Psalms 144:9 — Word Study
WLCאֱֽלֹהִ֗ים שִׁ֣יר חָ֭דָשׁ אָשִׁ֣ירָה לָּ֑ךְ בְּנֵ֥בֶל עָ֝שׂ֗וֹר אֲזַמְּרָה־ לָּֽךְ׃
BSAI will singshîyr [make melody, offer praise] a newchâdâsh [fresh, recently created] songshîyr O Godʼĕlôhîym [Elohim, the one supreme God] on a harpnebel [psaltery, musical instrument] of ten stringsʻâsôwr [a tenth] I will make musiczâmar [sing praises, play]
| Greek | English | Parsing |
|---|---|---|
| אֱֽלֹהִ֗ים | O God | Noun common, masculine plural absolute |
| שִׁ֣יר | a song | Noun common, masculine singular absolute |
| חָ֭דָשׁ | new | Adj |
| אָשִׁ֣ירָה | I will sing | Verb, Qal, infinitive construct first person common singular |
| לָּ֑ךְ | to you | Preposition, suffix |
| בְּנֵ֥בֶל | with a lyre of | Preposition, noun common masculine singular construct |
| עָ֝שׂ֗וֹר | ten | Noun common, masculine singular absolute |
| אֲזַמְּרָה־ | I will make music | Verb, Piel, infinitive construct first person common singular |
| לָּֽךְ׃ | to you | Preposition, suffix |
Every word in the verse. Click a row to open it in the panel on the left.
| BSB | I will sing to You a new song, O God; on a harp of ten strings I will make music to You— |
| KJV | I will sing a new song unto thee, O God: upon a psaltery and an instrument of ten strings will I sing praises unto thee. |
| ASV | I will sing a new song unto thee, O God: Upon a psaltery of ten strings will I sing praises unto thee. |
| YLT | O God, a new song I sing to Thee, On a psaltery of ten strings I sing praise to Thee. |
| WEB | I will sing a new song to you, God. On a ten-stringed lyre, I will sing praises to you. |
| BBE | I will make a new song to you, O God; I will make melody to you on an instrument of ten cords. |
Where they part company is on the specific wording for אֱלֹהִים — see How Translations Differ.
The sentence consists of a main clause followed by two phrases that elaborate on the manner and means of worship.







8 commentators on this verse
Gill, Jamieson, Poole, Trapp & more — read them ›
clause
verbשִׁיר
The sentence as the grammar sees it Open the tree ›
Every word here is used elsewhere in the Old Testament.
Bars are logarithmic — אֵת, the commonest word in the Hebrew Bible, stands about 11,000 times, so a linear scale would leave everything else invisible. Click a row to open that word.
Deep Study — Psalms 144:9
Sections marked generated are written from the data on this page rather than by a named author. Everything else — the lexicon entries, the cross references, the manuscript readings, the counts — is quoted from its source unchanged.
Context — A Song of Praise to Godgenerated
Psalms 144:9 expresses the psalmist's desire to offer a new song to God, highlighting the importance of worship through music. This verse is part of a larger context where the psalmist contrasts the deceitful nature of others with his commitment to praise God. The imagery of a ten-stringed harp emphasizes the beauty and complexity of the worship being offered.
Cross References
| Reference | Text (BSB) | |
|---|---|---|
| 1 | Psalm 33:2–3 | Praise the LORD with the harp; make music to Him with ten strings. |
| 2 | Psalm 40:3 | He put a new song in my mouth, a hymn of praise to our God. Many will see and fear and put their trust in the LORD. |
| 3 | Psalm 98:1 | Sing to the LORD a new song, for He has done wonders; His right hand and holy arm have gained Him the victory. |
| 4 | Psalm 149:1 | Hallelujah! Sing to the LORD a new song— His praise in the assembly of the godly. |
| 5 | Revelation 5:9–10 | And they sang a new song: “Worthy are You to take the scroll and open its seals, because You were slain, and by Your blood You purchased for God those from every tribe and tongue and people and nation. |
The Treasury of Scripture Knowledge — 10 references, hung on the phrase they belong to
The Key Word — אֱלֹהִים, 'elo.Himgenerated
The word אֱלֹהִים (elo.Him) is a plural noun that primarily refers to God, the supreme deity in the Hebrew Bible. It conveys not only the concept of God but also reflects divine majesty and power. In this verse, it emphasizes the personal relationship the psalmist has with God while acknowledging His greatness.
The usage of אֱלֹהִים in this context underscores the psalmist's intent to honor and praise the one true God, contrasting with the falsehoods spoken by others.
How Translations Differ — measured against the Berean Standard Biblegenerated
This study reads the verse in the Berean Standard Bible, so the BSB is the wording every comparison below is made against.
Sentence Structuregenerated
The main verb אָשִׁ֣ירָה (ashirah), meaning 'I will sing,' governs the structure of the verse, with a prepositional phrase detailing how the singing will be done. The phrase בְּנֵ֥בֶל (be.ne.vel) indicates the instrument used, while the adjective חָדָשׁ (chadash) describes the song as new.
The Hebrew word order places emphasis on the act of singing and the instrument, highlighting the psalmist's commitment to worship through music.
Septuagint Backgroundgenerated
The Septuagint translates אֱלֹהִים as θεός (Theos), which also means 'God' and carries the same connotation of supreme deity. This choice aligns with the Hebrew meaning, maintaining the focus on God's majesty.
The Greek word for 'song' used in the Septuagint is ᾠδὴν (ōdēn), which similarly denotes a musical expression of praise, reflecting the intent of the original Hebrew.
In plain words — the whole versegenerated
Psalms 144:9 shows the psalmist's intention to sing a new song to God using a harp with ten strings. This verse emphasizes the importance of worship through music and the personal relationship between the psalmist and God.
Frequently Asked Questionsgenerated
Singing a new song signifies a fresh expression of praise and worship, reflecting the ongoing relationship and experiences with God.
The harp symbolizes the musical aspect of worship, enhancing the expression of praise through its sound.
The number ten often represents completeness or perfection in the Bible, suggesting a full and complete expression of worship.
This verse connects to other psalms that emphasize singing and musical worship, such as Psalm 33:2-3 and Psalm 149:1.
Reflection Questionsgenerated
- What are some new songs of praise I can offer to God based on my experiences?
- How can I incorporate music into my worship and daily life?
- What does it mean for me to express my worship to God in a fresh way?
- In what ways can I encourage others to join in worship through music?
The early church on this verse — how the Fathers read it
Early Church Fathers like Augustine of Hippo reference this verse to discuss themes of worship and the newness of grace in Christ, interpreting the new song as a reflection of the New Testament.
As it is written, “O God, I will sing you a new song, on a harp of ten strings I will play to you,” we take the harp of ten strings to be the Ten Commandments of the law. Now to sing and play is usually the occupation of lovers.Early Church Fathers on Psalms 144 →
"I will sing a new song unto You, O God" [Psalms 144:9]. "A new song" is of grace; "a new song" is of the new man; "a new song" is of the New Testament.Early Church Fathers on Psalms 144 →
Commentators on this verse — 8 expositors, verse by verse
Each of these wrote on Psalms 144:9 itself, not merely on the chapter around it.
John Gill1697–1771Gill's Exposition of the Entire BibleI will sing a new song unto thee, O God,.... The author of his being, the Father of mercies, temporal and spiritual, and therefore to him praise is always due; a new song of praise is to be sung for
Read John Gill on Psalms 144 →
Robert Jamieson1802–1880Jamieson, Fausset, and Brown's CommentaryI will sing a new song unto thee, O God: upon a psaltery and an instrument of ten strings will I sing praises unto thee.
Read Robert Jamieson on Psalms 144 →
Matthew Poole1624–1679Matthew Poole's Commentary on the Holy BibleWhen thou hast granted this request of mine, ,8, which I know assuredly thou wilt do.
Read Matthew Poole on Psalms 144 →
John Trapp1601–1669Trapp's Complete Commentary on the Old and New TestamentsPsalms 144:9 I will sing a new song unto thee, O God: upon a psaltery [and] an instrument of ten strings will I sing praises unto thee.Ver. 9. I will sing a new song] Upon the receipt of any new mercy, like as in a lottery, at every new prize drawn the trumpet soundeth.
Read John Trapp on Psalms 144 →
Charles John Ellicott1819–1905Ellicott's Commentary for English Readers(9) See Psalms 33:2-3. O God.—The only instance of Elohim in the last two books of the psalter with the exception of Psalms 108, which is a compilation from two older songs.
Read Charles John Ellicott on Psalms 144 →
AdamClarkeAdam Clarke's Commentary on the BibleVerse 9. I will sing a new song] A song of peculiar excellence. I will pour forth all my gratitude, and all my skill, on its composition. See on Psalms 33:2; Psalms 33:3.
Read AdamClarke on Psalms 144 →
CambridgeThe Cambridge Bible for Schools and Colleges9–11. A promise to give thanks for the victory which he is confident will be granted, and a repetition of his prayer for deliverance.
Read Cambridge on Psalms 144 →
Albert Barnes1798–1870Barnes' Notes on the BibleI will sing a new song unto thee, O God - There will be occasion in such a deliverance, or manifestation of mercy, for a new expression of praise. On the phrase, “a new song,” see the notes at Psalms 33:3.
Read Albert Barnes on Psalms 144 →The verse in English, compared — 17 translations, and where they part company
Every translation on this page is a decision someone had to make and commit to. Read down a column and you see one translator's judgement; read across a row and you see the range the Greek actually allows. The BSB is the wording the rest of this page is measured against, so it is listed first.
Modern formal
I will sing to You a new song, O God; on a harp of ten strings I will make music to You—
I will sing a new song to you, God. On a ten-stringed lyre, I will sing praises to you.
I will sing to You a new song, O God; on a harp of ten strings I will make music to You—
O God, I will sing a new song to you! Accompanied by a ten-stringed instrument, I will sing praises to you,
Tyndale line
I will sing a new song unto thee, O God: upon a psaltery and an instrument of ten strings will I sing praises unto thee.
I will sing a new song unto thee, O God: Upon a psaltery of ten strings will I sing praises unto thee.
I will sing a new song unto thee, O God: upon a psaltery of ten strings will I sing praises unto thee.
I will sing a new song to thee, O God: upon a psaltery and an instrument of ten strings will I sing praises to thee.
I wil sing a new song vnto thee, O God, and sing vnto thee vpon a viole, and an instrument of ten strings.
Strictly literal
O God, I will sing a new song unto thee; with the ten-stringed lute will I sing psalms unto thee:
O God, a new song I sing to Thee, On a psaltery of ten strings I sing praise to Thee.
O God, I sing to You a new song, || I sing praise to You on a stringed instrument of ten strings.
O God, a new song will I sing unto thee: upon the ten-stringed psaltery will I sing praises unto thee.
I will sing a new song to you, God; on a lute of ten strings I will sing praises to you,
From the Latin
The Lord is sweet to all: and his tender mercies are over all his works.
Simplified
God, I will sing a new song to you, accompanied by a ten-stringed harp,
I will make a new song to you, O God; I will make melody to you on an instrument of ten cords.
Counted from the translations carried on this site, not from a survey of every English Bible. A rendering shared by many versions is usually inherited rather than independently arrived at — the Tyndale line in particular runs through most of them.
The sentence as the grammar sees it — from the MACULA Hebrew treebank
This is not our own analysis: it is the scholarly syntax tree for the verse, showing how the clause actually holds together.
Boxes are the grammarian's groupings — clause, noun phrase, prepositional phrase.
The four witnesses to this verse — Masoretic, Septuagint, Samaritan, Qumran
The Masoretic Text and the Septuagint agree closely on this verse, with all nine words matched in the Hebrew and Greek. This consistency highlights the preservation of the text across traditions.
אֱֽלֹהִ֗ים שִׁ֣יר חָ֭דָשׁ אָשִׁ֣ירָה לָּ֑ךְ בְּנֵ֥בֶל עָ֝שׂ֗וֹר אֲזַמְּרָה־ לָּֽךְ׃
9 of the 9 words are matched. This is the word-by-word correspondence, not the Septuagint's own sentence — its word order and its articles are its own.
Four traditions, not one. “On the leather” means the letters physically survive on the scroll, as against letters an editor has supplied to fill a hole in it — a restoration is a scholar’s reading, not a reading of the manuscript. Words in [square brackets] are supplied; the notes count them apart from what survives.
The map of this verse — what each word keeps company with
This is a map of two things, both counted rather than judged. Company kept: which words stand within three words of each of these, anywhere in the Hebrew Bible — the thicker the line, the more often the pair meet compared with chance. Built from: the words a word is made out of, taken from its own Strong’s entry. It is not a map of meaning: nothing here claims two words mean the same thing. Click any circle to see the numbers behind it.
Lexicons — every word in Psalms 144:9
One dossier per word, with every reference work grouped by kind — Hebrew lexicons, morphology, Bible dictionaries, topical chains and the English of the translators themselves. The verse sits at the head of each block with the word under study lit, so you never lose your place. The panel above gives the short answer; this is the long one, and it is the part of the page worth indexing.
Every entry below is the lexicographer's own text. On the Hebrew: Brown-Driver-Briggs entire and its gloss set, Strong's Hebrew Dictionary, and Tyndale House's Translators Brief lexicon. Where a cell says a work has no entry, that work genuinely has none for this word.
אֱלֹהִים (elohiym) is a plural noun meaning 'gods' or 'God,' often referring to the supreme deity in the Old Testament. It encompasses divine beings, rulers, and judges, reflecting divine majesty and power. The term can also denote angels and is used in a superlative sense. Notably, it is sometimes combined with יהוה (YHWH), the personal name of God.
אֱלֹהִים 2570 n.m.pl.
pl. in number.
rulers, judges, either as divine representatives at sacred places or as reflecting divine majesty and power
divine ones, superhuman beings including God and angels
angels
gods
pl. intensive
god or goddess
godlike one
works of God, or things belongng to him
God
הָאֱלֹהִים the (true) God
אֱלֹהִים = God
base
H430 אֱלֹהִים n. m. pl. . pl. in number. . rulers, judges, either asdivine representatives at sacred places or as reflecting divine majesty and power
. divine ones, superhuman beings including God and angels
. angels
. gods
. pl. intensive . god or goddess
. godlike one
. works of God, or things belongng to him
. God
. הָאֱלֹהִים the (true) God
. אֱלֹהִים = God
430 'elohiym el-o-heem'
plural of 433; gods in the ordinary sense; but specifically
used (in the plural thus, especially with the article) of the
supreme God; occasionally applied by way of deference to
magistrates; and sometimes as a superlative:--angels, X
exceeding, God (gods)(-dess, -ly), X (very) great, judges, X
mighty.
see HEBREW for 0433
אֱלֹהִים (e.lo.him) — God.
This name means "gods" (plural intensive-singular meaning), "God"
Another name of ye.ho.vah (יהוה "LORD" H3068G)
אֱלֹהִים (e.lo.him) — (LORD)-Elohe.
Combined with ye.ho.vah (יהוה "LORD" H3068)
אֱלֹהִים (e.lo.him) — (Gibeath)-elohim.
Combined with giv.ah (גִּבְעָה "Gibeath" H1389)
N-mp — Noun common · masculine plural absoluteHNcmpa
god ('Elohim, 'El, [`Elyon], Shadday, Yahweh; Theos):
I. INTRODUCTION TO THE GENERAL IDEA
1. The Idea in Experience and in Thought
2. Definition of the Idea
3. The Knowledge of God
4. Ethnic Ideas of God
(1) Animism
(2) Fetishism
(3) Idolatry
(4) Polytheism
(5) Henotheism
(6) Pantheism
(7) Deism
(8) Semitic Monolatry
(9) Monotheism
II. THE IDEA OF GOD IN THE OLD TESTAMENT
1. The Course of Its Development
2. Forms of Its Manifestation
(1) The Face or Countenance of God
(2) The Voice and Word of God
(3) The Glory of God
(4) The Angel of God
(5) The Spirit of God
(6) The Name of God
(7) Occasional Forms
3. The Names of God
(1) Generic
(2) Attributive
(3) Yahweh
4. Pre-prophetic Conceptions of God
(1) Yahweh Alone Is the God of Israel
(a) His Early Worship
(b) Popular Religion
(c) Polytheistic Tendencies
(i) Coordination
(ii) Assimilation
(iii) Disintegration
(d) No Hebrew Goddesses
(e) Human Sacrifices
God
(A.S. and Dutch God; Dan. Gud; Ger. Gott), the name of the Divine Being. It is the rendering (1) of the Hebrew ’El, from a word meaning to be strong; (2) of ’Eloah_, plural _’Elohim. The singular form, Eloah, is used only in poetry. The plural form is more commonly used in all parts of the Bible, The Hebrew word Jehovah (q.v.), the only other word generally employed to denote the Supreme Being, is uniformly rendered in the Authorized Version by “LORD,” printed in small capitals. The existence of God is taken for granted in the Bible. There is nowhere any argument to prove it. He who disbelieves this truth is spoken of as one devoid of understanding (Ps. 14:1).
The arguments generally adduced by theologians in proof of the being of God are:
(1.) The a priori argument, which is the testimony afforded by reason.
(good). Throughout the Hebrew Scriptures two chief names are used for the one true divine Being--ELOHIM, commonly translated God in our version, and JEHOVAH, translated Lord . Elohim is the plural of Eloah (in Arabic Allah); it is often used in the short form EL (a word signifying strength , as in EL-SHADDAI, God Almighty, the name by which God was specially known to the patriarchs. (Genesis 17:1; 28:3; Exodus 6:3) The etymology is uncertain, but it is generally agreed that the primary idea is that of strength, power of effect , and that it properly describes God in that character in which he is exhibited to all men in his works, as the creator, sustainer and supreme governor of the world. The plural form of Elohim has given rise to much discussion. The fanciful idea that it…
This name, the derivation of which is uncertain, we give to that eternal, infinite, perfect, and incomprehensible Being, the Creator of all things, who preserves and governs all by his almighty power and wisdom, and is the only proper object of worship. The proper Hebrew name for God is JEHOVAH, which signifies He is. But the Jews, from a feeling of reverence, avoid pronouncing this name, substituting for it, wherever it occurs in the sacred test, the word ADONAI, Lord; except in the expression, ADONAI JEHOVAH, Lord Jehovah, for which they put, ADONAI ELOHIM, Lord God. This usage, which is not without an element of superstition, is very ancient, dating its origin some centuries before Christ; but there is no good ground for assuming its existence in the days of the inspired Old Testament writers. The proper word for God is ELOHIM, which is plural in its form, being thus used to signify…
שִׁיר (shir) and שִׁירָה (shiyrah) both mean 'song' in Hebrew, covering various types of songs, including lyrical and religious ones. The entries indicate that shir is a masculine noun while shiyrah is feminine. The word is linked to the act of singing and is associated with Levitical choirs.
שִׁיר 77 n.m. song
base
שִׁירָה n.f. song
base
H7892a שִׁיר song H7892b שִׁירָה song
7892 shiyr sheer
or feminine shiyrah {shee-raw'}; from 7891; a song;
abstractly, singing:--musical(-ick), X sing(-er, -ing), song.
see HEBREW for 07891
שִׁיר (shir) — song.
1) song
1a) lyric song
1b) religious song
1c) song of Levitical choirs
Also means: shi.rah (שִׁירָה "song" H7892B)
שִׁירָה (shi.rah) — song.
1) song
1a) song, ode
N-cs — Noun common · masculine singular absoluteHNcmsa
(shir, shirah): Besides the great collection of sacred songs contained in the Psalter, as well as the lyric outbursts, marked by strong religious feeling, on great national occasions, it is natural to believe, and we have evidence to show, that the Hebrews possessed a large number of popular songs of a secular kind. So of Songs (which see) of itself proves this. Probably the very oldest song or fragment of song in the Old Testament is that "To the well" (Nu 21:17). W. R. Smith (Religions of the Semites, 167) regards this invocation of the waters to rise as in its origin hardly a mere poetic figure. He compares what Cazwini 1, 189, records of the well of Ilabistan: "When the water failed, a feast was held at its source with music and dancing, to induce it to flow again." If, however, the song had its origin in an early form of…
חָדָשׁ (chadash) means 'new' or 'fresh.' It is derived from the root word represented by Strong's H2318. The entries indicate that it covers meanings related to novelty and freshness, with an Aramaic equivalent noted as חֲדַ֑ת (cha.dat).
H2319 חָדָשׁ new
2319 chadash khaw-dawsh'
from 2318; new:--fresh, new thing.
see HEBREW for 02318
חָדָשׁ (cha.dash) — New (Gate).
§ new, new thing, fresh
חָדָשׁ (cha.dash) — new.
new, new thing, fresh
Aramaic equivalent: cha.dat (חֲדַ֑ת "new" H2323)
Adj — AdjHAamsa
שִׁיר (shiyr) means 'to sing' and is a denominative verb derived from a primitive root. It covers various forms of singing, including participles for singers and songstresses. The entries indicate its use in different verbal stems, such as Qal and Polel, and note its appearance in contexts like 1 Samuel 18:6.
[שִׁיר] 86 vb. sing (denom.)
Qal 49 sing
Pō‛l. 36 sing
Hoph. be sung
base
H7891 שִׁיר sing (denom.)
7891 shiyr sheer
or (the original form) shuwr (1 Sam. 18:6) {shoor}; a
primitive root (identical with 7788 through the idea of
strolling minstrelsy); to sing:--behold (by mistake for
7789), sing(-er, -ing man, - ing woman).
see HEBREW for 07788
see HEBREW for 07789
שִׁיר (shir) — to sing.
1) to sing
1a) (Qal)
1a1) to sing
1a2) singer, songstresses (participle)
1b) (Polel)
1b1) to sing
1b2) singer, songstress (participle)
1c) (Hophal) to be sung
V-Qal-1cs — Verb · Qal · infinitive construct first person common singularHVqc1cs
ךְ (kh) — you.
Personal object pronoun - suffix for propositions and verbs without an object: 2nd person feminine singular
HR/Sp2ms — Preposition · suffixHR/Sp2ms
נֵ֫בֶל (nevel) refers to both a container and a musical instrument. It can denote a skin-bottle or jar used for liquids, as well as a harp or lute. The word is derived from a root meaning to collapse, reflecting its use for a flexible container. The entries consistently highlight these two main meanings without significant disagreement.
נֵ֫בֶל n.m.
skin-bottle, skin
jar, pitcher
base
נֵ֫בֶל, נֶ֫בֶל n.m. a musical instrument, either a portable harp, or a lute, guitar
base
H5035a נֵ֫בֶל . skin-bottle, skin
. jar, pitcher
H5035b נֵ֫בֶל, נֶ֫בֶל a musical instrument, either a portable harp, or a lute, guitar
5035 nebel neh'-bel
or nebel {nay'-bel}; from 5034; a skin-bag for liquids (from
collapsing when empty); hence, a vase (as similar in shape
when full); also a lyre (as having a body of like
form):--bottle, pitcher, psaltery, vessel, viol.
see HEBREW for 05034
נֵ֫בֶל (ne.vel) — bag.
1) a skin-bag, jar, pitcher
1a) skin-bottle, skin
1b) jar, pitcher (earthen)
נֵ֫בֶל (ne.vel) — harp.
harp, lute, guitar, musical instrument
Prep | N-ms — Preposition · noun common masculine singular constructHR/Ncmsc
ov:
(1) In Anglo-Saxon, had the meaning "from," "away from" (as the strengthened form "off" has still), and was not used for genitive or possessive relations, these being expressed by special case-forms. In the Norman period, however, "of" was taken to represent the French de (a use well developed by the time of Chaucer), and in the Elizabethan period both senses of "of" were in common use. But after about 1600 the later force of the word became predominant, and in the earlier sense (which is now practically obsolete) it was replaced by other prepositions. In consequence the King James Version (and in some cases the Revised Version (British and American)) contains many uses of "of" that are no longer familiar--most of them, to be sure, causing no difficulty, but there still being a few responsible for real obscurities.
OF, preposition ov. [Gr.]
1. From or out of; proceeding from, as the cause, source, means, author or agent bestowing.
I have received of the Lord that which also I delivered to you. 1 Corinthians 11:1.
For it was of the Lord to harden their hearts. Joshua 11:1.
It is of the Lord's mercies that we are not consumed.
Lamentations 3:1.
The whole disposing thereof is of the Lord. Proverbs 16:1.
Go, inquire of the Lord for me. 2 Chronicles 34:2.
That holy thing that shall be born of thee. Luke 1:1.
Hence of is the sign of the genitive case, the case that denotes production; as the son of man, the son proceeding from man, produced from man. This is the primary sense, although we now say, produced by man. 'Part of these were slain; ' that is, a number separate, for part denotes a division; the sense then is, a number from or out of the whole were slain. So also, 'some of these were slain; ' that is…
עָשׂוֹר (asowr) means 'ten' or 'decade.' It can also refer to a ten-stringed instrument, such as a harp. The word is derived from another Hebrew term, indicating its connection to the number ten.
עָשׂוֹר a ten, decade
base
H6218 עָשׂוֹר a ten, decade
6218 `asowr aw-sore'
or masor {aw-sore'}; from 6235; ten; by abbrev. ten strings,
and so a decachord:--(instrument of) ten (strings, -th).
see HEBREW for 06235
עָשׂוֹר (a.s.vor) — ten.
1) ten, decade
1a) ten, tenth
1b) ten-stringed, harp
N-ms — Noun common · masculine singular absoluteHNcmsa
זָמַר (zamar) is a Hebrew verb meaning to sing or make music, particularly in praise of God. It is derived from a root that suggests touching the strings of a musical instrument. The word covers actions like singing, playing instruments, and celebrating through music. The Piel form specifically emphasizes making music in worship.
[זמר] vb. only Pi. make music in praise of God
base
H2167 זמר only Pi. make music in praise of God
2167 zamar zaw-mar'
a primitive root (perhaps ident. with 2168 through the idea
of striking with the fingers); properly, to touch the strings
or parts of a musical instrument, i.e. play upon it; to make
music, accompanied by the voice; hence to celebrate in song
and music:--give praise, sing forth praises, psalms.
see HEBREW for 02168
זָמַר (za.mar) — to sing.
1) to sing, sing praise, make music
1a) (Piel)
1a1) to make music, sing
1a2) to play a musical instrument
Aramaic equivalent: ze.mar (זְמָר "music" H2170)
V-Piel-1cs — Verb · Piel · infinitive construct first person common singularHVpc1cs
mu'-zik:
I. IMPORTANCE
1. The Sole Art Cultivated
2. A Wide Vocabulary of Musical Terms
3. Place in Social and Personal Life
4. Universal Language of Emotions
5. Use in Divine Service
6. Part at Religious Reformations
II. THEORY OF MUSIC
1. Dearth of Technical Information
2. Not Necessarily Unimpressive
III. MUSICAL INSTRUMENTS
1. Strings
2. Winds
3. Percussion Instruments
LITERATURE
I. Importance.
That the Hebrews were in ancient times, as they are at the present day, devoted to the study and practice of music is obvious to every reader of the Old Testament. The references to it are numerous, and are frequently of such a nature as to emphasize its importance. They occur not only in the Psalter, where we might expect them, but in the Historical Books and the Prophets, in narratives and in declamations of the loftiest meaning and most intense seriousness. And the conclusion drawn from a cursory glance is…
Music
Jubal was the inventor of musical instruments (Gen. 4:21). The Hebrews were much given to the cultivation of music. Their whole history and literature afford abundant evidence of this. After the Deluge, the first mention of music is in the account of Laban’s interview with Jacob (Gen. 31:27). After their triumphal passage of the Red Sea, Moses and the children of Israel sang their song of deliverance (Ex. 15).
But the period of Samuel, David, and Solomon was the golden age of Hebrew music, as it was of Hebrew poetry. Music was now for the first time systematically cultivated. It was an essential part of training in the schools of the prophets (1 Sam. 10:5; 19:19-24; 2…
The most ancient music. --The inventor of musical instruments, like the first poet and the first forger of metals, was a Cainite. We learn from (Genesis 4:21) that Jubal the son of Lamech was "the father of all such as handle the harp and organ," that is, of all players upon stringed and wind instruments. The first mentioned of music in the times after the deluge is in the narrative of Laban’s interview with Jacob, (Genesis 32:27) so that, whatever way it was preserved, the practice of music existed in the upland country of Syria, and of the three possible kinds of musical instruments two were known and employed to accompany the song. The three kinds are alluded to in (Job 21:12) On the banks of the Red Sea Moses and the…
The ancient Hebrews had a great taste for music, which they used in their religious services, in their public and private rejoicing, at their weddings and feasts, and even in their mourning. We have in Scripture canticles of joy, of thanksgiving, of praise, of mourning; also mournful elegies or songs, as those of David on the death of Saul and Abner, and the Lamentations of Jeremiah on the destruction of Jerusalem; so, too, songs of victory, triumph, and gratulation, as that which Moses sung after passing the Red Sea, that of Deborah and Barak, and others. The people of God went up to Jerusalem thrice a year, cheered on their way with songs of joy, Ps 84:12 Isa 30:29. The book of Psalms comprises a wonderful variety of inspired pieces for music, and is an inexhaustible treasure…
ךְ (kh) — you.
Personal object pronoun - suffix for propositions and verbs without an object: 2nd person feminine singular
HR/Sp2ms — Preposition · suffixHR/Sp2ms
