that wherein he deals proudly God is above him. 2. That those who thirst for blood shall have enough of it. Those who love to be destroying shall be destroyed; for we know who has said, Vengeance is mine, I will repay. [2.] The protection and guidance of Israel (Exo 15:13): Thou in thy mercy hast led forth the people, led them forth out of the bondage Egypt, led them forth out of the perils of the Red Sea, Exo 15:19. But the children of Israel went on dry land. Note, The destruction of the wicked serves for a foil to set off the salvation of Israel, and to make it the more illustrious, Isa 45:13-15. (3.) He sets himself to improve this wonderful appearance of God for them. [1.] In order to quicken them to serve God: in consideration of this, I will prepare him habitation, Exo 15:2. God having preserved them, and prepared a covert for them under which they had been safe and easy, they resolve to spare no cost nor pains for the erecting of a tabernacle to his honour, and there they will exalt him, and mention, to his praise, the honour he had got upon Pharaoh. God had now exalted them, making them great and high, and therefore they will exalt him, by speaking of his infinite height and grandeur. Note, Our constant endeavour should be, by praising his name and serving his interests, to exalt God; and it is an advancement to us to be so employed. [2.] In order to encourage them to trust in God. So confident is this Psalmist of the happy issue of the salvation which was so gloriously begun that he looks upon it as in effect finished already: "Thou hast guided them to thy holy habitation, Exo 15:13. Thou hast thus put them into the way to it, and wilt in due time bring them to the end of that way," for God's work is perfect; or, "Thou hast guided them to attend thy holy habitation in heaven with their praises." Note, Those whom God takes under his direction he will guide to his holy habitation in faith now, and in fruition shortly. Two ways this great deliverance was encouraging: - First, It was such an instance of God's power as would terrify their enemies, and quite dishearten them, Exo 15:14-16. The very report of the overthrow of the Egyptians would be more than half the over throw of all their other enemies; it would sink their spirits, which would go far towards the sinking of their powers and interests; he Philistines, Moabites, Edomites, and Canaanites (with each of which nations Israel was to grapple), would be alarmed by it, would be quite dispirited, and would conclude it was in vain to fight against Israel, when a God of such power fought for them. It had this effect; the Edomites were afraid of them (Deu 2:4), so were the Moabites (Num 22:3), and the Canaanites, Jos 2:9, Jos 2:10; Jos 5:1. Thus God sent his fear before them (Exo 23:27), and cut off the spirit of princes. Secondly, It was such a beginning of God's favour to them as gave them an earnest of he perfection of his kindness. This was but in order to something further: Thou shalt bring them in, Exo 15:17. If he thus bring them out of Egypt, notwithstanding their unworthiness, and the difficulties that lay in the way of their escape, doubtless he will bring them into Canaan; for has he begun (so begun), and will he not make an end? Note, Our experiences of God's power and favour should be improved for the support of our expectations. "Thou hast, therefore, not only thou canst, but we trust thou wilt," is good arguing. Thou wilt plant them in the place which thou has made for thee to dwell in. Note, It is good dwelling where God dwells, in his church on earth (Psa 27:4), in his church in heaven, Joh 17:24. Where he says, "This is my rest for ever," we should say, "Let it be ours." Lastly, The great ground of the encouragement which they draw from this work of wonder is, The Lord shall reign for ever and ever, Exo 15:18. They had now seen an end of Pharaoh's reign; but time itself shall not put a period to Jehovah's reign, which, like himself, is eternal, and not subject to change. Note, It is the unspeakable comfort of all God's faithful subjects, not only that he does reign universally and with an incontestable sovereignty, but that he will reign eternally, and there shall be no end of his dominion. II. The solemn singing of this song, Exo 15:20, Exo 15:21. Miriam (or Mary, it is the same name) presided in an assembly of the women, who (according to the softness of their sex, and the common usage of those times for expressing joy, with timbrels and dances) sang this song. Moses led the psalm, and gave it out for the men, and then Miriam for the women. Famous victories were wont to be applauded by the daughters of Israel (Sa1 18:6, Sa1 18:7); so was this. When God brought Israel out of Egypt, it is said (Mic 6:4), He sent before them Moses, Aaron, and Miriam, though we read not of any thing memorable that Miriam did but this. But those are to be reckoned great blessings to a people who assist them, and go before them, in praising God.
Tyndale Open Study Notes
15:1-18 Scholars believe this song of rescue to be one of the oldest preserved examples of the Hebrew language, attesting to its importance in Israel’s thought and faith. It is divided into three stanzas: 15:1-5, 6-12, 13-18. The first stanza rejoices in the Lord’s personal rescue of Moses and his people (note the recurrence of the first-person pronouns). The second exults in the great contrast between the Lord and the Egyptians. The third stanza reflects on what these events would mean for the future. 15:1-5 God’s salvation and rescue had implications for personal faith. 15:1 Moses and the people: In this triumphant moment there was no division between them; they sang as one. • I will sing: The highly personal declarations of the first two verses emphasize the personal nature of God’s relation to humans. He is not an impersonal force, but relates to us as one person relates to another. The songs of thanks and hymns of praise in the Bible characteristically give the reason for the thanks or praise early in the piece (see Ps 95:1-3; 96:1-4). The reason for the song is that the Lord . . . has triumphed gloriously. The community’s faith in God through the dark night had been dramatically vindicated.
Exodus 15:1
The Song at the Sea
1Then Moses and the Israelites sang this song to the LORD: “I will sing to the LORD, for He is highly exalted. The horse and rider He has thrown into the sea. 2The LORD is my strength and my song, and He has become my salvation. He is my God, and I will praise Him, my father’s God, and I will exalt Him.
- Scripture
- Sermons
- Commentary
Don't Lose Your Song
By David Wilkerson5.1K49:35OvercomersEXO 15:1PSA 40:3PSA 137:4ISA 12:2ACT 16:25JAS 5:13REV 14:1In this sermon, the speaker emphasizes the importance of not losing one's song, referring to the joy and praise that comes from having a strong faith in God. The speaker reads from Revelation 14:1-5, highlighting the lyrics of the song that believers should hold onto. The song declares that God will come to the rescue, proving all enemies to be liars and providing strength and victory in battles and crises. The speaker warns against murmuring, complaining, and becoming bitter or angry at God, as this can lead to a loss of song and testimony. The sermon encourages believers to trust in God's everlasting arms and to learn the lesson of relying on His supernatural grace in every test and trial.
The Life of David Brainerd - Part. 2
By Jonathan Edwards4.6K1:10:23Audio BooksEXO 3:20EXO 4:14EXO 15:1JOB 14:14MAT 6:33ROM 15:301TH 4:8In this sermon transcript, the preacher reflects on their own feelings of unworthiness and insufficiency. They express a desire for a close and constant devotion to God and a fear of being without Him even for a moment. The preacher also discusses their concern for the state of religion and the false appearance of piety that hinders true spiritual growth. They share their experiences of preaching and feeling inadequate, yet still being assisted by God's presence and spirit. The transcript also includes entries from Brainerd's private diary, where he expresses his struggles with inward trials and doubts about his mission among the heathen. Despite his feelings of vileness, he is grateful for the opportunity to preach and is blessed with God's presence and power in his preaching.
Death of a Promise - Part 3
By David Wilkerson3.2K48:07PromiseEXO 15:1In this sermon series entitled "The Death of a Promise," the preacher discusses the concept of God putting a sentence of death on a promise. He uses the example of Abraham and how God promised him a son and to be the father of many nations, but it did not happen right away. The preacher emphasizes the importance of faith and how it is the key to receiving God's promises. He also highlights that tears, sincerity, and commitment alone cannot produce faith, but it is through hearing and meditating on the word of God that faith is built.
Joy in God
By C.H. Spurgeon2.5K36:12EXO 15:1PSA 16:11MAT 6:33ROM 5:2ROM 5:111TH 4:171PE 1:8In this sermon, the preacher emphasizes the importance of remembering and acknowledging God as our creator and the keeper of His laws. He contrasts the troubled state of those who have forgotten God with the joy and peace experienced by those who have been regenerated and feel a kinship with Him. The preacher highlights the unique joys and blessings that come from knowing and being in relationship with God, which cannot be found in worldly pleasures. He encourages listeners to turn away from the temporary joys of the world and find true joy in God through Jesus Christ, emphasizing the need to approach God through the sacrifice of Jesus.
The Majesty of God
By Leonard Ravenhill2.3K51:56Majesty Of GodEXO 15:1EXO 15:11MAT 6:33In this sermon transcript, the speaker announces that they will be hosting a Bible study every Tuesday night for sixty minutes in Garden Valley. The study will focus on the eleventh chapter of Hebrews, which discusses faith. The speaker mentions the story of Moses parting the sea as an example of great faith in God. They also reference Isaiah 40, describing it as a beautiful piece of prose that emphasizes the majesty of God. The speaker concludes by acknowledging that while God cannot be fully explained, he can be experienced, and encourages listeners to obey God's commands and trust in his design.
(Through the Bible) Revelation 13-15
By Chuck Smith2.0K1:26:30Through The BibleEXO 15:1MAT 23:37JHN 14:9REV 7:3REV 14:1REV 15:3REV 16:7In this sermon, the preacher discusses the final judgments of God and the coming of Jesus Christ. He emphasizes that mankind has reached the peak of rebellion against God, and it is now time for God's final judgments to be executed. The preacher mentions an angel with a sharp sickle who gathers the vine of the earth and casts it into the wine press of God's wrath. He also mentions a lost satellite that was supposed to carry the everlasting gospel, highlighting the importance of spreading the message of salvation. The sermon concludes with a prayer of gratitude for Jesus' redemptive work and a call to hide God's word in our hearts.
Blessing the Blesser
By J. Glyn Owen1.7K47:44BlessedEXO 15:1JDG 5:11KI 4:32JOB 38:7PSA 103:1MAT 6:33EPH 1:3In this sermon, the speaker emphasizes the importance of staying connected to God's power and grace in order to live a fulfilling spiritual life. He uses the analogy of trolley arms connecting to electric pylons to illustrate this concept. The speaker also highlights the need for believers to be constantly aware of God's love and to draw from His life-giving power moment by moment. The sermon focuses on the apostle Paul's exuberant praise and excitement over the blessings and grace of God, which should inspire believers to have a similar fervor in their faith.
The Majesty of Our God
By Leonard Ravenhill1.7K51:28Character Of GodEXO 15:1EXO 15:11ISA 40:18ISA 49:16ISA 60:1HEB 11:11HEB 11:18In this sermon, Dave Wilkerson and his wife discuss the power of experiencing God's presence firsthand rather than just watching it in films or hearing about it in class. They announce their plan to hold a weekly Bible study for sixty minutes, focusing on the eleventh chapter of Hebrews on faith. They emphasize the importance of studying the Word of God and encourage listeners to tape the sessions. The sermon also highlights the incomparable nature of God and the inability to compare Him to anything or anyone else.
The Light of the World
By Leonard Ravenhill1.7K45:42Jesus ChristEXO 15:1REV 5:6In this sermon, the speaker tells a story about a man who waved his lamp in front of a carriage and was exonerated by a judge. The man was troubled because he was asked if he had a light in his lamp, highlighting the issue of empty professions of faith. The speaker then discusses the parable of the ten virgins, emphasizing the importance of having enough light in our lamps. The sermon concludes with a call to action, urging people to truly understand the new birth and the significance of Jesus Christ as the light of the world.
Rock Music
By Jack Hyles1.6K56:53Rock MusicEXO 15:1EPH 5:18In this sermon, the preacher expresses his love for the kids on his basketball team and his desire for them to grow up in a free America. He encourages people to join a church that sings solid songs that have built the church and brought revival to the nation. The preacher then discusses the influence of music and how the communists use it as a tool to spread their doctrine. He shares an example of how music can affect people's behavior by observing the reactions of cafeteria-goers to different types of music. The preacher emphasizes the importance of being aware of the impact of music and encourages listeners to choose music that aligns with biblical principles.
Worship, "As It Is in Heaven"
By Denny Kenaston1.1K1:07:11WorshipEXO 15:1In this sermon, the preacher focuses on the scene described in Revelation chapter four. He describes the throne of God and the presence of the elders and seraphims around it. The preacher emphasizes the worship and reverence shown by the elders and the constant praise offered by the seraphims. The sermon also highlights the impact of heaven on those who experience it and challenges the listeners to let their walk with God add to the atmosphere of their meetings.
Active Faith Conquers Temptation
By Billy Strachan79146:35TemptationEXO 15:1JAS 1:2In this sermon, the speaker talks about how people often try to keep themselves and others confined and discontented, instead of allowing them to experience freedom and abundance. He emphasizes the importance of trusting in God and relying on Him in difficult circumstances, just as Jesus did when faced with a challenging situation. The speaker also highlights the need for believers to be a source of comfort and blessing to others who are going through trials. He warns against withdrawing from society and avoiding responsibilities, reminding listeners that God takes His people through reality rather than away from it.
Put Confidence in My Fearful Heart
By Carter Conlon59535:12EXO 15:1REV 15:1This sermon emphasizes putting confidence in God in the midst of fearful times, drawing parallels between the experiences of John in Revelation and Moses in Exodus. It encourages believers to trust in God's faithfulness, sing songs of victory, and declare the coming triumph of Christ, despite the challenges and darkness of the world. The message instills a deep trust in God's sovereignty and eternal victory over sin and death, urging listeners to stand firm in faith and worship God with confidence.
God's Response to Israel
By Chuck Smith50025:05IsraelEXO 15:1EXO 16:1EXO 16:3EXO 16:15EXO 16:35EXO 17:3In this sermon, Pastor Chuck Smith discusses the response of God to the grumblings of the children of Israel after their deliverance from Egypt. He emphasizes the importance of having a close relationship with God and experiencing His presence and power in our lives. Pastor Chuck also highlights the need for faithful warnings and declarations of God's truth, particularly in relation to prophecy. He uses the analogy of a potter shaping clay on a wheel to illustrate how God molds and shapes us through the circumstances of our lives.
The Philippian Gaoler Gets Saved
By Robin McKeown47024:04SalvationEXO 15:1PSA 40:3ACT 16:25ACT 16:30ACT 16:34COL 3:16In this sermon, the preacher emphasizes the urgency of awakening from spiritual sleep and being saved from the possibility of going to hell. He uses biblical references, such as Romans 13:11 and 1 Thessalonians 5:4, to emphasize the importance of being awake and alert in one's faith. The preacher shares a story of a man who was saved after being cast into prison and another story of a man who was asleep in a boat and almost faced danger. The sermon encourages listeners to not only be saved but also to share their faith with others.
Sweet Water With Wilderness - Exodus 15+16
By Phil Beach Jr.1839:16Finding God in TrialsDependence On GodWildernessEXO 15:1Phil Beach Jr. emphasizes the lessons learned by the Israelites during their journey from Egypt through the wilderness, highlighting how God uses trials and tribulations to teach dependence on Him. He explains that while the Israelites initially rejoiced after witnessing God's miraculous deliverance at the Red Sea, they soon faced bitter waters in the wilderness, which tested their faith. Beach encourages believers to seek God's presence in their difficulties, suggesting that the key to spiritual maturity lies not in escaping trials but in finding God's provision within them. He reminds the congregation that Christ is the sanctuary that provides sustenance and hope amidst life's challenges. Ultimately, the sermon calls for a shift in perspective, urging believers to invite God into their struggles to transform bitterness into sweetness.
Of Singing Psalms.
By John Gill0WorshipSinging PsalmsEXO 15:1PSA 66:1PSA 96:1ISA 52:7MAT 26:30ACT 16:25EPH 5:19COL 3:16JAS 5:13REV 5:9John Gill emphasizes the significance of singing psalms as a vital aspect of public worship, distinguishing it from prayer, giving thanks, and praising God. He argues that singing is a natural and spiritual act that has been practiced throughout history, both by the faithful and even by those outside the faith. Gill highlights that singing should be done with sincerity, understanding, and in a manner that glorifies God, while also addressing common objections to the practice. He asserts that singing psalms, hymns, and spiritual songs is not only a command but a moral duty for all believers, regardless of their circumstances. Ultimately, Gill encourages the church to embrace this form of worship as a means of expressing joy and gratitude to God.
The Magic of Music (Part 1)
By K.P. Yohannan0The Power of MusicHope and DeliveranceEXO 15:1K.P. Yohannan explores the profound impact of music, illustrating how it brings joy and relief to both humans and animals, as seen in ancient epics. He emphasizes God's intent for music as a source of hope and deliverance, citing examples from the Bible where music accompanied moments of victory and sorrow, such as the Israelites' song after crossing the Red Sea and David's music that soothed King Saul. Yohannan highlights the tradition of lamentation in Israel and the significance of music in expressing emotions, culminating in the New Testament where Jesus is welcomed with songs. He encourages the congregation to embrace music as a means of teaching and uplifting one another in faith.
And So All Israel Shall Be Saved
By C.H. Spurgeon0God's FaithfulnessAssurance of SalvationEXO 15:1C.H. Spurgeon emphasizes the assurance of salvation for all of God's chosen people, drawing parallels between the Israelites' safe passage through the Red Sea and the ultimate redemption of believers. He reflects on the joy of knowing that not one of God's elect will be lost, as they will all gather around the throne in heaven to sing praises for His grace. Spurgeon encourages believers to remain hopeful, as the journey of faith continues, and reassures them that the last of the chosen will soon cross the sea of trials. He warns that the absence of even one redeemed soul would mar the harmony of heaven's song, underscoring the completeness of God's plan for salvation.
The Eternal Torment of the Wicked
By Robert Murray M'Cheyne0Divine JusticeEternal JudgmentEXO 15:1PSA 16:11PRO 1:26ISA 66:24MAT 25:31LUK 13:28LUK 16:22REV 7:9REV 14:10REV 19:1Robert Murray M'Cheyne delivers a sobering sermon on 'The Eternal Torment of the Wicked', emphasizing that the eternal punishment of the wicked will be a source of joy and praise for the redeemed in heaven. He explains that the inhabitants of heaven will rejoice over the destruction of Babylon and the downfall of Antichrist, singing 'Alleluia' as they witness the eternal torment of the wicked. M'Cheyne asserts that this joy will not stem from a desire to see suffering, but from a shared divine perspective that recognizes God's righteous judgment. He warns the unrepentant that there will be no pity for them in hell, neither from God nor from the redeemed, who will instead celebrate God's justice. The sermon serves as a call to repentance, urging listeners to embrace the grace offered by Christ before it is too late.
- Adam Clarke
- Keil-Delitzsch
- John Gill
- Matthew Henry
- Tyndale
Adam Clarke Bible Commentary
Then sang Moses and the children of Israel this song - Poetry has been cultivated in all ages and among all people, from the most refined to the most barbarous; and to it principally, under the kind providence of God, we are indebted for most of the original accounts we have of the ancient nations of the universe. Equally measured lines, with a harmonious collocation of expressive, sonorous, and sometimes highly metaphorical terms, the alternate lines either answering to each other in sense, or ending with similar sounds, were easily committed to memory, and easily retained. As these were often accompanied with a pleasing air or tune, the subject being a concatenation of striking and interesting events, histories formed thus became the amusement of youth, the softeners of the tedium of labor, and even the solace of age. In such a way the histories of most nations have been preserved. The interesting events celebrated, the rhythm or metre, and the accompanying tune or recitativo air, rendered them easily transmissible to posterity; and by means of tradition they passed safely from father to son through the times of comparative darkness, till they arrived at those ages in which the pen and the press have given them a sort of deathless duration and permanent stability, by multiplying the copies. Many of the ancient historic and heroic British tales are continued by tradition among the aboriginal inhabitants of Ireland to the present day; and the repetition of them constitutes the chief amusement of the winter evenings. Even the prose histories, which were written on the ground of the poetic, copied closely their exemplars, and the historians themselves were obliged to study all the beauties and ornaments of style, that their works might become popular; and to this circumstance we owe not a small measure of what is termed refinement of language. How observable is this in the history of Herodotus, who appears to have closely copied the ancient poetic records in his inimitable and harmonious prose; and, that his books might bear as near a resemblance as possible to the ancient and popular originals, he divided them into nine, and dedicated each to one of the muses! His work therefore seems to occupy the same place between the ancient poetic compositions and mere prosaic histories, as the polype does between plants and animals. Much even of our sacred records is written in poetry, which God has thus consecrated to be the faithful transmitter of remote and important events; and of this the song before the reader is a proof in point. Though this is not the first specimen of poetry we have met with in the Pentateuch, (see Lamech's speech to his wives, Gen 4:23, Gen 4:24; Noah's prophecy concerning his sons, Gen 9:25-27; and Jacob's blessing to the twelve patriarchs, Genesis 49:2-27 (note)), yet it is the first regular ode of any considerable length, having but one subject; and it is all written in hemistichs, or half lines, the usual form in Hebrew poetry; and though this form frequently occurs, it is not attended to in our common printed Hebrew Bibles, except in this and three other places, (Deuteronomy 32, Judges 5, and 2 Samuel 22)., all of which shall be noticed as they occur. But in Dr. Kennicott's edition of the Hebrew Bible, all the poetry, wheresoever it occurs, is printed in its own hemistich form. After what has been said it is perhaps scarcely necessary to observe, that as such ancient poetic histories commemorated great and extraordinary displays of providence, courage, strength, fidelity, heroism, and piety; hence the origin of Epic poems, of which the song in this chapter is the earliest specimen. And on the principle of preserving the memory of such events, most nations have had their epic poets, who have generally taken for their subject the most splendid or most remote events of their country's history, which either referred to the formation or extension of their empire, the exploits of their ancestors, or the establishment of their religion. Hence the ancient Hebrews had their Shir Mosheh, the piece in question: the Greeks, their Ilias; the Hindoos, their Mahabarat; the Romans, their Aeneid; the Norwegians, their Edda; the Irish and Scotch, their Fingal and Chronological poems; the Welsh, their Taliessin and his Triads; the Arabs, their Nebiun-Nameh (exploits of Mohammed) and Hamleh Heedry, (exploits of Aly); the Persians, their Shah Nameh, (book of kings); the Italians, their Gerusalemme Liberata; the Portuguese, their Lusiad; the English, their Paradise Lost; and, in humble imitation of all the rest, (etsi non passibus aequis), the French, their Henriade. The song of Moses has been in the highest repute in the Church of God from the beginning; the author of the Book of The Wisdom of Solomon attributes it in a particular manner to the wisdom of God, and says that on this occasion God opened the mouth of the dumb, and made the tongues of infants eloquent; The Wisdom of Solomon 10:21. As if he had said, Every person felt an interest in the great events which had taken place, and all labored to give Jehovah that praise which was due to his name. "With this song of victory over Pharaoh," says Mr. Ainsworth, "the Holy Ghost compares the song of those who have gotten the victory over the spiritual Pharaoh, the beast, (Antichrist), when they stand by the sea of glass mingled with fire, (as Israel stood here by the Red Sea), having the harps of God, (as the women here had timbrels, Exo 15:20), and they sing the song of Moses the servant of God, and the song of the Lamb, the Son of God," Rev 15:2-4. I will sing unto the Lord - Moses begins the song, and in the two first hemistichs states the subject of it; and these two first lines became the grand chorus of the piece, as we may learn from Exo 15:21. See Dr. Kennicott's arrangement and translation of this piece at the end of this chapter. See Clarke's note on Exo 15:26. Triumphed gloriously - כי גאה גאה ki gaoh gaah, he is exceedingly exalted, rendered by the Septuagint, Ενδοξως γαρ δεδοξασται, He is gloriously glorified; and surely this was one of the most signal displays of the glorious majesty of God ever exhibited since the creation of the world. And when it is considered that the whole of this transaction shadowed out the redemption of the human race from the thraldom and power of sin and iniquity by the Lord Jesus, and the final triumph of the Church of God over all its enemies, we may also join in the song, and celebrate Him who has triumphed so gloriously, having conquered death, and opened the kingdom of heaven to all believers.
Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary
In the song of praise which Moses and the children of Israel sang at the Red Sea, in celebration of the wonderful works of Jehovah, the congregation of Israel commemorated the fact of its deliverance and its exaltation into the nation of God. By their glorious deliverance from the slave-house of Egypt, Jehovah had practically exalted the seed of Abraham into His own nation; and in the destruction of Pharaoh and his host, He had glorified Himself as God of the gods and King of the heathen, whom no power on earth could defy with impunity. As the fact of Israel's deliverance from the power of its oppressors is of everlasting importance to the Church of the Lord in its conflict with the ungodly powers of the world, in which the Lord continually overthrows the enemies of His kingdom, as He overthrew Pharaoh and his horsemen in the depths of the sea: so Moses' song at the Red Sea furnishes the Church of the Lord with the materials for its songs of praise in all the great conflicts which it has to sustain, during its onward course, with the powers of the world. Hence not only does the key-note of this song resound through all Israel's songs, in praise of the glorious works of Jehovah for the good of His people (see especially Isa 12:1-6), but the song of Moses the servant of God will also be sung, along with the song of the Lamb, by the conquerors who stand upon the "sea of glass," and have gained the victory over the beast and his image (Rev 15:3). The substance of this song, which is entirely devoted to the praise and adoration of Jehovah, is the judgment inflicted upon the heathen power of the world in the fall of Pharaoh, and the salvation which flowed from this judgment to Israel. Although Moses is not expressly mentioned as the author of the song, its authenticity, or Mosaic authorship, is placed beyond all doubt by both the contents and the form. The song is composed of three gradually increasing strophes, each of which commences with the praise of Jehovah, and ends with a description of the overthrow of the Egyptian host (Exo 15:2-5, Exo 15:6-10, Exo 15:11-18). The theme announced in the introduction in Exo 15:1 is thus treated in three different ways; and whilst the omnipotence of God, displayed in the destruction of the enemy, is the prominent topic in the first two strophes, the third depicts with prophetic confidence the fruit of this glorious event in the establishment of Israel, as a kingdom of Jehovah, in the promised inheritance. Modern criticism, it is true, has taken offence at this prophetic insight into the future, and rejected the song of Moses, just because the wonders of God are carried forward in Exo 15:16, Exo 15:17, beyond the Mosaic times. But it was so natural a thing that, after the miraculous deliverance of the Israelites from Egypt, they should turn their eyes to Canaan, and, looking forward with certainty to the possession of the promised land, should anticipate with believing confidence the foundation of a sanctuary there, in which their God would dwell with them, that none but those who altogether reject the divine mission of Moses, and set down the mighty works of God in Egypt as myths, could ever deny to Moses this anticipation and prospect. Even Ewald admits that this grand song of praise "was probably the immediate effect of first enthusiasm in the Mosaic age," though he also ignores the prophetic character of the song, and denies the reality of any of the supernatural wonders of the Old Testament. There is nothing to prevent our understanding words, "then sang Moses," as meaning that Moses not only sang this song with the Israelites, but composed it for the congregation to the praise of Jehovah. Exo 15:1-5 Introduction and first strophe. - The introduction, which contains the theme of the song, "Sing will I to the Lord, for highly exalted is He, horse and his rider He hath thrown into the sea," was repeated, when sung, as an anti-strophe by a chorus of women, with Miriam at their head (cf. Exo 15:20, Exo 15:21); whether after every verse, or only at the close of the longer strophes, cannot be determined. גּאה to arise, to grow up, trop. to show oneself exalted; connected with an inf. abs. to give still further emphasis. Jehovah had displayed His superiority to all earthly power by casting horses and riders, the proud army of the haughty Pharaoh, into the sea. This had filled His people with rejoicing: (Exo 15:2), "My strength and song is Jah, He became my salvation; He is my God, whom I extol, my father's God, whom I exalt." עז strength, might, not praise or glory, even in Psa 8:2. זמרת, an old poetic form for זמרה, from זמר, primarily to hum; thence זמּר רב́ככוים, to play music, or sing with a musical accompaniment. Jah, the concentration of Jehovah, the God of salvation ruling the course of history with absolute freedom, has passed from this song into the Psalms, but is restricted to the higher style of poetry. "For He became salvation to me, granted me deliverance and salvation:" on the use of vav consec. in explanatory clauses, see Gen 26:12. This clause is taken from our song, and introduced in Isa 12:2; Psa 118:14. אלי זה: this Jah, such an one is my God. אנוהוּ: Hiphil of נוה, related to נאה, נאוה, to be lovely, delightful, Hiph. to extol, to praise, δοξάσω, glorificabo (lxx, Vulg.). "The God of my father:" i.e., of Abraham as the ancestor of Israel, or, as in Exo 3:6, of the three patriarchs combined. What He promised them (Gen 15:14; Gen 46:3-4) He had now fulfilled. Exo 15:3-4 "Jehovah is a man of war:" one who knows how to make war, and possesses the power to destroy His foes. "Jehovah is His name:" i.e., He has just proved Himself to be the God who rules with unlimited might. For (Exo 15:4) "Pharaoh's chariots and his might (his military force) He cast into the sea, and the choice (the chosen ones) of his knights (shelishim, see Exo 14:7) were drowned in the Red Sea." Exo 15:5 "Floods cover them (יכסימוּ, defectively written for יכסיוּ = יכסּוּ, and the suffix מוּ for מו, only used here); they go down into the deep like stone," which never appears again. Exo 15:6-10 Jehovah had not only proved Himself to be a true man of war in destroying the Egyptians, but also as the glorious and strong one, who overthrows His enemies at the very moment when they think they are able to destroy His people. Exo 15:6-7 "Thy right hand, Jehovah, glorified in power (gloriously equipped with power: on the Yod in נאדּרי, see Gen 31:39; the form is masc., and ימין, which is of common gender, is first of all construed as a masculine, as in Pro 27:16, and then as a feminine), "Thy right hand dashes in pieces the enemy." רעץ = רצץ: only used here, and in Jdg 10:8. The thought it quite a general one: the right hand of Jehovah smites every foe. This thought is deduced from the proof just seen of the power of God, and is still further expanded in Exo 15:7, "In the fulness of Thy majesty Thou pullest down Thine opponents." הרס generally applied to the pulling down of buildings; then used figuratively for the destruction of foes, who seek to destroy the building (the work) of God; in this sense here and Psa 28:5. קמים: those that rise up in hostility against a man (Deu 33:11; Psa 18:40, etc.). "Thou lettest out Thy burning heat, it devours them like stubble." חרן, the burning breath of the wrath of God, which Jehovah causes to stream out like fire (Eze 7:3), was probably a play upon the fiery look cast upon the Egyptians from the pillar of cloud (cf. Isa 9:18; Isa 10:17; and on the last words, Isa 5:24; Nah 1:10). Exo 15:8-10 Thus had Jehovah annihilated the Egyptians. "And by the breath of Thy nostrils (i.e., the strong east wind sent by God, which is described as the blast of the breath of His nostrils; cf. Psa 18:16) the waters heaped themselves up (piled themselves up, so that it was possible to go between them like walls); the flowing ones stood like a heap" (נד cumulus; it occurs in Jos 3:13, Jos 3:16, and Psa 33:7; Psa 78:13, where it is borrowed from this passage. מזלים: the running, flowing ones; a poetic epithet applied to waves, rivers, or brooks, Psa 78:16, Psa 78:44; Isa 44:3). "The waves congealed in the heart of the sea:" a poetical description of the piling up of the waves like solid masses. Exo 15:9 "The enemy said: I pursue, overtake, divide spoil, my soul becomes full of them; I draw my sword, my hand will root them out." By these short clauses following one another without any copula, the confidence of the Egyptian as he pursued them breathing vengeance is very strikingly depicted. נפשׁ: the soul as the seat of desire, i.e., of fury, which sought to take vengeance on the enemy, "to cool itself on them." הורישׁ: to drive from their possession, to exterminate (cf. Num 14:12). Exo 15:10 "Thou didst blow with Thy breath: the sea covered them, they sank as lead in the mighty waters." One breath of God was sufficient to sink the proud foe in the waves of the sea. The waters are called אדּרים, because of the mighty proof of the Creator's glory which is furnished by the waves as they rush majestically along. Exo 15:11-18 Third strophe. On the ground of this glorious act of God, the song rises in the third strophe into firm assurance, that in His incomparable exaltation above all gods Jehovah will finish the word of salvation, already begun, fill all the enemies of Israel with terror at the greatness of His arm, bring His people to His holy dwelling-place, and plant them on the mountain of His inheritance. What the Lord had done thus far, the singer regarded as a pledge of the future. Exo 15:11-12 "Who is like unto Thee among the gods, O Jehovah (אלים: not strong ones, but gods, Elohim, Psa 86:8, because none of the many so-called gods could perform such deeds), who is like unto Thee, glorified in holiness?" God had glorified Himself in holiness through the redemption of His people and the destruction of His foes; so that Asaph could sing, "Thy way, O God, is in holiness" (Psa 78:13). קדשׁ, holiness, is the sublime and incomparable majesty of God, exalted above all the imperfections and blemishes of the finite creature (vid., Exo 19:6). "Fearful for praises, doing wonders." The bold expression תהלּת נורא conveys more than summe venerandus, s. colendus laudibus, and signifies terrible to praise, terribilis laudibus. As His rule among men is fearful (Psa 66:5), because He performs fearful miracles, so it is only with fear and trembling that man can sing songs of praise worthy of His wondrous works. Omnium enim laudantium vires, linguas et mentes superant ideoque magno cum timore et tremore eum laudant omnes angeli et sancti (C. a Lap.). "Thou stretchest out Thy hand, the earth swallows them." With these words the singer passes in survey all the mighty acts of the Lord, which were wrapt up in this miraculous overthrow of the Egyptians. The words no longer refer to the destruction of Pharaoh and his host. What Egypt had experienced would come upon all the enemies of the Lord and His people. Neither the idea of the earth swallowing them, nor the use of the imperfect, is applicable to the destruction of the Egyptians (see Exo 15:1, Exo 15:4, Exo 15:5, Exo 15:10, Exo 15:19, where the perfect is applied to it as already accomplished). Exo 15:13 "Thou leadest through Thy mercy the people whom Thou redeemest; Thou guidest them through Thy might to Thy holy habitation." The deliverance from Egypt and guidance through the Red Sea were a pledge to the redeemed people of their entrance into the promised land. The holy habitation of God was Canaan (Psa 78:54), which had been consecrated as a sacred abode for Jehovah in the midst of His people by the revelations made to the patriarchs there, and especially by the appearance of God at Bethel (Gen 28:16., Exo 31:13; Exo 35:7). Exo 15:14 "People hear, they are afraid; trembling seizes the inhabitants of Philistia." Exo 15:15 "Then are the princes (alluphim, see Gen 36:15) of Edom confounded; the mighty men of Moab, trembling seizes them; all the inhabitants of Canaan despair." אלים, like אוּלים in Kg2 24:15, scriptio plena for אלים, strong, powerful ones. As soon as these nations should hear of the miraculous guidance of Israel through the Red Sea, and Pharaoh's destruction, they would be thrown into despair from anxiety and alarm, and would not oppose the march of Israel through their land. Exo 15:16 "Fear and dread fall upon them; for the greatness of Thine arm (the adjective גּדול placed as a substantive before the noun) they are dumb (ידּמוּ from דּמם) as stones, till Thy people pass through, Jehovah, till the people which Thou hast purchased pass through." Israel was still on its march to Canaan, an evident proof that Exo 15:13-15 do not describe what was past, but that future events were foreseen in spirit, and are represented by the use of perfects as being quite as certain as if they had already happened. The singer mentions not only Edom and Moab, but Philistia also, and the inhabitants of Canaan, as enemies who are so paralyzed with terror, as to offer no resistance to the passage of Israel through their territory; whereas the history shows that Edom did oppose their passing through its land, and they were obliged to go round in consequence (Num 20:18.; Deu 2:3, Deu 2:8), whilst Moab attempted to destroy them through the power of Balaam's curse (Num 22:2.); and what the inhabitants of Philistia and Canaan had to fear, was not their passing through, but their conquest of the land. (Note: The fact that the inhabitants of Philistia and Canaan are described in the same terms as Edom and Moab, is an unquestionable proof that this song was composed at a time when the command to exterminate the Canaanites had not yet been given, and the boundary of the territory to be captured by the Israelites was not yet fixed; in other words, that it was sung by Moses and the Israelites after the passage through the Red Sea. In the words יעבר עד in Exo 15:16, there is by no means the allusion to, or play upon, the passage through the Jordan, which Knobel introduces.) We learn, however, from Jos 2:9-10 and Jos 9:9, that the report of Israel's miraculous passage through the Red Sea had reached to Canaan, and filled its inhabitants with terror. Exo 15:17-18 "Thou wilt bring and plant them in the mountain of Thine inheritance, the place which Thou hast made for Thy dwelling-place, Jehovah, for the sanctuary, Lord, which Thy hands prepared." On the dagesh dirim. in מקּדשׁ, see Exo 2:3. The futures are not to be taken as expressive of wishes, but as simple predictions, and are not to be twisted into preterites, as they have been by Knobel. The "mountain of Jehovah's inheritance" was not the hill country of Canaan (Deu 3:25), but the mountain which Jehovah had prepared for a sanctuary (Psa 78:54), and chosen as a dwelling-place through the sacrifice of Isaac. The planting of Israel upon this mountain does not signify the introduction of the Israelites into the promised land, but the planting of the people of God in the house of the Lord (Psa 92:14), in the future sanctuary, where Jehovah would perfect His fellowship with His people, and where the people would show themselves by their sacrifices to be the "people of possession," and would serve Him for ever as their King. This was the goal, to which the redemption from Egypt pointed, and to which the prophetic foresight of Moses raised both himself and his people in this song, as he beholds in spirit and ardently desires the kingdom of Jehovah in its ultimate completion. (Note: Auberlen's remarks in the Jahrb.f. d. Theol. iii. p. 793, are quite to the point: "In spirit Moses already saw the people brought to Canaan, which Jehovah had described, in the promise given to the fathers and repeated to him, as His own dwelling-place where He would abide in the midst of His people in holy separation from the nations of the world. When the first stage had been so gloriously finished, he could already see the termination of the journey."..."The nation was so entirely devoted to Jehovah, that its own dwelling-place fell into the shade beside that of its God, and assumed the appearance of a sojourning around the sanctuary of Jehovah, for God went up before the people in the pillar of cloud and fire. The fact that a mountain is mentioned in Exo 15:17 as the dwelling-place of Jehovah is no proof of a vaticinium post eventum, but is a true prophecy, having its natural side, however, in the fact that mountains were generally the sites chosen for divine worship and for temples; a fact with which Moses was already acquainted (Gen 22:2; Exo 3:1, Exo 3:12; compare such passages as Num 22:41; Num 33:52; Mic 4:1-2). In the actual fulfilment its was Mount Zion upon which Jehovah was enthroned as King in the midst of his People.) The song closes in Exo 15:18 with an inspiring prospect of the time, when "Jehovah will be King (of His people) for ever and ever;" and in Exo 15:19, it is dovetailed into the historical narrative by the repetition of the fact to which it owed its origin, and by the explanatory "for," which points back to the opening verse. Exo 15:19-21 In the words "Pharaoh's horse, with his chariots and horsemen," Pharaoh, riding upon his horse as the leader of the army, is placed at the head of the enemies destroyed by Jehovah. In Exo 15:20, Miriam is called "the prophetess," not ob poeticam et musicam facultatem (Ros.), but because of her prophetic gift, which may serve to explain her subsequent opposition to Moses (Num 11:1, Num 11:6); and "the sister of Aaron," though she was Moses' sister as well, and had been his deliverer in his infancy, not "because Aaron had his own independent spiritual standing by the side of Moses" (Baumg.), but to point out the position which she was afterwards to occupy in the congregation of Israel, namely, as ranking, not with Moses, but with Aaron, and like him subordinate to Moses, who had been placed at the head of Israel as the mediator of the Old Covenant, and as such was Aaron's god (Exo 4:16, Kurtz). As prophetess and sister of Aaron she led the chorus of women, who replied to the male chorus with timbrels and dancing, and by taking up the first strophe of the song, and in this way took part in the festival; a custom that was kept up in after times in the celebration of victories (Jdg 11:34; Sa1 18:6-7; Sa1 21:12; Sa1 29:5), possibly in imitation of an Egyptian model (see my Archologie, 137, note 8).
John Gill Bible Commentary
Then sang Moses and the children of Israel this song unto the Lord,.... Which is the first song recorded in Scripture, though no doubt before this time songs of praise were sung to the Lord; the people of God having occasion in all ages more or less to sing his praises. The Jews (n) speak of ten songs, the first of which was sung by Adam, when his sins were forgiven him, and this song of Moses is the second; though sometimes they say (o), from the creation of the world to the standing of Israel by the Red sea, we do not find that ever any man sung a song but Israel; God created the first man, but he sang no song: however, this is the first on record, and is a typical one; Moses the composer of it, and who bore a principal part in it, and was the deliverer of the people of Israel, was a type of Christ, the Redeemer of his church: and Israel that joined with him in it, and were the persons delivered, were typical of the spiritual Israel of God redeemed by Christ; and the deliverance here celebrated bore a great resemblance to the redemption wrought out by him; and Christ, the Angel of the Lord, that went before the Israelites through the Red sea, and fought for them, is the principal person concerned in it, and who is meant by the Lord throughout the whole of it, and to whom it is sung; and a song upon a similar occasion to this will be sung in the latter day, upon the destruction of spiritual Egypt, or antichrist, and is called the song of Moses and the Lamb in allusion to it, Rev 15:3 The Jews (p) say, this shall be sung at the time, when the wicked shall perish out of the world, and observe that it is not written "then sung", but "then shall sing", &c. Moses had reason to sing, since God had heard his prayer, and had done him honour before the people, and he was both an instrument of and a sharer in the salvation wrought; and the children of Israel had reason to sing, inasmuch as they were a people chosen of God, and distinguished by him; were redeemed from bondage, called out of Egypt, and now saved out of the hands of their enemies, who were all destroyed, and they brought safely through the Red sea, and landed on firm ground. And the time when they sung this song was then, when they had passed through the sea on dry land; and when they had seen the Egyptians their enemies dead on the sea shore; and when they were in a proper frame of spirit to sing, when they had taken notice of and considered what great and wonderful things the Lord had done for them, and their minds were suitably impressed with a sense of them; when they were in the exercise of the graces of the fear of God, and faith in him, and which is necessary to the performance of all religious duties, and particularly this of singing the praises of God: and spake, saying, I will sing unto the Lord: that went before them in a pillar of cloud and fire; who had led them safely through the Red sea, and troubled and destroyed the host of the Egyptians; even the same Jehovah, who has undertook the salvation of his people, is become the author of it, and to whom the song of redeeming grace is due: for he hath triumphed gloriously; over Pharaoh and all the Egyptians, the enemies of Israel, as Christ has over sin, in the destruction of it by his sacrifice, and over Satan, and his principalities and powers, when he spoiled them on the cross, and over death the last enemy, and all others; over whom he has made his people more than conquerors, through himself: or, "in excelling he excels" (q); all the angels of heaven, in his name, and nature, relation, and office; and all the sons of men, even the greatest among them, being King of kings, and Lord of lords; in the wonderful things done by him, no such achievements having ever been wrought by any of them: or, "in magnifying, he is magnified" (r); appears to be what he is, great in his nature, perfections, and works; and to be magnified, or declared to be great, and extolled as such by all that know and fear him: the horse and his rider hath he thrown into the sea; the horses and horsemen of Pharaoh; and which is not amiss allegorically applied, by Tertullian (s), to the world and the devil; the world is the horse, and the rider the devil; that being under his power and direction, he being the god of it, and working effectually in it; spurring and exciting the men of it to every sinful lust and pleasure; and may be put for all the spiritual enemies of God's people, especially their sins; which are cast by the Lord into the midst of the sea, never to be seen and remembered any more, and which is to them matter of a song of praise and thanksgiving. (n) Targum in Cant. i. 1. (o) Shemot Rabba, sect. 23. fol. 107. 3. (p) Tikkune Zohar, correct. 10. fol. 20. 2. (q) "excellendo excelluit", Piscator. (r) "Magnificando magnificatus est", Pagninus, Montanus, Vatablus. (s) Contr. Marcion, l. 4. c. 20.
Matthew Henry Bible Commentary
Having read how that complete victory of Israel over the Egyptians was obtained, here we are told how it was celebrated; those that were to hold their peace while the deliverance was in working (Exo 14:14) must not hold their peace now that it was wrought; the less they had to do then the more they had to do now. If God accomplishes deliverance by his own immediate power, it redounds so much the more to his glory. Moses, no doubt by divine inspiration, indited this song, and delivered it to the children of Israel, to be sung before they stirred from the place where they saw the Egyptians dead upon the shore. Observe, 1. They expressed their joy in God, and thankfulness to him, by singing; it is almost natural to us thus to give vent to our joy and the exultations of our spirit. By this instance it appears that the singing of psalms, as an act of religious worship, was used in the church of Christ before the giving of the ceremonial law, and therefore was no part of it, nor abolished with it. Singing is as much the language of holy joy as praying is of holy desire. 2. Moses, who had gone before them through the sea, goes before them in the song, and composes it for them. Note, Those that are active in public services should not be neuters in public praises. 3. When the mercy was fresh, and they were much affected with it, then they sang this song. Note, When we have received special mercy from God, we ought to be quick and speedy in our returns of praise to him, before time and the deceitfulness of our own hearts efface the good impressions that have been made. David sang his triumphant song in the day that the Lord delivered him, Sa2 22:1. Bis dat qui cito dat - He gives twice who gives quickly. 4. When they believed the Lord (Exo 14:31) then they sang this song: it was a song of faith; this connection is observed (Psa 106:12): Then believed they his words, they sang his praise. If with the heart man believes, thus confession must be made. Here is, I. The song itself; and, 1. We may observe respecting this song, that it is, (1.) An ancient song, the most ancient that we know of. (2.) A most admirable composition, the style lofty and magnificent, the images lively and proper, and the whole very moving. (3.) It is a holy song, consecrated to the honour of God, and intended to exalt his name and celebrate his praise, and his only, not in the least to magnify any man: holiness to the Lord is engraven in it, and to him they made melody in the singing of it. (4.) It is a typical song. The triumphs of the gospel church, in the downfall of its enemies, are expressed in the song of Moses and the song of the Lamb put together, which are said to be sung upon a sea of glass, as this was upon the Red Sea, Rev 15:2, Rev 15:3. 2. Let us observe what Moses chiefly aims at in this song. (1.) He gives glory to God, and triumphs in him; this is first in his intention (Exo 15:1): I will sing unto the Lord. Note, All our joy must terminate in God, and all our praises be offered up to him, the Father of lights and Father of mercies, for he hath triumphed. Note, All that love God triumph in his triumphs; what is his honour should be our joy. Israel rejoiced in God, [1.] As their own God, and therefore their strength, song, and salvation, Exo 15:2. Happy therefore the people whose God is the Lord; they need no more to make them happy. They have work to do, temptations to grapple with, and afflictions to bear, and are weak in themselves; but he strengthens them: his grace is their strength. They are often in sorrow, upon many accounts, but in him they have comfort, he is their song; sin, and death, and hell, threaten them, but he is, and will be, their salvation: See Isa 12:2. [2.] As their fathers' God. This they take notice of, because, being conscious to themselves of their own unworthiness and provocations, they had reason to think that what God had now done for them was for their fathers' sake, Deu 4:37. Note, The children of the covenant ought to improve their fathers' relation to God as their God for comfort, for caution, and for quickening. [3.] As a God of infinite power (Exo 15:3): The Lord is a man of war, that is, well able to deal with all those that strive with their Maker, and will certainly be too hard for them. [4.] As a God of matchless and incomparable perfection, Exo 15:11. This is expressed, First, More generally: Who is like unto thee, O Lord, among the gods! This is pure praise, and a high expression of humble adoration. - It is a challenge to all other gods to compare with him: "Let them stand forth, and pretend their utmost; none of them dare make the comparison." Egypt was notorious for the multitude of its gods, but the God of the Hebrews was too hard for them and baffled them all, Num 33:4; Deu. 32:23-39. The princes and potentates of the world are called gods, but they are feeble and mortal, none of them all comparable to Jehovah, the almighty and eternal God. - It is confession of his infinite perfection, as transcendent and unparalleled. Note, God is to be worshipped and adored as a being of such infinite perfection that there is none like him, nor any to be compared with him, as one that in all things has and must have the pre-eminence, Psa 89:6. Secondly, More particularly, 1. He is glorious in holiness; his holiness is his glory. It is that attribute which angels adore, Isa 6:3. His holiness appeared in the destruction of Pharaoh, his hatred of sin, and his wrath against obstinate sinners. It appeared in the deliverance of Israel, his delight in the holy seed, and his faithfulness to his own promise. God is rich in mercy - this is his treasure, glorious in holiness - this is his honour. Let us always give thanks at the remembrance of his holiness. 2. He is fearful in praises. That which is the matter of our praise, though it is joyful to the servants of God, is dreadful and very terrible to his enemies, Psa 66:1-3. Or it directs us in the manner of our praising God; we should praise him with a humble holy awe, and serve the Lord with fear. Even our spiritual joy and triumph must be balanced with a religious fear. 3. He is doing wonders, wondrous to all, being above the power and out of the common course of nature; especially wondrous to us, in whose favour they are wrought, who are so unworthy that we had little reason to expect them. They were wonders of power and wonders of grace; in both God was to be humbly adored. (2.) He describes the deliverance they were now triumphing in, because the song was intended, not only to express and excite their thankfulness for the present, but to preserve and perpetuate the remembrance of this work of wonder to after-ages. Two things were to be taken notice of: - [1.] The destruction of the enemy; the waters were divided, Exo 15:8. The floods stood upright as a heap. Pharaoh and all his hosts were buried in the waters. The horse and his rider could not escape (Exo 15:1), the chariots, and the chosen captains (Exo 15:4); they themselves went into the sea, and they were overwhelmed, Exo 15:19. The depths, the sea, covered them, and the proud waters went over the proud sinners; they sank like a stone, like lead (Exo 15:5, Exo 15:10), under the weight of their own guilt and God's wrath. Their sin had made them hard like a stone, and now they justly sink like a stone. Nay, the earth itself swallowed them (Exo 15:12); their dead bodies sank into the sands upon which they were thrown up, which sucked them in. Those whom the Creator fights against the whole creation is at war with. All this was the Lord's doing, and his only. It was an act of his power: Thy right hand, O Lord, not ours, has dashed in pieces the enemy, Exo 15:6. It was with the blast of thy nostrils (Exo 15:8), and thy wind (Exo 15:10), and the stretching out of thy right hand, Exo 15:12. It was an instance of his transcendent power - in the greatness of thy excellency; and it was the execution of his justice: Thou sentest forth thy wrath, Exo 15:7. This destruction of the Egyptians was made the more remarkable by their pride and insolence, and their strange assurance of success: The enemy said, I will pursue, Exo 15:9. Here is, First, Great confidence. When they pursue, they do not question but they shall overtake; and, when they overtake, they do not question but they shall overcome, and obtain so decisive a victory as to divide the spoil. Note, It is common for men to be most elevated with the hope of success when they are upon the brink of ruin, which makes their ruin so much the sorer. See Isa 37:24, Isa 37:25. Secondly, Great cruelty - nothing but killing, and slaying, and destroying, and this will satisfy his lust; and a barbarous lust that is which so much blood must be the satisfaction of. Note, It is a cruel hatred with which the church is hated; its enemies are bloody men. This is taken notice of here to show, 1. That God resists the proud, and delights to humble those who lift up themselves; he that says, "I will, and I will, whether God will or no," shall be made to know that wherein he deals proudly God is above him. 2. That those who thirst for blood shall have enough of it. Those who love to be destroying shall be destroyed; for we know who has said, Vengeance is mine, I will repay. [2.] The protection and guidance of Israel (Exo 15:13): Thou in thy mercy hast led forth the people, led them forth out of the bondage Egypt, led them forth out of the perils of the Red Sea, Exo 15:19. But the children of Israel went on dry land. Note, The destruction of the wicked serves for a foil to set off the salvation of Israel, and to make it the more illustrious, Isa 45:13-15. (3.) He sets himself to improve this wonderful appearance of God for them. [1.] In order to quicken them to serve God: in consideration of this, I will prepare him habitation, Exo 15:2. God having preserved them, and prepared a covert for them under which they had been safe and easy, they resolve to spare no cost nor pains for the erecting of a tabernacle to his honour, and there they will exalt him, and mention, to his praise, the honour he had got upon Pharaoh. God had now exalted them, making them great and high, and therefore they will exalt him, by speaking of his infinite height and grandeur. Note, Our constant endeavour should be, by praising his name and serving his interests, to exalt God; and it is an advancement to us to be so employed. [2.] In order to encourage them to trust in God. So confident is this Psalmist of the happy issue of the salvation which was so gloriously begun that he looks upon it as in effect finished already: "Thou hast guided them to thy holy habitation, Exo 15:13. Thou hast thus put them into the way to it, and wilt in due time bring them to the end of that way," for God's work is perfect; or, "Thou hast guided them to attend thy holy habitation in heaven with their praises." Note, Those whom God takes under his direction he will guide to his holy habitation in faith now, and in fruition shortly. Two ways this great deliverance was encouraging: - First, It was such an instance of God's power as would terrify their enemies, and quite dishearten them, Exo 15:14-16. The very report of the overthrow of the Egyptians would be more than half the over throw of all their other enemies; it would sink their spirits, which would go far towards the sinking of their powers and interests; he Philistines, Moabites, Edomites, and Canaanites (with each of which nations Israel was to grapple), would be alarmed by it, would be quite dispirited, and would conclude it was in vain to fight against Israel, when a God of such power fought for them. It had this effect; the Edomites were afraid of them (Deu 2:4), so were the Moabites (Num 22:3), and the Canaanites, Jos 2:9, Jos 2:10; Jos 5:1. Thus God sent his fear before them (Exo 23:27), and cut off the spirit of princes. Secondly, It was such a beginning of God's favour to them as gave them an earnest of he perfection of his kindness. This was but in order to something further: Thou shalt bring them in, Exo 15:17. If he thus bring them out of Egypt, notwithstanding their unworthiness, and the difficulties that lay in the way of their escape, doubtless he will bring them into Canaan; for has he begun (so begun), and will he not make an end? Note, Our experiences of God's power and favour should be improved for the support of our expectations. "Thou hast, therefore, not only thou canst, but we trust thou wilt," is good arguing. Thou wilt plant them in the place which thou has made for thee to dwell in. Note, It is good dwelling where God dwells, in his church on earth (Psa 27:4), in his church in heaven, Joh 17:24. Where he says, "This is my rest for ever," we should say, "Let it be ours." Lastly, The great ground of the encouragement which they draw from this work of wonder is, The Lord shall reign for ever and ever, Exo 15:18. They had now seen an end of Pharaoh's reign; but time itself shall not put a period to Jehovah's reign, which, like himself, is eternal, and not subject to change. Note, It is the unspeakable comfort of all God's faithful subjects, not only that he does reign universally and with an incontestable sovereignty, but that he will reign eternally, and there shall be no end of his dominion. II. The solemn singing of this song, Exo 15:20, Exo 15:21. Miriam (or Mary, it is the same name) presided in an assembly of the women, who (according to the softness of their sex, and the common usage of those times for expressing joy, with timbrels and dances) sang this song. Moses led the psalm, and gave it out for the men, and then Miriam for the women. Famous victories were wont to be applauded by the daughters of Israel (Sa1 18:6, Sa1 18:7); so was this. When God brought Israel out of Egypt, it is said (Mic 6:4), He sent before them Moses, Aaron, and Miriam, though we read not of any thing memorable that Miriam did but this. But those are to be reckoned great blessings to a people who assist them, and go before them, in praising God.
Tyndale Open Study Notes
15:1-18 Scholars believe this song of rescue to be one of the oldest preserved examples of the Hebrew language, attesting to its importance in Israel’s thought and faith. It is divided into three stanzas: 15:1-5, 6-12, 13-18. The first stanza rejoices in the Lord’s personal rescue of Moses and his people (note the recurrence of the first-person pronouns). The second exults in the great contrast between the Lord and the Egyptians. The third stanza reflects on what these events would mean for the future. 15:1-5 God’s salvation and rescue had implications for personal faith. 15:1 Moses and the people: In this triumphant moment there was no division between them; they sang as one. • I will sing: The highly personal declarations of the first two verses emphasize the personal nature of God’s relation to humans. He is not an impersonal force, but relates to us as one person relates to another. The songs of thanks and hymns of praise in the Bible characteristically give the reason for the thanks or praise early in the piece (see Ps 95:1-3; 96:1-4). The reason for the song is that the Lord . . . has triumphed gloriously. The community’s faith in God through the dark night had been dramatically vindicated.