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- Verse 16
Job 16:15
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Summary
Commentary
- Adam Clarke
- Keil-Delitzsch
- Jamieson-Fausset-Brown
- John Gill
- Tyndale
Adam Clarke Bible Commentary
I have sewed sackcloth - שק sak, a word that has passed into almost all languages, as I have already had occasion to notice in other parts of this work. Defiled my horn in the dust - The horn was an emblem of power; and the metaphor was originally taken from beasts, such as the urus, wild ox, buffalo, or perhaps the rhinoceros, who were perceived to have so much power in their horns. Hence a horn was frequently worn on crowns and helmets, as is evident on ancient coins; and to this day it is an appendage to the diadem of the kings and chiefs of Abyssinia. In the second edition of Mr. Bruce's Travels in Abyssinia, vol. viii., plates 2 and 3, we have engravings of two chiefs, Kefla Yasous, and Woodage Ashahel, who are represented with this emblem of power on their forehead. Mr. Bruce thus describes it: "One thing remarkable in this cavalcade, which I observed, was the head dress of the governors of provinces. A large broad fillet was bound upon their forehead, and tied behind their head. In the middle of this was a horn, or a conical piece of silver, gilt, about four inches in length, much in the shape of our common candle extinguishers. This is called kirn, or horn; and is only worn in reviews, or parades after victory. This, I apprehend, like all others of their usages is taken from the Hebrews; and the several allusions made in Scripture to it arise from this practice. 'I said unto the fools, Deal not foolishly; and to the wicked, Lift not up the horn.' 'Lift not up your horn on high, speak not with a stiff neck; for promotion cometh not,' etc. 'But my horn shalt thou exalt like the horn of a unicorn.' 'And the horn of the righteous shall be exalted with honor.' And so in many other places throughout the Psalms." In a note on the same page we have the following observation: "The crooked manner in which they hold their neck when this ornament is on their forehead, for fear it should fall forward, perfectly shows the meaning of 'Speak not with a stiff neck when you hold the horn on high (or erect) like the horn of the unicorn."' - Bruce's Travels, vol. iv., p. 407. Defiling or rolling the horn in the dust, signifies the disgrace or destruction of power, authority, and eminence. Mr. Good translates, I have rolled my turban in the dust, which he endeavors to justify in a long note. But in this, I think, this very learned man is mistaken. The Hebrew קרן keren is the same as the Ethiopic kirn, and both mean exactly, in such connection, what Mr. Bruce has noticed above. The horn on the diadem is the emblem of power, authority, and eminence.
Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary
15 I sewed sackcloth upon my skin, And defiled my horn with dust. 16 My face is exceeding red with weeping, And on mine eyelids is the shadow of death, 17 Although there is no wrong in my hand, And my prayer is pure. Coarse-haired cloth is the recognised clothing which the deeply sorrowful puts on, ἱμάτιον στενοχωρίας καὶ πένθους, as the Greek expositors remark. Job does not say of it that he put it on or slung it round him, but that he sewed it upon his naked body; and this is to be attributed to the hideous distortion of the body by elephantiasis, which will not admit of the use of the ordinary form of clothes. For the same reason he also uses, not עורי, but גּלדּי, which signifies either the scurfy scaly surface (as גּלד and הנליד in Talmudic of the scab of a healing wound, but also occurring e.g., of the bedaggled edge of clothes when it has become dry), or scornfully describes the skin as already almost dead; for the healthy skin is called עזר, גּלד, on the other hand, βύρσα (lxx), hide (esp. when removed from the body), Talm. e.g., sole-leather. We prefer the former interpretation (adopted by Raschi and others): The crust in which the terrible lepra has clothed his skin (vid., on Job 7:5; Job 30:18-19, Job 30:30) is intended. עללתּי in Job 16:15 is referred by Rosenm., Hirz., Ges., and others (as indeed by Saad. and Gecat., who transl. "I digged into"), to עלל (Arab. gll), to enter, penetrate: "I stuck my horn in the dust;" but this signification of the Hebrew עלל is unknown, it signifies rather to inflict pain, or scorn (e.g., Lam 3:51, mine eye causeth pain to my soul), generally with ל, here with the accusative: I have misused, i.e., injured or defiled (as the Jewish expositors explain), my horn with dust. This is not equivalent to my head (as in the Syr. version), but he calls everything that was hitherto his power and pride קרני (lxx, Targ.); all this he has together at the same time injured, i.e., represented as come to destruction, by covering his head with dust and ashes. Job 16:16 The construction of the Chethib is like Sa1 4:15, of the Keri on the other hand like Lam 1:20; Lam 2:11 (where the same is said of מעי, viscera mea); חמרמר is a passive intensive form (Ges. 55, 3), not in the signification: they are completely kindled (lxx συγκέκανται, Jer. intumuit, from the חמר, Arab. chmr, which signifies to ferment), but: they are red all over (from חמר, Arab. ḥmr, whence the Alhambra, as a red building, takes its name), reddened, i.e., from weeping; and this has so weakened them, that the shadow of death (vid., on Job 10:21.) seems to rest upon his eyelids; they are therefore sad even to the deepest gloom. Thus exceedingly miserable is his state and appearance, although he is no disguised hypocrite, who might need to do penance in sackcloth and ashes, and shed tears of penitence without any solace. Hirz. explains על as a preposition: by the absence of evil in my hands; but Job 16:17 and Job 16:17 are substantival clauses, and על is therefore just, like Isa 53:9, a conjunction (= על־אשׁר). His hands are clean from wrong-doing, free from violence and oppression; his prayer is pure, pura; as Merc. observes, ex puritate cordis et fidei. From the feeling of the strong contrast between his piety and his being stigmatized as an evil-doer by such terrible suffering, - from this extreme contrast which has risen now to its highest in his consciousness of patient endurance of suffering, the lofty thoughts of the next strophe take their rise.
Jamieson-Fausset-Brown Bible Commentary
sewed--denoting the tight fit of the mourning garment; it was a sack with armholes closely sewed to the body. horn--image from horned cattle, which when excited tear the earth with their horns. The horn was the emblem of power (Kg1 22:11). Here, it is in the dust--which as applied to Job denotes his humiliation from former greatness. To throw one's self in the dust was a sign of mourning; this idea is here joined with that of excited despair, depicted by the fury of a horned beast. The Druses of Lebanon still wear horns as an ornament.
John Gill Bible Commentary
My face is foul with weeping,.... On account of the loss of his substance, and especially of his children; at the unkindness of his friends, and over his own corruptions, which he felt working in him, and breaking forth in unbecoming language; and because of the hidings of the face of God from him: the word used in the Arabic language (i) has the, signification of redness in it, as Aben Ezra and others observe; of red wine, and, as Schultens adds, of the fermentation of it; and is fitly used to express a man's face in excessive weeping, which looks red, and swelled, and blubbered: and on my eyelids is the shadow of death; which were become dim through weeping, so that he could scarcely see out of them, and, like a dying man, could hardly lift them up; and such was his sorrowful condition, that he never expected deliverance from it, but that it would issue in death; and which he supposed was very near, and that he had many symptoms of it, of which the decay of his eyesight was one; and he was so far from winking with his eyes in a wanton and ludicrous way, as Eliphaz had hinted, Job 15:12; that there was such a dead weight upon them, even the shadow of death itself, that he was not able to lift them up. (i) "intumuit", V. L. Tigurine version; "fermentescit", Schultens.
Tyndale Open Study Notes
16:15 Since Job insisted on his innocence, his wearing burlap (literally I sewed on burlap) was a sign of mourning, not penitence. Perhaps it was attached to indicate that he would never remove it because he could never be consoled (Gen 37:34-35). • My pride lies in the dust (literally I have buried my horn in the dust): A horn symbolized dignity and power (1 Sam 2:1; Pss 75:4-5; 89:17, 24; 92:10; 112:9; 148:14); cutting it off inflicted degrading humiliation (Ps 75:10; Jer 48:25; Zech 1:12).
Job 16:15
Job Decries His Comforters
14He breaks me with wound upon wound; He rushes me like a mighty warrior. 15I have sewn sackcloth over my skin; I have buried my horn in the dust. 16My face is red with weeping, and deep shadows ring my eyes;
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- Adam Clarke
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- Tyndale
Adam Clarke Bible Commentary
I have sewed sackcloth - שק sak, a word that has passed into almost all languages, as I have already had occasion to notice in other parts of this work. Defiled my horn in the dust - The horn was an emblem of power; and the metaphor was originally taken from beasts, such as the urus, wild ox, buffalo, or perhaps the rhinoceros, who were perceived to have so much power in their horns. Hence a horn was frequently worn on crowns and helmets, as is evident on ancient coins; and to this day it is an appendage to the diadem of the kings and chiefs of Abyssinia. In the second edition of Mr. Bruce's Travels in Abyssinia, vol. viii., plates 2 and 3, we have engravings of two chiefs, Kefla Yasous, and Woodage Ashahel, who are represented with this emblem of power on their forehead. Mr. Bruce thus describes it: "One thing remarkable in this cavalcade, which I observed, was the head dress of the governors of provinces. A large broad fillet was bound upon their forehead, and tied behind their head. In the middle of this was a horn, or a conical piece of silver, gilt, about four inches in length, much in the shape of our common candle extinguishers. This is called kirn, or horn; and is only worn in reviews, or parades after victory. This, I apprehend, like all others of their usages is taken from the Hebrews; and the several allusions made in Scripture to it arise from this practice. 'I said unto the fools, Deal not foolishly; and to the wicked, Lift not up the horn.' 'Lift not up your horn on high, speak not with a stiff neck; for promotion cometh not,' etc. 'But my horn shalt thou exalt like the horn of a unicorn.' 'And the horn of the righteous shall be exalted with honor.' And so in many other places throughout the Psalms." In a note on the same page we have the following observation: "The crooked manner in which they hold their neck when this ornament is on their forehead, for fear it should fall forward, perfectly shows the meaning of 'Speak not with a stiff neck when you hold the horn on high (or erect) like the horn of the unicorn."' - Bruce's Travels, vol. iv., p. 407. Defiling or rolling the horn in the dust, signifies the disgrace or destruction of power, authority, and eminence. Mr. Good translates, I have rolled my turban in the dust, which he endeavors to justify in a long note. But in this, I think, this very learned man is mistaken. The Hebrew קרן keren is the same as the Ethiopic kirn, and both mean exactly, in such connection, what Mr. Bruce has noticed above. The horn on the diadem is the emblem of power, authority, and eminence.
Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary
15 I sewed sackcloth upon my skin, And defiled my horn with dust. 16 My face is exceeding red with weeping, And on mine eyelids is the shadow of death, 17 Although there is no wrong in my hand, And my prayer is pure. Coarse-haired cloth is the recognised clothing which the deeply sorrowful puts on, ἱμάτιον στενοχωρίας καὶ πένθους, as the Greek expositors remark. Job does not say of it that he put it on or slung it round him, but that he sewed it upon his naked body; and this is to be attributed to the hideous distortion of the body by elephantiasis, which will not admit of the use of the ordinary form of clothes. For the same reason he also uses, not עורי, but גּלדּי, which signifies either the scurfy scaly surface (as גּלד and הנליד in Talmudic of the scab of a healing wound, but also occurring e.g., of the bedaggled edge of clothes when it has become dry), or scornfully describes the skin as already almost dead; for the healthy skin is called עזר, גּלד, on the other hand, βύρσα (lxx), hide (esp. when removed from the body), Talm. e.g., sole-leather. We prefer the former interpretation (adopted by Raschi and others): The crust in which the terrible lepra has clothed his skin (vid., on Job 7:5; Job 30:18-19, Job 30:30) is intended. עללתּי in Job 16:15 is referred by Rosenm., Hirz., Ges., and others (as indeed by Saad. and Gecat., who transl. "I digged into"), to עלל (Arab. gll), to enter, penetrate: "I stuck my horn in the dust;" but this signification of the Hebrew עלל is unknown, it signifies rather to inflict pain, or scorn (e.g., Lam 3:51, mine eye causeth pain to my soul), generally with ל, here with the accusative: I have misused, i.e., injured or defiled (as the Jewish expositors explain), my horn with dust. This is not equivalent to my head (as in the Syr. version), but he calls everything that was hitherto his power and pride קרני (lxx, Targ.); all this he has together at the same time injured, i.e., represented as come to destruction, by covering his head with dust and ashes. Job 16:16 The construction of the Chethib is like Sa1 4:15, of the Keri on the other hand like Lam 1:20; Lam 2:11 (where the same is said of מעי, viscera mea); חמרמר is a passive intensive form (Ges. 55, 3), not in the signification: they are completely kindled (lxx συγκέκανται, Jer. intumuit, from the חמר, Arab. chmr, which signifies to ferment), but: they are red all over (from חמר, Arab. ḥmr, whence the Alhambra, as a red building, takes its name), reddened, i.e., from weeping; and this has so weakened them, that the shadow of death (vid., on Job 10:21.) seems to rest upon his eyelids; they are therefore sad even to the deepest gloom. Thus exceedingly miserable is his state and appearance, although he is no disguised hypocrite, who might need to do penance in sackcloth and ashes, and shed tears of penitence without any solace. Hirz. explains על as a preposition: by the absence of evil in my hands; but Job 16:17 and Job 16:17 are substantival clauses, and על is therefore just, like Isa 53:9, a conjunction (= על־אשׁר). His hands are clean from wrong-doing, free from violence and oppression; his prayer is pure, pura; as Merc. observes, ex puritate cordis et fidei. From the feeling of the strong contrast between his piety and his being stigmatized as an evil-doer by such terrible suffering, - from this extreme contrast which has risen now to its highest in his consciousness of patient endurance of suffering, the lofty thoughts of the next strophe take their rise.
Jamieson-Fausset-Brown Bible Commentary
sewed--denoting the tight fit of the mourning garment; it was a sack with armholes closely sewed to the body. horn--image from horned cattle, which when excited tear the earth with their horns. The horn was the emblem of power (Kg1 22:11). Here, it is in the dust--which as applied to Job denotes his humiliation from former greatness. To throw one's self in the dust was a sign of mourning; this idea is here joined with that of excited despair, depicted by the fury of a horned beast. The Druses of Lebanon still wear horns as an ornament.
John Gill Bible Commentary
My face is foul with weeping,.... On account of the loss of his substance, and especially of his children; at the unkindness of his friends, and over his own corruptions, which he felt working in him, and breaking forth in unbecoming language; and because of the hidings of the face of God from him: the word used in the Arabic language (i) has the, signification of redness in it, as Aben Ezra and others observe; of red wine, and, as Schultens adds, of the fermentation of it; and is fitly used to express a man's face in excessive weeping, which looks red, and swelled, and blubbered: and on my eyelids is the shadow of death; which were become dim through weeping, so that he could scarcely see out of them, and, like a dying man, could hardly lift them up; and such was his sorrowful condition, that he never expected deliverance from it, but that it would issue in death; and which he supposed was very near, and that he had many symptoms of it, of which the decay of his eyesight was one; and he was so far from winking with his eyes in a wanton and ludicrous way, as Eliphaz had hinted, Job 15:12; that there was such a dead weight upon them, even the shadow of death itself, that he was not able to lift them up. (i) "intumuit", V. L. Tigurine version; "fermentescit", Schultens.
Tyndale Open Study Notes
16:15 Since Job insisted on his innocence, his wearing burlap (literally I sewed on burlap) was a sign of mourning, not penitence. Perhaps it was attached to indicate that he would never remove it because he could never be consoled (Gen 37:34-35). • My pride lies in the dust (literally I have buried my horn in the dust): A horn symbolized dignity and power (1 Sam 2:1; Pss 75:4-5; 89:17, 24; 92:10; 112:9; 148:14); cutting it off inflicted degrading humiliation (Ps 75:10; Jer 48:25; Zech 1:12).