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Chapter 137

Psalms 137

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¹By the rivers of Babylon [Confusion], there we sat down.

Yes, we wept, when we remembered Zion [Mountain ridge, Marking].

²On the willows in that land,

we hung up our harps.

³For there, those who led us captive asked us for songs.

Those who tormented us demanded songs of joy:

“Sing us one of the songs of Zion [Mountain ridge, Marking]!”

⁴How can we sing Adonai ’s song in a foreign land?

⁵If I forget you, Jerusalem [City of peace],

let my right hand forget its skill.

⁶Let my tongue stick to the roof of my mouth if I don’t remember you;

if I don’t prefer Jerusalem [City of peace] above my chief joy.

⁷Remember, Adonai , against the children of Edom [Red],

the day of Jerusalem [City of peace];

who said, “Raze it!

Raze it even to its foundation!”

⁸Daughter of Babylon [Confusion], doomed to destruction,

he will be happy who rewards you,

as you have served us.

⁹Happy shall he be,

who takes and dashes your little ones against the rock.

Jamieson-Fausset-Brown
John Gill
Keil-Delitzsch
Matthew Henry
Tyndale

Introduction

The style of this Psalm resembles those of David in the former part of the book, presenting the usual complaint, prayer, and confident hope of relief. (Psa 140:1-13) evil man--Which of David's enemies is meant is not important.

Introduction

INTRODUCTION TO PSALM 137 The occasion of this psalm was the captivity of the Jews in Babylon, and the treatment they met with there; either as foreseen, or as now endured. Aben Ezra ascribes this psalm to David; and so the Syriac version, which calls it, "a psalm of David; the words of the saints, who were carried captive into Babylon.'' The Septuagint, Vulgate Latin, and Ethiopic versions, make it to be David's, and yet add the name of Jeremiah; and the Arabic version calls it David's, concerning Jeremiah: but, as Theodoret observes, Jeremiah was not carried into Babylon, but, after some short stay in or near Jerusalem, was forced away into Egypt; and could neither be the writer nor subject of this psalm: and though it might be written by David under a spirit of prophecy; who thereby might foresee and foretell the Babylonish captivity, and what the Jews would suffer in it; as the prophets Isaiah and Jeremiah did, many years before it came to pass; yet it seems rather to have been written by one of the captivity, either while in it, or immediately after it.

Verse 1

By the rivers of Babylon, there we sat down,.... If by Babylon is meant the country, then the rivers of it are Chebar, Ulai, Tigris, Euphrates, and others; see Eze 1:1; but if the city itself, then only Euphrates, which ran through it; and is expressed by rivers, because of the largeness of it, and because of the several canals cut out of it, for the service of the city; hence Babylon is said to dwell upon many waters, Jer 51:13; upon the banks whereof the captive Jews were; either through choice, where they could be alone, and mourn their fate, indulge their sorrows, and give vent to their grief; or by the order of these who carried them captive, there to be employed, either in taking goods from ships here unloaded, or to repair and maintain the banks of the rivers, or to do some servile work or another; see Eze 1:1; and where they would sometimes "sit down" pensive, as mourners used to do, and lament their case, Job 2:8. Or this phrase may express their residence here, and the continuance and length of their captivity, which was seventy years: yea, Babylon itself may be meant by the waters of it; just as Thebes, in Pindar (w) is called the Dircaean waters, near to which it was; yea, we wept, when we remembered Zion; they imitated the flowing stream by which they sat, and swelled it with their tears; they wept for their sins, which brought them thither; and it increased their sorrow, when they called to mind what privileges they had enjoyed in Zion, the city of their solemnities; where they had often seen the tribes of Israel bowing before and worshipping the God of Israel; the daily sacrifices and others offered up; the solemn feasts kept; the songs of Zion, sung by the Levites in delightful harmony; and, above all, the beauty of the Lord their God, his power and glory, while they were inquiring in his sanctuary: and also when they reflected upon the sad condition and melancholy circumstances in which Zion now was; the city, temple, and altar, lying in heaps of rubbish; no worship and service performed; no sacrifices offered, nor songs sung; nor any that came to her solemn feasts; see Lam 1:2. (w) Pythia, Ode 9. d. v. 6.

Verse 2

We hanged our harps upon the willows in the midst thereof. These were musical instruments, used in the temple service by the Levites, who seem to be the persons here speaking; who took care of them, and preserved them from the plunder of the enemy; and carried them with them to Babylon, in hope of returning with them to use them as before, or to solace themselves and others in captivity; though now they had no heart to make use of them, their sorrow was so great, and therefore hung them upon the willows as useless things: these willows grew upon the banks of the rivers where they were, as such trees usually do; hence called willows of the brook (x), and willows by water courses, Lev 23:40; and particularly upon the banks of the river Euphrates, which ran through the midst of Babylon, with which the phrase here agrees; and therefore Babylon itself is thought to be called "the brook", or "valley, of the willows", Isa 15:7. And, according to Ovid (y), not only reeds and poplars, but willows, grew on the banks of the Euphrates. Now the state of these people was an emblem of the case of the backsliding children of God; who, through the prevalence of corruption, the force of temptation, and the snares of the world, are brought into a kind of captivity to the law of sin and death, though not willingly; nor is it pleasing to them when sensible of it, Rom 7:23; who, though they are called out of the world, and are not of it; yet sometimes are so overcome with it, and immersed in the things of it, that they are as it were in Babylon. An emblem of this world, of the confusion in it, as its name signifies; of the fading glories of it, and the wickedness and idolatry it abounds with: and here they sit by the rivers of carnal pleasures in it for a while, till brought to themselves; and then they weep over their sins, and lament them; especially when they remember what opportunities they have formerly had in Zion, and what a low condition she is now in through the conduct of themselves and others: these make use of their harps when Zion is in good and prosperous circumstances, Rev 14:1; but when there are corruptions in doctrine, neglect or abuse of ordinances, animosities and divisions prevail, declensions in the life and power of religion, and the lives of professors disagreeable; then they hang their harps on willows, and drop their notes. (x) "Amnicolae salices", Ovid. Metamorph. l. 10. Fab. 2. v. 96. "Fluminibus salices", Virgil. Georgic. l. 2. v. 110. (y) "Venit ad Euphratem----Populus et cannae riparum summa tegebant, spemque dabant salices----". Ovid. Fasti, l. 2.

Verse 3

For there they that carried us away captive required of us a song,.... Or, "words of a song" (z). To repeat the words of one of the songs of Zion, as it is afterwards expressed: this the Babylonians did, as the Targum; who were they that carried the Jews into captivity; and this is given as a reason why they hung their harps on willows, and were so sorrowful, because such a request as this was made; and they that wasted us required of us mirth: the Chaldeans, who plundered them of their substance, and reduced their city and temple to heaps of rubbish, as the word (a) used signifies; or who heaped reproaches upon them, as Jarchi: these insisted not only on having the words of a song repeated to them, but that they should be set to some tune and sung in a manner expressing mirth, or would provoke unto it: or "our lamentations", according to Kimchi; that is, the authors of them (b), so barbarous were they; saying, sing us one of the songs of Zion; which used to be sung in Zion in the temple, called the songs of the temple, Amo 8:3; this demand they made either out of curiosity, that they might know something of the temple songs and music they had heard of; or rather as jeering at and insulting the poor Jews in their miserable and melancholy circumstances; as if they had said, now sing your songs if you can: or in order to make themselves sport and diversion with them, as the Philistines with Samson. The spiritual songs of Zion are the songs of electing, redeeming, calling, pardoning, and justifying grace; which natural men neither understand, nor can learn, but scoff at and despise. (z) "verba cantici", Pagninus, Montanus, Musculus, Piscator, Gejerus, Michaelis; "verba earminis", Cocceius. (a) "qui veluti in acervos nos redegerunt", Tigurine version, Grotius. (b) Vid. Stockium, p. 447.

Verse 4

How shall we sing the Lord's song in a strange land? This is the answer returned by the Jews to the above request or demand; it may be, particularly, by the Levites, whose business it was to sing these songs: so the Targum, "immediately the Levites said, how shall we sing the hymns of the Lord in a strange land?'' This they said, not merely on account of their unsuitable circumstances, being in distress and affliction, and so not disposed for such work; nor as if unlawful to them, being forbidden: for, though sacrifices were not to be offered but at Jerusalem, yet songs of praise might be sung elsewhere, on proper occasions, as David did, Psa 18:49; but as wondering at their insolence, and complaining of their cruelty and inhumanity, thus to insult them and jeer at them: or rather, because it was "the Lord's song" they required, and so sacred, and not to be sung in any place, or at any time, and in any company; which would be but casting pearls before swine, and giving that which was holy to dogs, Mat 7:6; or it may be they required this to be done in one of their temples, and to their idols, just as these songs were sung in the temple at Jerusalem, and to the honour of Jehovah; and therefore they refused to do it: for it may be rendered, or however interpreted, "in the land of a strange god" (c); as it is by Aben Ezra, Kimchi, and Ben Melech: they required them to sing with mirth and joy, which they could not do in their present case; see Psa 137:2. (c) "in terra peregina, sc. Dei", Muis, Michaelis.

Verse 5

If I forget thee, O Jerusalem,.... This was said by one or everyone of the Levites; or singers, as Aben Ezra and Kimchi; or by the congregation of Israel, as Jarchi; by one of them, in the name of the rest; or by the composer of the psalm. The Targum is, "the voice of the Spirit of God answered and said, "if I forget", &c.'' that is, to weep over the calamities of Jerusalem; which might be thought, if the songs of Zion were sung; or to pray for the restoration of her prosperity and peace; as the church of Christ may be said to be forgotten, when men forget to mourn over its breaches, and show no concern for the reparation of them; or at the death of principal persons, which they lay not to heart; or at the great decay of religion in those that survive; or at the sins of professors, and their disregard to the word and ordinances: also when they forget to pray for her happiness in general; for the good of her members in particular; and especially for her ministers, that they may have assistance and success; and for a blessing on the word and ordinances, and for the conversion of sinners; and when they forget the worship of the Lord in it, and forsake the assembling of themselves together; let my right hand forget her cunning; her skill in music, particularly in playing on the harp; see Sa1 16:16; the harp was held in the left hand, and struck with the right; and that more softly or hardly, as the note required, in which was the skill or cunning of using it. Or let this befall me, should I so far forget Jerusalem as to strike the harp to one of the songs of Zion in a strange land: or let it forget any of its works; let it be disabled from working at all; let it be dry and withered, which, Aben Ezra says, is the sense of the word according to some; and Schultens (d), from the use of it in Arabic, renders it, let it be "disjointed", or the nerve loosened; see Job 31:22. Or the sense is, let everything that is as dear as my right hand he taken from me: or, as it may be rendered, "my right hand is forgotten" (e); that is, should I forget Jerusalem, it would; for that is as my right hand; so Arama. Some choose to translate the words thus, "may thou (O God) forget my right hand" (f); that is, to be at my right hand; to be a present help to me in time of need; to hold me by it, and to be the shade of it. (d) Animadv. Philol. p. 181. (e) "oblita est nostra dextra", Castalio. (f) "Oblivisceris (O Domine) dexterae meae", Gejerus; so some in Michaelis.

Verse 6

If I do not remember thee,.... In prayer, in discourse, in conversation; this is the same as before, to forget, repeated for the confirmation of it; let my tongue cleave to the roof of my mouth; as is the case of a person in a fever, or in a violent thirst, which is to be in great distress, Psa 18:6; the sense is, let me have no use of my tongue; let me be dumb and speechless, and never sing a song or speak a word more, should I be so forgetful of the deplorable state of Jerusalem as to sing songs at such a season, and in an enemy's country; if I prefer not Jerusalem above my chief joy; meaning not God his exceeding joy, Psa 43:4; as his Creator, preserver, and benefactor, and much less as his covenant God and Father; as having loved him with an everlasting love; as the God of all grace unto him, and as his portion and exceeding great reward: nor Christ, the object of joy unspeakable and full of glory; joy in the greatness, glory, and fulness of his person; in the blessings and promises of his grace; in what he has done and suffered; as risen, ascended, exalted, and who will come a second time: nor the joy of the Holy Ghost in a way of believing, and in hope of the glory of God; but all worldly joy, or matter of it; and this not in things sinful, nor merely such as worldlings have in the increase of their substance; but a lawful joy, such as in the health, happiness, and prosperity of a man's family, wife, and children, and his own; which is the greatest outward joy a man can have; and yet the church of God and interest of Christ are preferred by a good man to these; see Sa1 4:19; which appears when all a man has that is matter of joy is sacrificed for the public good and interest of religion; when he can take no comfort in any outward enjoyment because of the sad case of Zion, Mal 2:3; when joy for its good is uppermost, and is first in his thoughts and words; when this is the "head" or "beginning" (g) of his joy, as it may be rendered. So Pindar (h) calls the chief, principal, and greatest part of joy, , the beginning of joy, the top and perfection of it. (g) "caput laetitiae meae", Musculus, Junius & Tremellius, Piscator, Gejerus. (h) Pythia, Ode 1. v. 4.

Verse 7

Remember, O Lord, the children of Edom in the day of Jerusalem,.... Of her visitation, calamity, and destruction, how they behaved then, and them for it; who, though the children of Esau and brethren of the Jews, as well as their neighbours, yet hated them; the old grudge of their father, because of the birthright and blessing, as well as the old enmity of the serpent, continuing in them; and who rejoiced at their ruin, helped forward their affliction, and were assistants to the Babylonians in the plunder and destruction of them, Oba 1:11. The Targum is, "Michael, the prince of Jerusalem, said, remember, O Lord, the people of Edom who destroyed Jerusalem.'' Many Jewish writers, as Aben Ezra observes, interpret this of the destruction of Jerusalem by the Romans: who said, rase it, rase it even to the foundation thereof: or "make it naked" or "bare (i) to the foundation"; pull down its walls, lay them level with the ground; root up the very foundation of them, and let nothing be left or seen but the bare naked ground; so spiteful and malicious were they. (i) "nudate", Vatablus, Junius & Tremellius, Piscator, Cocceius, Schmidt.

Verse 8

O daughter of Babylon, who art to be destroyed,.... By the determinate counsel and decree of God, and according to divine predictions; see Jer 50:1; so mystical Babylon, antichrist, and the man of sin, who therefore is called the son of perdition, Th2 2:3; because appointed to destruction, and shall certainly go into it, Rev 17:8; or "O thou destroyer", as the Targum, which paraphrases it thus, "Gabriel, the prince of Zion, said to the Babylonish nation that spoileth or destroyeth;'' which is true of literal Babylon, called the destroying mountain, Jer 51:25; and of mystical Babylon, the destroyer both of the bodies and souls of men, Rev 11:18; happy shall he be that rewardeth thee as thou hast served us; meaning Darius the Mede, as Kimchi; or rather, or however who must be added, Cyrus the Persian, as R. Obadiah; who were ordered by the Lord to retaliate her, and do as she had done to others, Jer 50:15; and in so doing pronounced happy, being the Lord's shepherd, raised up in righteousness to perform his pleasure, Isa 44:28; and here wished success by the godly Jews. In like manner the Christian princes will reward mystical Babylon, and be the happy instruments of her ruin, Rev 18:6.

Verse 9

Happy shall he be that taketh and dasheth thy little ones against the stones. That takes the infants from their mothers' breasts, or out of their arms, and dashes out their brains against a "rock", as the word (k) signifies; which, though it may seem a piece of cruelty, was but a just retaliation; the Babylonians having done the same to the Jewish children, and is foretold elsewhere should be done to theirs, Isa 13:16. Nor is this desired from a spirit of revenge, but for the glory of divine justice, and that such a generation of cruel creatures might be rooted out of the earth; see Rev 2:2. Some allegorically understand this of crushing and mortifying the first motions of sin in the heart; but such a sense seems to have no place here. (k) "ad petram", V. L. Pagninus, Montanus, &c. "ad repem", Cocceius. Next: Psalms Chapter 138

Verse 1

Beginning with perfects, the Psalm has the appearance of being a Psalm not belonging to the Exile, but written in memory of the Exile. The bank of a river, like the seashore, is a favourite place of sojourn of those whom deep grief drives forth from the bustle of men into solitude. The boundary line of the river gives to solitude a safe back; the monotonous splashing of the waves keeps up the dull, melancholy alternation of thoughts and feelings; and at the same time the sight of the cool, fresh water exercises a soothing influence upon the consuming fever within the heart. The rivers of Babylon are here those of the Babylonian empire: not merely the Euphrates with its canals, and the Tigris, but also the Chaboras (Chebar) and Eulaeos ('Ulai), on whose lonesome banks Ezekiel (Eze 1:3) and Daniel (ch. Dan 8:2) beheld divine visions. The שׁם is important: there, in a strange land, as captives under the dominion of the power of the world. And גּם is purposely chosen instead of ו: with the sitting down in the solitude of the river's banks weeping immediately came on; when the natural scenery around contrasted so strongly with that of their native land, the remembrance of Zion only forced itself upon them all the more powerfully, and the pain at the isolation from their home would have all the freer course where no hostilely observant eyes were present to suppress it. The willow (צפצפה) and viburnum, those trees which are associated with flowing water in hot low-lying districts, are indigenous in the richly watered lowlands of Babylonia. ערב (ערבה), if one and the same with Arab. grb, is not the willow, least of all the weeping-willow, which is called ṣafsâf mustahı̂ in Arabic, "the bending-down willow," but the viburnum with dentate leaves, described by Wetzstein on Isa 44:4. The Talmud even distinguishes between tsaph-tsapha and ‛araba, but without our being able to obtain any sure botanic picture from it. The ערבה, whose branches belong to the constituents of the lulab of the Feast of Tabernacles (Lev 23:40), is understood of the crack-willow [Salix fragilis], and even in the passage before us is surely not distinguished with such botanical precision but that the gharab and willow together with the weeping-willow (Salix Babylonica) might be comprehended under the word ערבה. On these trees of the country abounding in streams the exiles hung their citherns. The time to take delight in music was past, for μουσικὰ ἐν πένθει ἄκαιρος διήγησις, Sir. 22:6. Joyous songs, as the word שׁיר designates them, were ill suited to their situation. In order to understand the כּי in Psa 137:3, Psa 137:3 and Psa 137:4 must be taken together. They hung up their citherns; for though their lords called upon them to sing in order that they might divert themselves with their national songs, they did not feel themselves in the mind for singing songs as they once resounded at the divine services of their native land. The lxx, Targum, and Syriac take תּוללינוּ as a synonym of שׁובינוּ, synonymous with שׁוללינוּ, and so, in fact, that it signifies not, like שׁולל, the spoiled and captive one, but the spoiler and he who takes other prisoners. But there is no Aramaic תּלל = שׁלל. It might more readily be referred back to a Poel תּולל (= התל), to disappoint, deride (Hitzig); but the usage of the language does not favour this, and a stronger meaning for the word would be welcome. Either תּולל = תּהולל, like מהולל, Psa 102:9, signifies the raving one, i.e., a bloodthirsty man or a tyrant, or from ילל, ejulare, one who causes the cry of woe or a tormentor, - a signification which commends itself in view of the words תּושׁב and תּלמיד, which are likewise formed with the preformative ת. According to the sense the word ranks itself with an Hiph. הוליל, like תּועלת, תּוכחה, with הועיל and הוכיח, in a mainly abstract signification (Dietrich, Abhandlungen, S. 160f.). The דּברי beside שׁיר is used as in Psa 35:20; Psa 65:4; Psa 105:27; Psa 145:5, viz., partitively, dividing up the genitival notion of the species: words of songs as being parts or fragments of the national treasury of song, similar to משּׁיר a little further on, on which Rosenmller correctly says: sacrum aliquod carmen ex veteribus illis suis Sionicis. With the expression "song of Zion" alternates in Psa 137:4 "song of Jahve," which, as in Ch2 29:27, cf. Ch1 25:7, denotes sacred or liturgical songs, that is to say, songs belonging to Psalm poesy (including the Cantica). Before Psa 137:4 we have to imagine that they answered the request of the Babylonians at that time in the language that follows, or thought thus within themselves when they withdrew themselves from them. The meaning of the interrogatory exclamation is not that the singing of sacred songs in a foreign land (חוצה לארץ) is contrary to the law, for the Psalms continued to be sung even during the Exile, and were also enriched by new ones. But the shir had an end during the Exile, in so far as that it was obliged to retire from publicity into the quiet of the family worship and of the houses of prayer, in order that that which is holy might not be profaned; and since it was not, as at home, accompanied by the trumpets of the priests and the music of the Levites, it became more recitative than singing properly so called, and therefore could not afford any idea of the singing of their native land in connection with the worship of God on Zion. From the striking contrast between the present and the former times the people of the Exile had in fact to come to the knowledge of their sins, in order that they might get back by the way of penitence and earnest longing to that which they had lost Penitence and home-sickness were at that time inseparable; for all those in whom the remembrance of Zion was lost gave themselves over to heathenism and were excluded from the redemption. The poet, translated into the situation of the exiles, and arming himself against the temptation to apostasy and the danger of denying God, therefore says: If I forget thee, O Jerusalem, ימיני תּשׁכּח. תּשׁכּח has been taken as an address to Jahve: obliviscaris dexterae meae (e.g., Wolfgang Dachstein in his song "An Wasserflssen Babylon"), but it is far from natural that Jerusalem and Jahve should be addressed in one clause. Others take ימיני as the subject and תּשׁכּח transitively: obliviscatur dextera mea, scil. artem psallendi (Aben-Ezra, Kimchi, Pagninus, Grotius, Hengstenberg, and others); but this ellipsis is arbitrary, and the interpolation of מנּי after ימיני (von Ortenberg, following Olshausen) produces an inelegant cadence. Others again assign a passive sense to תשׁכח: oblivioni detur (lxx, Italic, Vulgate, and Luther), or a half-passive sense, in oblivione sit (Jerome); but the thought: let my right hand be forgotten, is awkward and tame. Obliviscatur me (Syriac, Saadia, and the Psalterium Romanum) comes nearer to the true meaning. תּשׁכּח is to be taken reflexively: obliviscatur sui ipsius, let it forget itself, or its service (Amyraldus, Schultens, Ewald, and Hitzig), which is equivalent to let it refuse or fail, become lame, become benumbed, much the same as we say of the arms of legs that they "go to sleep," and just as the Arabic nasiya signifies both to forget and to become lame (cf. Gesenius, Thesaurus, p. 921b). La Harpe correctly renders: O Jerusalem! si je t'oublie jamais, que ma main oublie aussi le mouvement! Thus there is a correspondence between Psa 137:5 and Psa 137:6 : My tongue shall cleave to my palate if I do not remember thee, if I do not raise Jerusalem above the sum of my joy. אזכּרכי has the affixed Chirek, with which these later Psalms are so fond of adorning themselves. ראשׁ is apparently used as in Psa 119:160 : supra summam (the totality) laetitiae meae, as Coccejus explains, h.e. supra omnem laetitiam meam. But why not then more simply על כּל, above the totality? ראשׁ here signifies not κεφάλαιον, but κεφαλή: if I do not place Jerusalem upon the summit of my joy, i.e., my highest joy; therefore, if I do not cause Jerusalem to be my very highest joy. His spiritual joy over the city of God is to soar above all earthly joys.

Verse 7

The second part of the Psalm supplicates vengeance upon Edom and Babylon. We see from Obadiah's prophecy, which is taken up again by Jeremiah, how shamefully the Edomites, that brother-people related by descent to Israel and yet pre-eminently hostile to it, behaved in connection with the destruction of Jerusalem by the Chaldaeans as their malignant, rapacious, and inhuman helpers. The repeated imper. Piel ערוּ, from ערה (not imper. Kal from ערר, which would be ערוּ), ought to have been accented on the ult.; it is, however, in both cases accented on the first syllable, the pausal ערוּ (cf. כּלוּ in Psa 37:20, and also הסּוּ, Neh 8:11) giving rise to the same accentuation of the other (in order that two tone-syllables might not come together). The Pasek also stands between the two repeated words in order that they may be duly separated, and secures, moreover, to the guttural initial of the second ערוּ its distinct pronunciation (cf. Gen 26:28; Num 35:16). It is to be construed: lay bare, lay bare (as in Hab 3:13, cf. גּלּה in Mic 1:6) in it (Beth of the place), of in respect of it (Beth of the object), even to the foundation, i.e., raze it even to the ground, leave not one stone upon another. From the false brethren the imprecation turns to Babylon, the city of the imperial power of the world. The daughter, i.e., the population, of Babylon is addressed as השּׁדוּדה. It certainly seems the most natural to take this epithet as a designation of its doings which cry for vengeance. But it cannot in any case be translated: thou plunderer (Syriac like the Targum: bozuzto; Symmachus ἡ λῃστρίς), for שׁדד does not mean to rob and plunder, but to offer violence and to devastate. Therefore: thou devastator; but the word so pointed as we have it before us cannot have this signification: it ought to be השּׁדודה, like בּגודה in Jer 3:7, Jer 3:10, or השּׁדוּדה (with an unchangeable ā), corresponding to the Syriac active intensive form ālûṣo, oppressor, gōdûfo, slanderer, and the Arabic likewise active intensive form Arab. fâ‛ûl, e.g., fâshûs, a boaster, and also as an adjective: ǵôz fâshûs, empty nuts, cf. יקוּשׁ = יקושׁ, a fowler, like nâṭûr (נאטור), a field-watcher. The form as it stands is part. pass., and signifies προνενομευμένη (Aquila), vastata (Jerome). It is possible that this may be said in the sense of vastanda, although in this sense of a part. fut. pass. the participles of the Niphal (e.g., Ps 22:32; Psa 102:19) and of the Pual (Psa 18:4) are more commonly used. It cannot at any rate signify vastata in an historical sense, with reference to the destruction of Babylon by Darius Hystaspes (Hengstenberg); for Psa 137:7 only prays that the retribution may come: it cannot therefore as yet have been executed; but if השׁדודה signified the already devastated one, it must (at least in the main) have been executed already. It might be more readily understood as a prophetical representation of the executed judgment of devastation; but this prophetic rendering coincides with the imprecative: the imagination of the Semite when he utters a curse sees the future as a realized fact. "Didst thou see the smitten one (maḍrûb)," i.e., he whom God must smite? Thus the Arab inquires for a person who is detested. "Pursue him who is seized (ilḥaḳ el̇ma'chûdh)," i.e., him whom God must allow thee to seize! Thy speak thus inasmuch as the imagination at once anticipates the seizure at the same time with the pursuit. Just as here both maḍrûb and ma'chûdh are participles of Kasl, so therefore השּׁדוּודה may also have the sense of vastanda (which must be laid waste!). That which is then further desired for Babylon is the requital of that which it has done to Israel, Isa 47:6. It is the same penal destiny, comprehending the children also, which is predicted against it in Isa 13:16-18, as that which was to be executed by the Medes. The young children (with reference to עולל, עולל, vid., on Psa 8:3) are to be dashed to pieces in order that a new generation may not raise up again the world-wide dominion that has been overthrown, Isa 14:21. It is zeal for God that puts such harsh words into the mouth of the poet. "That which is Israel's excellency and special good fortune the believing Israelite desires to have bestowed upon the whole world, but for this very reason he desires to see the hostility of the present world of nations against the church of God broken" (Hofmann). On the other hand, it cannot be denied that the "blessed" of this Psalm is not suited to the mouth of the New Testament church. In the Old Testament the church as yet had the form of a nation, and the longing for the revelation of divine righteousness clothed itself accordingly in a warlike garb.

Introduction

There are divers psalms which are thought to have been penned in the latter days of the Jewish church, when prophecy was near expiring and the canon of the Old Testament ready to be closed up, but none of them appears so plainly to be of a late date as this, which was penned when the people of God were captives in Babylon, and there insulted over by these proud oppressors; probably it was towards the latter end of their captivity; for now they saw the destruction of Babylon hastening on apace (Psa 137:8), which would be their discharge. It is a mournful psalm, a lamentation; and the Septuagint makes it one of the lamentations of Jeremiah, naming him for the author of it. Here I. The melancholy captives cannot enjoy themselves (Psa 137:1, Psa 137:2). II. They cannot humour their proud oppressors (Psa 137:3, Psa 137:4). III. They cannot forget Jerusalem (Psa 137:5, Psa 137:6). IV. They cannot forgive Edom and Babylon (Psa 137:7-9). In singing this psalm we must be much affected with the concernments of the church, especially that part of it that is in affliction, laying the sorrows of God's people near our hearts, comforting ourselves in the prospect of the deliverance of the church and the ruin of its enemies, in due time, but carefully avoiding all personal animosities, and not mixing the leaven of malice with our sacrifices.

Verse 1

We have here the daughter of Zion covered with a cloud, and dwelling with the daughter of Babylon; the people of God in tears, but sowing in tears. Observe, I. The mournful posture they were in as to their affairs and as to their spirits. 1. They were posted by the rivers of Babylon, in a strange land, a great way from their own country, whence they were brought as prisoners of war. The land of Babylon was now a house of bondage to that people, as Egypt had been in their beginning. Their conquerors quartered them by the rivers, with design to employ them there, and keep them to work in their galleys; or perhaps they chose it as the most melancholy place, and therefore most suitable to their sorrowful spirits. If they must build houses there (Jer 29:5), it shall not be in the cities, the places of concourse, but by the rivers, the places of solitude, where they might mingle their tears with the streams. We find some of them by the river Chebar (Eze 1:3), others by the river Ulai, Dan 8:2. 2. There they sat down to indulge their grief by poring on their miseries. Jeremiah had taught them under this yoke to sit alone, and keep silence, and put their mouths in the dust, Lam 3:28, Lam 3:29. "We sat down, as those that expected to stay, and were content, since it was the will of God that it must be so." 3. Thoughts of Zion drew tears from their eyes; and it was not a sudden passion of weeping, such as we are sometimes put into by a trouble that surprises us, but they were deliberate tears (we sat down and wept), tears with consideration - we wept when we remembered Zion, the holy hill on which the temple was built. Their affection to God's house swallowed up their concern for their own houses. They remembered Zion's former glory and the satisfaction they had had in Zion's courts, Lam 1:7. Jerusalem remembered, in the days of her misery, all her pleasant things which she had in the days of old, Psa 42:4. They remembered Zion's present desolations, and favoured the dust thereof, which was a good sign that the time for God to favour it was not far off, Psa 102:13, Psa 102:14. 4. They laid by their instruments of music (Psa 137:2): We hung our harps upon the willows. (1.) The harps they used for their own diversion and entertainment. These they laid aside, both because it was their judgment that they ought not to use them now that God called to weeping and mourning (Isa 22:12), and their spirits were so sad that they had no hearts to use them; they brought their harps with them, designing perhaps to use them for the alleviating of their grief, but it proved so great that it would not admit the experiment. Music makes some people melancholy. As vinegar upon nitre, so is he that sings songs to a heavy heart. (2.) The harps they used in God's worship, the Levites' harps. These they did not throw away, hoping they might yet again have occasion to use them, but they laid them aside because they had no present use for them; God had cut them out other work by turning their feasting into mourning and their songs into lamentations, Amo 8:10. Every thing is beautiful in its season. They did not hide their harps in the bushes, or the hollows of the rocks; but hung them up in view, that the sight of them might affect them with this deplorable change. Yet perhaps they were faulty in doing this; for praising God is never out of season; it is his will that we should in every thing give thanks, Isa 24:15, Isa 24:16. II. The abuses which their enemies put upon them when they were in this melancholy condition, Psa 137:3. They had carried them away captive from their own land and then wasted them in the land of their captivity, took what little they had from them. But this was not enough; to complete their woes they insulted over them: They required of us mirth and a song. Now, 1. This was very barbarous and inhuman; even an enemy, in misery, is to be pitied and not trampled upon. It argues a base and sordid spirit to upbraid those that are in distress either with their former joys or with their present griefs, or to challenge those to be merry who, we know, are out of tune for it. This is adding affliction to the afflicted. 2. It was very profane and impious. No songs would serve them but the songs of Zion, with which God had been honoured; so that in this demand they reflected upon God himself as Belshazzar, when he drank wine in temple-bowls. Their enemies mocked at their sabbaths, Lam 1:7. III. The patience wherewith they bore these abuses, Psa 137:4. They had laid by their harps, and would not resume them, no, not to ingratiate themselves with those at whose mercy they lay; they would not answer those fools according to their folly. Profane scoffers are not to be humoured, nor pearls cast before swine. David prudently kept silence even from good when the wicked were before him, who, he knew, would ridicule what he said and make a jest of it, Psa 39:1, Psa 39:2. The reason they gave is very mild and pious: How shall we sing the Lord's song in a strange land? They do not say, "How shall we sing when we are so much in sorrow?" If that had been all, they might perhaps have put a force upon themselves so far as to oblige their masters with a song; but "It is the Lord's song; it is a sacred thing; it is peculiar to the temple-service, and therefore we dare not sing it in the land of a stranger, among idolaters." We must not serve common mirth, much less profane mirth, with any thing that is appropriated to God, who is sometimes to be honoured by a religious silence as well as by religious speaking. IV. The constant affection they retained for Jerusalem, the city of their solemnities, even now that they were in Babylon. Though their enemies banter them for talking so much of Jerusalem, and even doting upon it, their love to it is not in the least abated; it is what they may be jeered for, but will never be jeered out of, Psa 137:5, Psa 137:6. Observe, 1. How these pious captives stood affected to Jerusalem. (1.) Their heads were full of it. It was always in their minds; they remembered it; they did not forget it, though they had been long absent from it; many of them had never seen it, nor knew any thing of it but by report, and by what they had read in the scripture, yet it was graven upon the palms of their hands, and even its ruins were continually before them, which was ann evidence of their faith in the promise of its restoration in due time. In their daily prayers they opened their windows towards Jerusalem; and how then could they forget it? (2.) Their hearts were full of it. They preferred it above their chief joy, and therefore they remembered it and could not forget it. What we love we love to think of. Those that rejoice in God do, for his sake, make Jerusalem their joy, and prefer it before that, whatever it is, which is the head of their joy, which is dearest to them in this world. A godly man will prefer a public good before any private satisfaction or gratification whatsoever. 2. How stedfastly they resolved to keep up this affection, which they express by a solemn imprecation of mischief to themselves if they should let it fall: "Let me be for ever disabled either to sing or play on the harp if I so far forget the religion of my country as to make use of my songs and harps for the pleasing of Babylon's sons or the praising of Babylon's gods. Let my right hand forget her art" (which the hand of an expert musician never can, unless it be withered), "nay, let my tongue cleave to the roof of my mouth, if I have not a good word to say for Jerusalem wherever I am." Though they dare not sing Zion's songs among the Babylonians, yet they cannot forget them, but, as soon as ever the present restraint is taken off, they will sing them as readily as ever, notwithstanding the long disuse.

Verse 7

The pious Jews in Babylon, having afflicted themselves with the thoughts of the ruins of Jerusalem, here please themselves with the prospect of the ruin of her impenitent implacable enemies; but this not from a spirit of revenge, but from a holy zeal for the glory of God and the honour of his kingdom. I. The Edomites will certainly be reckoned with, and all others that were accessaries to the destruction of Jerusalem, that were aiding and abetting, that helped forward the affliction (Zac 1:15) and triumphed in it, that said, in the day of Jerusalem, the day of her judgment, "Rase it, rase it to the foundations; down with it, down with it; do not leave one stone upon another." Thus they made the Chaldean army more furious, who were already so enraged that they needed no spur. Thus they put shame upon Israel, who would be looked upon as a people worthy to be cut off when their next neighbours had such an ill-will to them. And all this was a fruit of the old enmity of Esau against Jacob, because he got the birthright and the blessing, and a branch of that more ancient enmity between the seed of the woman and the seed of the serpent: Lord, remember them, says the psalmist, which is an appeal to his justice against them. Far be it from us to avenge ourselves, if ever it should be in our power, but we will leave it to him who has said, Vengeance is mine. Note, Those that are glad at calamities, especially the calamities of Jerusalem, shall not go unpunished. Those that are confederate with the persecutors of good people, and stir them up, and set them on, and are pleased with what they do, shall certainly be called to an account for it against another day, and God will remember it against them. II. Babylon is the principal, and it will come to her turn too to drink of the cup of tremblings, the very dregs of it (Psa 137:8, Psa 137:9): O daughter of Babylon! proud and secure as thou art, we know well, by the scriptures of truth, thou art to be destroyed, or (as Dr. Hammond reads it) who art the destroyer. The destroyers shall be destroyed, Rev 13:10. And perhaps it is with reference to this that the man of sin, the head of the New Testament Babylon, is called a son of perdition, Th2 2:3. The destruction of Babylon being foreseen as a sure destruction (thou art to be destroyed), it is spoken of, 1. As a just destruction. She shall be paid in her own coin: "Thou shalt be served as thou hast served us, as barbarously used by the destroyers as we have been by thee," See Rev 18:6. Let not those expect to find mercy who, when they had power, did not show mercy. 2. As an utter destruction. The very little ones of Babylon, when it is taken by storm, and all in it are put to the sword, shall be dashed to pieces by the enraged and merciless conqueror. None escape if these little ones perish. Those are the seed of another generation; so that, if they be cut off, the ruin will be not only total, as Jerusalem's was, but final. It is sunk like a millstone into the sea, never to rise. 3. As a destruction which should reflect honour upon the instruments of it. Happy shall those be that do it; for they are fulfilling God's counsels; and therefore he calls Cyrus, who did it, his servant, his shepherd, his anointed (Isa 44:28; Isa 45:1), and the soldiers that were employed in it his sanctified ones, Isa 13:3. They are making way for the enlargement of God's Israel, and happy are those who are in any way serviceable to that. The fall of the New Testament Babylon will be the triumph of all the saints, Rev 19:1.

John 7:37

Don't Lose Your Song

From Babylon to Jerusalem - (Daniel) ch.2:36-3:30

Preparing to Sing in a Difficult Time

Such as I Have

Grace of God (Toronto Spiritual Life Convention 1999)

The Sweetness of Knowing Christ

The Continuing Work of Christ 04 Messages From the Acts

(How to Understand the Kjv Bible) 12 Psalm 137

The Prayer for Revival (Psalm 89)

Exposition on Psalm 138

Iii. the Jerusalem Sign

When the Entertainment God Comes to Church

Epistle 338

Letters: Rev. Dr. Andrew, Glasgow (1)

He Put Garrisons in Edom; and All the Edomites

The Overcomer

The Fundamental Matter of Worship

He Sent a Man Before Them, Even Joseph, Who Was Sold, Etc.

The Captive

Psalm 137

How to Seek the Saints' Rest While on Earth

We Believe That the Divine Presence Is Everywhere

Commentary on Psalm 136-150

Introduction

Introduction

Verse 1

Verse 2

Verse 3

Verse 4

Verse 5

Verse 6

Verse 7

Verse 8

Verse 9

Verse 1

Verse 7

Introduction

Verse 1

Verse 7

Verse 1

Verse 2

Verse 5

Verse 7