Verse 1

Praise ye the Lord,.... Or, "hallelujah"; which, in the Targum, Septuagint, and Vulgate Latin versions, is the title of the psalm; and expresses the subject of it, the praise of the Lord; praise God in his sanctuary; in the temple, the house of his sanctuary as the Targum and R Judah; or in heaven, as R. Moses, his holy place, where he is praised by holy angels and glorified saints; or in the church below, of which the sanctuary or temple was a type. The Septuagint, Vulgate Latin, and the eastern versions, render it, "in his Holy Ones"; among his saints, in the assembly of them, where he is to be feared and praised: it may be translated, "in his Holy One" (r); and be understood of Christ, as it is by Cocceius; who is holy in both his natures, and is often called God's Holy One, and the Holy One of Israel; and whose human nature is a tabernacle or temple, wherein the fulness of the Godhead dwells; and in, and through, and for whom, the Lord is to be praised. Some render it, "for" or "because of his holiness" (s); the perfection of holiness in him; in which he is glorious and fearful in the praises of, and which appears in all his works of providence and grace; praise him in the firmament of his power; the heaven above us, so called, Gen 1:6; which, in the Hebrew language, has its name from its being spread and expanded over the earth; and, in the Greek and Latin tongues, from the firmness and stability of it; and which is a work of mighty power, and therefore so called; it particularly respects the starry heavens; for the sun, and moon, and stars, were placed in the firmament, Gen 1:14; or the air and atmosphere about us, that presses upon us, and keeps all firm and stable. And now as this shows forth the glory of God, and his handiwork, Psa 19:1; not only all in it should and do in their way praise the Lord; but especially men on earth, who enjoy the benefit of it. R. Judah understands this of the ark in the temple, called the ark of the Lord's strength. (r) "in sancto habitaculo suo", Vocceius; "in sancto ejus", Gejerus; , Symmachus apud Drusium. (s) "Ob sanctitatem ejus", Tirinus, Muis; "ob insignem sanctitatem ipsius", Campensis apud Gejerum.

Verse 2

Praise him for his mighty acts,.... The creation of all things out of nothing; the sustaining of all beings; the government of the world; the redemption of man by Christ, and the wonderful works done by him on earth; the work of grace upon the hearts of his people, and the preservation of them in grace to glory; praise him according to his excellent greatness; or, "according to the multitude of his greatness" (t); which appears in his nature, perfections, and work, and these both of providence and grace; and in proportion hereunto, and according to the abilities of creatures, angels, and men, is he to be praised; which is giving him the honour due unto his name; see Psa 96:8. (t) "secundum multudinem magnitudinie ejus", V. L. Montanus, Gejerus; so Ainsworth.

Verse 3

Praise him with the sound of the trumpet,.... Which was used in calling the assembly together, for worship and on other occasions; and at the feast of blowing of trumpets, and in the year of jubilee, Num 10:1; and by the priests in temple service, Ch1 16:6; and was typical of the Gospel, which gives a certain and joyful sound, and is the cause and means of praising God, Isa 27:13; praise him with the psaltery; to which psalms were sung; and harp; which were instruments of music, both used in divine worship under the former dispensation; and in which David was well skilled and delighted, and appointed proper persons to praise with them, Ch1 15:20. They were typical of the spiritual melody made in the hearts of God's people, while they are praising him in psalms, hymns, and spiritual songs, under the Gospel, Eph 5:19.

Verse 4

Praise him with the timbrel and dance,.... Or "pipe" (u); See Gill on Psa 149:3; praise him with stringed instruments; or divers "kinds" (w) of instruments not named, as R. Saadiah Gaon; and which, as Aben Ezra says, had all one sound or note; what they were is not known, as also many of them that are particularly mentioned; and organs; which have their name from the loveliness of their sound; these are of ancient original and use, Gen 4:21; but were not of the same kind with those now in use, which are of much later invention. (u) "et tibia", Tigurine version, Junius & Tremellius, Piscator, Gejerus. (w) "varia symphonia", Cocceius.

Verse 5

Praise him upon the loud cymbals,.... Or "cymbals of hearing" (x); that were heard with pleasure and delight, and afar off: the Septuagint and Vulgate Latin versions render it, "well sounding cymbals", which give a grateful sound to the ear; these were made of brass, Ch1 15:19; to which the apostle alludes, Co1 13:1; praise him upon the high sounding, cymbals; or "cymbals of shouting" (y), ovation or triumph; which were used on joyful occasions, as victories, deliverances, and the like; and were used also in the temple service, see Ch1 16:5; according to the Targum and Septuagint version, these were three stringed instruments; for so they render the word them in Sa1 18:6. Now these several instruments of music are named, not as to be used in Gospel times; but, being expressive of the highest praise and joy shown in former times, are mentioned to set forth the highest strains and notes of praise in New Testament saints; as well as to denote their heartiness, agreement, and unanimity in this service, Rom 15:6. (x) "in cymbalis auditus", Montanus, Vatablus. (y) "in cymbalis jubilationis", V. L. Musculus, Cocceius; "in cymbalis ovationis", Montanus.

Verse 6

Let everything that hath breath praise the Lord,.... Even the brute creatures, as in a preceding; but more especially man, in whom God has breathed the breath of life, and is become not only a living but a rational soul; and more especially spiritual men, converted persons, whether Jews or Gentiles; on whom the Spirit of the Lord has breathed, and whom he has quickened; and who breathe in prayer after divine things; and who also have abundant reason to bless and praise his name for what he has bestowed upon them, and has in reserve for them; and for which they should praise him as long as they have breath; see Rev 5:13; praise ye the Lord; all before mentioned, and in the manner as directed, and that in time and to all eternity. Thus ends the book of Psalms. There is another psalm added in the Septuagint, Syriac, Arabic, and Ethiopic versions, and in the metaphrase of Apollinarius; but is owned to be a supernumerary one, and not to be found in all copies; and is said to be written by David, when he fought with Goliath, and conquered him, and is as follows. 1. I was little among my brethren, and a youth in my father's house; I fed my father's sheep. 2. My hands made (or used) the organ; and my fingers fitted (or played on) the psaltery or harp: 3. And who hath declared to my Lord? he is Lord, he hath heard. 4. He sent his angel, and took me from my father's sheep; and anointed me with the oil of his anointing, 5. My brethren were goodly and great; and the Lord delighted not in them. 6. I went forth to meet the stranger (the Philistine), and he cursed me by his idols: 7. And I threw at him three stones into his forehead, by the power of the Lord, and laid him prostrate (z). 8. I drew out the sword from him; I cut off his head, and took away reproach from the children of Israel. (z) This verse is only in the Arabic version. Next: Proverbs Introduction

Verse 1

The Synagogue reckons up thirteen divine attributes according to ex. Psa 34:6. (שׁלשׁ עשׂרה מדּות), to which, according to an observation of Kimchi, correspond the thirteen הלּל of this Psalm. It is, however, more probable that in the mind of the poet the tenfold halaluw encompassed by Hallelujah's is significative; for ten is the number of rounding off, completeness, exclusiveness, and of the extreme of exhaustibleness. The local definitions in Psa 150:1 are related attributively to God, and designate that which is heavenly, belonging to the other world, as an object of praise. קדשוּ (the possible local meaning of which is proved by the קדשׁ and קדשׁ קדשׁים of the Tabernacle and of the Temple) is in this passage the heavenly היכל; and רקיע עזּו is the firmament spread out by God's omnipotence and testifying of God's omnipotence (Psa 68:35), not according to its front side, which is turned towards the earth, but according to the reverse or inner side, which is turned towards the celestial world, and which marks it off from the earthly world. The third and fourth hălalu give as the object of the praise that which is at the same time the ground of the praise: the tokens of His גּבוּרה, i.e., of His all-subduing strength, and the plenitude of His greatness (גּדלו = גּדלו), i.e., His absolute, infinite greatness. The fifth and sixth hălalu bring into the concert in praise of God the ram's horn, שׁופר, the name of which came to be improperly used as the name also of the metallic חצצרה (vid., on Psa 81:4), and the two kinds of stringed instruments (vid., Psa 33:2), viz., the nabla (i.e., the harp and lyre) and the kinnor (the cithern), the ψαλτήριον and the κιθάρα (κινύρα). The seventh hălalu invites to the festive dance, of which the chief instrumental accompaniment is the תּף (Arabic duff, Spanish adufe, derived from the Moorish) or tambourine. The eighth hălalu brings on the stringed instruments in their widest compass, מנּים (cf. Psa 45:9) from מן, Syriac menı̂n, and the shepherd's pipe, עגב (with the Gimel raphe = עוּגב); and the ninth and tenth, the two kinds of castanets (צלצלי, construct form of צלצלים, singular צלצל), viz., the smaller clear-sounding, and the larger deeper-toned, more noisy kinds (cf. κύμβαλον ἀλαλάζον, Co1 13:1), as צלצלי שׁמע (pausal form of שׁמע = שׁמע, like סתר in Deu 27:15, and frequently, from סתר = סתר) and צלצלי תרוּעה are, with Schlultens, Pfeifer, Burk, Kster, and others, to be distinguished.

Verse 6

The call to praise has thus far been addressed to persons not mentioned by name, but, as the names of instruments thus heaped up show, to Israel especially. It is now generalized to "the totality of breath," i.e., all the beings who are endowed by God with the breath of lie (Heb.: נשׁמת חיּים), i.e., to all mankind. With this full-toned Finale the Psalter closes. Having risen as it were by five steps, in this closing Psalm it hovers over the blissful summit of the end, where, as Gregory of Nyssa says, all creatures, after the disunion and disorder caused by sin have been removed, are harmoniously united for one choral dance (εἰς μίαν χοροστασίαν), and the chorus of mankind concerting with the angel chorus are become one cymbal of divine praise, and the final song of victory shall salute God, the triumphant Conqueror (τῷ τροπαιούχῳ), with shouts of joy. There is now no need for any special closing beracha. This whole closing Psalm is such. Nor is there any need even of an Amen (Psa 106:48, cf. Ch1 16:36). The Hallelujah includes it within itself and exceeds it.

Verse 1

We are here, with the greatest earnestness imaginable, excited to praise God; if, as some suppose, this psalm was primarily intended for the Levites, to stir them up to do their office in the house of the Lord, as singers and players on instruments, yet we must take it as speaking to us, who are made to our God spiritual priests. And the repeated inculcating of the call thus intimates that it is a great and necessary duty, a duty which we should be much employed and much enlarged in, but which we are naturally backward to and cold in, and therefore need to be brought to, and held to, by precept upon precept, and line upon line. Observe here, I. Whence this tribute of praise arises, and out of what part of his dominion it especially issues. It comes, 1. From his sanctuary; praise him there. Let his priests, let his people, that attend there, attend him with their praises. Where should he be praised, but there where he does, in a special manner, both manifest his glory and communicate his grace? Praise God upon the account of his sanctuary, and the privileges which we enjoy by having that among us, Eze 37:26. Praise God in his holy ones (so some read it); we must take notice of the image of God as it appears on those that are sanctified, and love them for the sake of that image; and when we praise them we must praise God in them. 2. From the firmament of his power. Praise him because of his power and glory which appear in the firmament, its vastness, its brightness, and its splendid furniture; and because of the powerful influences it has upon this earth. Let those that have their dwelling in the firmament of his power, even the holy angels, lead in this good work. Some, by the sanctuary, as well as by the firmament of his power, understand the highest heavens, the residence of his glory; that is indeed his sanctuary, his holy temple, and there he is praised continually, in a far better manner than we can praise him. And it is a comfort to us, when we find we do it so poorly, that it is so well done there. II. Upon what account this tribute of praise is due, upon many accounts, particularly, 1. The works of his power (Psa 150:2): Praise him for his mighty acts; for his mightinesses (so the word is), for all the instances of his might, the power of his providence, the power of his grace, what he has done in the creation, government, and redemption of the world, for the children of men in general, for his own church and children in particular. 2. The glory and majesty of his being: Praise him according to his excellent greatness, according to the multitude of his magnificence (so Dr. Hammond reads it); not that our praises can bear any proportion to God's greatness, for it is infinite, but, since he is greater than we can express or conceive, we must raise our conceptions and expressions to the highest degree we can attain to. Be not afraid of saying too much in the praises of God, as we often do in praising even great and good men. Deus non patitur hyperbolum - We cannot speak hyperbolically of God; all the danger is of saying too little and therefore, when we have done our utmost, we must own that though we have praised him in consideration of, yet not in proportion to, his excellent greatness. III. In what manner this tribute must be paid, with all the kinds of musical instruments that were then used in the temple-service, Psa 150:3-5. It is well that we are not concerned to enquire what sort of instruments these were; it is enough that they were well known then. Our concern is to know, 1. That hereby is intimated how full the psalmist's heart was of the praises of God and how desirous he was that this good work might go on. 2. That in serving God we should spare no cost nor pains. 3. That the best music in God's ears is devout and pious affections, non musica chordula, sed cor - not a melodious string, but a melodious heart. Praise God with a strong faith; praise him with holy love and delight; praise him with an entire confidence in Christ; praise him with a believing triumph over the powers of darkness; praise him with an earnest desire towards him and a full satisfaction in him; praise him by a universal respect to all his commands; praise him by a cheerful submission to all his disposals; praise him by rejoicing in his love and solacing yourselves in his great goodness; praise him by promoting the interests of the kingdom of his grace; praise him by a lively hope and expectation of the kingdom of his glory. 4. That, various instruments being used in praising God, it should yet be done with an exact and perfect harmony; they must not hinder, but help one another. The New Testament concert, instead of this, is with one mind and one mouth to glorify God, Rom 15:6. IV. Who must pay this tribute (Psa 150:6): Let every thing that has breath praise the Lord. He began with a call to those that had a place in his sanctuary and were employed in the temple-service; but he concludes with a call to all the children of men, in prospect of the time when the Gentiles should be taken into the church, and in every place, as acceptably as at Jerusalem, this incense should be offered, Mal 1:11. Some think that in every thing that has breath here we must include the inferior creatures (as Gen 7:22), all in whose nostrils was the breath of life. They praise God according to their capacity. The singing of birds is a sort of praising God. The brutes do in effect say to man, "We would praise God if we could; do you do it for us." John in vision heard a song of praise from every creature which is in heaven, and on the earth, and under the earth, Rev 5:13. Others think that only the children of men are meant; for into them God has in a more peculiar manner breathed the breath of life, and they have become living souls, Gen 2:7. Now that the gospel is ordered to be preached to every creature, to every human creature, it is required that every human creature praise the Lord. What have we our breath, our spirit, for, but to spend it in praising God; and how can we spend it better? Prayers are called our breathings, Lam 3:56. Let every one that breathes towards God in prayer, finding the benefit of that, breathe forth his praises too. Having breath, let the praises of God perfume our breath; let us be in this work as in our element; let it be to us as the air we breathe in, which we could not live without. Having our breath in our nostrils, let us consider that it is still going forth, and will shortly go and not return. Since therefore we must shortly breathe our last, while we have breath let us praise the Lord, and then we shall breathe our last with comfort, and, when death runs us out of breath, we shall remove to a better state to breathe God's praises in a freer better air. The first three of the five books of psalms (according to the Hebrew division) concluded with Amen and Amen, the fourth with Amen, Hallelujah, but the last, and in it the whole book, concludes with only Hallelujah, because the last six psalms are wholly taken up in praising God and there is not a word of complaint or petition in them. The nearer good Christians come to their end the fuller they should be of the praises of God. Some think that this last psalm is designed to represent to us the work of glorified saints in heaven, who are there continually praising God, and that the musical instruments here said to be used are no more to be understood literally than the gold, and pearls, and precious stones, which are said to adorn the New Jerusalem, Rev 21:18, Rev 21:19. But, as those intimate that the glories of heaven are the most excellent glories, so these intimate that the praises the saints offer there are the most excellent praises. Prayers will there be swallowed up in everlasting praises; there will be no intermission in praising God, and yet no weariness - hallelujahs for ever repeated, and yet still new songs. Let us often take a pleasure in thinking what glorified saints are doing in heaven, what those are doing whom we have been acquainted with on earth, but who have gone before us thither; and let it not only make us long to be among them, but quicken us to do this part of the will of God on earth as those do it that are in heaven. And let us spend as much of our time as may be in this good work because in it we hope to spend a joyful eternity. Hallelujah is the word there (Rev 19:1, Rev 19:3); let us echo to it now, as those that hope to join in it shortly. Hallelujah, praise you the Lord.

Verse 1

Ps 150 Everything that breathes is commanded to praise the Lord as he deserves. The whole Psalter describes the greatness of the Lord, so this psalm is a fitting conclusion.

150:1 The phrase mighty heaven alludes to Gen 1 and to God’s glorious work in filling the emptiness.

Verse 3

150:3-5 The psalmist calls all people to praise God with instruments and dancing. flutes: These wind instruments are not mentioned as being used in Temple worship. • clanging cymbals: Temple musicians clapped two bronze bowls together as percussion instruments.

Verse 6

150:6 Praise the Lord: This refrain is a fitting conclusion to the entire book of Psalms.