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Psalms 150:1
Verse
Context
Sermons
George VerwerGeorge Verwer
Michael Flowers
Paris Reidhead
William MacDonaldSummary
Commentary
- Keil-Delitzsch
- John Gill
- Matthew Henry
- Tyndale
Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary
The Synagogue reckons up thirteen divine attributes according to ex. Psa 34:6. (שׁלשׁ עשׂרה מדּות), to which, according to an observation of Kimchi, correspond the thirteen הלּל of this Psalm. It is, however, more probable that in the mind of the poet the tenfold halaluw encompassed by Hallelujah's is significative; for ten is the number of rounding off, completeness, exclusiveness, and of the extreme of exhaustibleness. The local definitions in Psa 150:1 are related attributively to God, and designate that which is heavenly, belonging to the other world, as an object of praise. קדשוּ (the possible local meaning of which is proved by the קדשׁ and קדשׁ קדשׁים of the Tabernacle and of the Temple) is in this passage the heavenly היכל; and רקיע עזּו is the firmament spread out by God's omnipotence and testifying of God's omnipotence (Psa 68:35), not according to its front side, which is turned towards the earth, but according to the reverse or inner side, which is turned towards the celestial world, and which marks it off from the earthly world. The third and fourth hălalu give as the object of the praise that which is at the same time the ground of the praise: the tokens of His גּבוּרה, i.e., of His all-subduing strength, and the plenitude of His greatness (גּדלו = גּדלו), i.e., His absolute, infinite greatness. The fifth and sixth hălalu bring into the concert in praise of God the ram's horn, שׁופר, the name of which came to be improperly used as the name also of the metallic חצצרה (vid., on Psa 81:4), and the two kinds of stringed instruments (vid., Psa 33:2), viz., the nabla (i.e., the harp and lyre) and the kinnor (the cithern), the ψαλτήριον and the κιθάρα (κινύρα). The seventh hălalu invites to the festive dance, of which the chief instrumental accompaniment is the תּף (Arabic duff, Spanish adufe, derived from the Moorish) or tambourine. The eighth hălalu brings on the stringed instruments in their widest compass, מנּים (cf. Psa 45:9) from מן, Syriac menı̂n, and the shepherd's pipe, עגב (with the Gimel raphe = עוּגב); and the ninth and tenth, the two kinds of castanets (צלצלי, construct form of צלצלים, singular צלצל), viz., the smaller clear-sounding, and the larger deeper-toned, more noisy kinds (cf. κύμβαλον ἀλαλάζον, Co1 13:1), as צלצלי שׁמע (pausal form of שׁמע = שׁמע, like סתר in Deu 27:15, and frequently, from סתר = סתר) and צלצלי תרוּעה are, with Schlultens, Pfeifer, Burk, Kster, and others, to be distinguished.
John Gill Bible Commentary
Praise ye the Lord,.... Or, "hallelujah"; which, in the Targum, Septuagint, and Vulgate Latin versions, is the title of the psalm; and expresses the subject of it, the praise of the Lord; praise God in his sanctuary; in the temple, the house of his sanctuary as the Targum and R Judah; or in heaven, as R. Moses, his holy place, where he is praised by holy angels and glorified saints; or in the church below, of which the sanctuary or temple was a type. The Septuagint, Vulgate Latin, and the eastern versions, render it, "in his Holy Ones"; among his saints, in the assembly of them, where he is to be feared and praised: it may be translated, "in his Holy One" (r); and be understood of Christ, as it is by Cocceius; who is holy in both his natures, and is often called God's Holy One, and the Holy One of Israel; and whose human nature is a tabernacle or temple, wherein the fulness of the Godhead dwells; and in, and through, and for whom, the Lord is to be praised. Some render it, "for" or "because of his holiness" (s); the perfection of holiness in him; in which he is glorious and fearful in the praises of, and which appears in all his works of providence and grace; praise him in the firmament of his power; the heaven above us, so called, Gen 1:6; which, in the Hebrew language, has its name from its being spread and expanded over the earth; and, in the Greek and Latin tongues, from the firmness and stability of it; and which is a work of mighty power, and therefore so called; it particularly respects the starry heavens; for the sun, and moon, and stars, were placed in the firmament, Gen 1:14; or the air and atmosphere about us, that presses upon us, and keeps all firm and stable. And now as this shows forth the glory of God, and his handiwork, Psa 19:1; not only all in it should and do in their way praise the Lord; but especially men on earth, who enjoy the benefit of it. R. Judah understands this of the ark in the temple, called the ark of the Lord's strength. (r) "in sancto habitaculo suo", Vocceius; "in sancto ejus", Gejerus; , Symmachus apud Drusium. (s) "Ob sanctitatem ejus", Tirinus, Muis; "ob insignem sanctitatem ipsius", Campensis apud Gejerum.
Matthew Henry Bible Commentary
We are here, with the greatest earnestness imaginable, excited to praise God; if, as some suppose, this psalm was primarily intended for the Levites, to stir them up to do their office in the house of the Lord, as singers and players on instruments, yet we must take it as speaking to us, who are made to our God spiritual priests. And the repeated inculcating of the call thus intimates that it is a great and necessary duty, a duty which we should be much employed and much enlarged in, but which we are naturally backward to and cold in, and therefore need to be brought to, and held to, by precept upon precept, and line upon line. Observe here, I. Whence this tribute of praise arises, and out of what part of his dominion it especially issues. It comes, 1. From his sanctuary; praise him there. Let his priests, let his people, that attend there, attend him with their praises. Where should he be praised, but there where he does, in a special manner, both manifest his glory and communicate his grace? Praise God upon the account of his sanctuary, and the privileges which we enjoy by having that among us, Eze 37:26. Praise God in his holy ones (so some read it); we must take notice of the image of God as it appears on those that are sanctified, and love them for the sake of that image; and when we praise them we must praise God in them. 2. From the firmament of his power. Praise him because of his power and glory which appear in the firmament, its vastness, its brightness, and its splendid furniture; and because of the powerful influences it has upon this earth. Let those that have their dwelling in the firmament of his power, even the holy angels, lead in this good work. Some, by the sanctuary, as well as by the firmament of his power, understand the highest heavens, the residence of his glory; that is indeed his sanctuary, his holy temple, and there he is praised continually, in a far better manner than we can praise him. And it is a comfort to us, when we find we do it so poorly, that it is so well done there. II. Upon what account this tribute of praise is due, upon many accounts, particularly, 1. The works of his power (Psa 150:2): Praise him for his mighty acts; for his mightinesses (so the word is), for all the instances of his might, the power of his providence, the power of his grace, what he has done in the creation, government, and redemption of the world, for the children of men in general, for his own church and children in particular. 2. The glory and majesty of his being: Praise him according to his excellent greatness, according to the multitude of his magnificence (so Dr. Hammond reads it); not that our praises can bear any proportion to God's greatness, for it is infinite, but, since he is greater than we can express or conceive, we must raise our conceptions and expressions to the highest degree we can attain to. Be not afraid of saying too much in the praises of God, as we often do in praising even great and good men. Deus non patitur hyperbolum - We cannot speak hyperbolically of God; all the danger is of saying too little and therefore, when we have done our utmost, we must own that though we have praised him in consideration of, yet not in proportion to, his excellent greatness. III. In what manner this tribute must be paid, with all the kinds of musical instruments that were then used in the temple-service, Psa 150:3-5. It is well that we are not concerned to enquire what sort of instruments these were; it is enough that they were well known then. Our concern is to know, 1. That hereby is intimated how full the psalmist's heart was of the praises of God and how desirous he was that this good work might go on. 2. That in serving God we should spare no cost nor pains. 3. That the best music in God's ears is devout and pious affections, non musica chordula, sed cor - not a melodious string, but a melodious heart. Praise God with a strong faith; praise him with holy love and delight; praise him with an entire confidence in Christ; praise him with a believing triumph over the powers of darkness; praise him with an earnest desire towards him and a full satisfaction in him; praise him by a universal respect to all his commands; praise him by a cheerful submission to all his disposals; praise him by rejoicing in his love and solacing yourselves in his great goodness; praise him by promoting the interests of the kingdom of his grace; praise him by a lively hope and expectation of the kingdom of his glory. 4. That, various instruments being used in praising God, it should yet be done with an exact and perfect harmony; they must not hinder, but help one another. The New Testament concert, instead of this, is with one mind and one mouth to glorify God, Rom 15:6. IV. Who must pay this tribute (Psa 150:6): Let every thing that has breath praise the Lord. He began with a call to those that had a place in his sanctuary and were employed in the temple-service; but he concludes with a call to all the children of men, in prospect of the time when the Gentiles should be taken into the church, and in every place, as acceptably as at Jerusalem, this incense should be offered, Mal 1:11. Some think that in every thing that has breath here we must include the inferior creatures (as Gen 7:22), all in whose nostrils was the breath of life. They praise God according to their capacity. The singing of birds is a sort of praising God. The brutes do in effect say to man, "We would praise God if we could; do you do it for us." John in vision heard a song of praise from every creature which is in heaven, and on the earth, and under the earth, Rev 5:13. Others think that only the children of men are meant; for into them God has in a more peculiar manner breathed the breath of life, and they have become living souls, Gen 2:7. Now that the gospel is ordered to be preached to every creature, to every human creature, it is required that every human creature praise the Lord. What have we our breath, our spirit, for, but to spend it in praising God; and how can we spend it better? Prayers are called our breathings, Lam 3:56. Let every one that breathes towards God in prayer, finding the benefit of that, breathe forth his praises too. Having breath, let the praises of God perfume our breath; let us be in this work as in our element; let it be to us as the air we breathe in, which we could not live without. Having our breath in our nostrils, let us consider that it is still going forth, and will shortly go and not return. Since therefore we must shortly breathe our last, while we have breath let us praise the Lord, and then we shall breathe our last with comfort, and, when death runs us out of breath, we shall remove to a better state to breathe God's praises in a freer better air. The first three of the five books of psalms (according to the Hebrew division) concluded with Amen and Amen, the fourth with Amen, Hallelujah, but the last, and in it the whole book, concludes with only Hallelujah, because the last six psalms are wholly taken up in praising God and there is not a word of complaint or petition in them. The nearer good Christians come to their end the fuller they should be of the praises of God. Some think that this last psalm is designed to represent to us the work of glorified saints in heaven, who are there continually praising God, and that the musical instruments here said to be used are no more to be understood literally than the gold, and pearls, and precious stones, which are said to adorn the New Jerusalem, Rev 21:18, Rev 21:19. But, as those intimate that the glories of heaven are the most excellent glories, so these intimate that the praises the saints offer there are the most excellent praises. Prayers will there be swallowed up in everlasting praises; there will be no intermission in praising God, and yet no weariness - hallelujahs for ever repeated, and yet still new songs. Let us often take a pleasure in thinking what glorified saints are doing in heaven, what those are doing whom we have been acquainted with on earth, but who have gone before us thither; and let it not only make us long to be among them, but quicken us to do this part of the will of God on earth as those do it that are in heaven. And let us spend as much of our time as may be in this good work because in it we hope to spend a joyful eternity. Hallelujah is the word there (Rev 19:1, Rev 19:3); let us echo to it now, as those that hope to join in it shortly. Hallelujah, praise you the Lord.
Psalms 150:1
Let Everything That Has Breath Praise the LORD
1Hallelujah! Praise God in His sanctuary. Praise Him in His mighty heavens. 2Praise Him for His mighty acts; praise Him for His excellent greatness.
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Praisiing God
By George Verwer1.3K38:53Praisiing GodPSA 145:1PSA 148:1PSA 149:5PSA 150:1In this sermon, the speaker shares his recent experience in mainland China and the impact of the gospel in that country. He mentions a friend who brought back slides and shared stories of the work of God in China. The speaker emphasizes the power of prayer and the movement of the Holy Spirit in reaching millions of people in China. He highlights the testimony of a man who, despite being imprisoned and facing hardships, remained joyful and became a radiant witness for Jesus. The speaker encourages the audience to praise God for what is happening in China and reminds them of the importance of praising God in all circumstances.
Our Goal Is God
By George Verwer70853:31PSA 148:1PSA 149:2PSA 150:1MAT 6:33ROM 12:2GAL 2:202TI 3:16In this sermon, the speaker emphasizes the importance of basing our faith on the Word of God. He mentions that some people have created their own pictures of heaven and hell, but it is crucial to rely on the teachings of the Bible. The speaker also discusses the purpose of a training program in evangelism, highlighting the need for discipline and discipleship. The ultimate goal is to know and worship God, and the speaker encourages the audience to prioritize this above all else.
Everyday Liturgies - Formation Requires Repetition
By Michael Flowers40022:40LiturgyGEN 1:1PSA 150:1MAT 6:33JHN 3:16ROM 12:1PHP 1:91TI 2:1In this sermon, the preacher emphasizes the importance of embracing the process of life, including the mundane and trying times. The ultimate goal for believers is union with God and the complete restoration of all creation. The preacher uses examples from sports, such as tennis and racquetball, to illustrate the need for transformation and discipline in order to achieve success. Repetition, ritual, and discipline are highlighted as essential elements in becoming skilled and creating beauty in various forms of art, including music.
The Prayer of Praise
By Paris Reidhead0PSA 146:1PSA 147:1PSA 148:1PSA 149:1PSA 150:1ISA 43:18EZK 36:16Paris Reidhead preaches on the importance of the prayer of praise, distinguishing it from thanksgiving and emphasizing the need to constantly praise the Lord in all aspects of life. He delves into various Psalms that command us to praise the Lord, highlighting God's attributes and the purpose of His grace in our lives. Reidhead explains that the ultimate goal of our existence is to glorify God and praises should flow naturally from a heart filled with adoration and worship for the Triune God.
Worship Then and Now
By William MacDonald0The Incarnation of ChristWorshipPSA 150:1William MacDonald emphasizes the profound worship of the psalmists, who, despite lacking the full revelation of Christ, expressed immense praise for God's greatness and creation. He reflects on how they would have been astounded by the incarnation of Christ and His sacrificial death, which they could only glimpse. MacDonald urges that if the psalmists could worship so fervently with limited knowledge, we, with the full understanding of Christ's sacrifice, should be even more passionate in our worship. He encourages believers to let their lives be a continuous song of praise, inspired by the love and grace shown at Calvary. Ultimately, our response to God's incredible love should be spontaneous worship that invites all creation to join in glorifying Him.
- Keil-Delitzsch
- John Gill
- Matthew Henry
- Tyndale
Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary
The Synagogue reckons up thirteen divine attributes according to ex. Psa 34:6. (שׁלשׁ עשׂרה מדּות), to which, according to an observation of Kimchi, correspond the thirteen הלּל of this Psalm. It is, however, more probable that in the mind of the poet the tenfold halaluw encompassed by Hallelujah's is significative; for ten is the number of rounding off, completeness, exclusiveness, and of the extreme of exhaustibleness. The local definitions in Psa 150:1 are related attributively to God, and designate that which is heavenly, belonging to the other world, as an object of praise. קדשוּ (the possible local meaning of which is proved by the קדשׁ and קדשׁ קדשׁים of the Tabernacle and of the Temple) is in this passage the heavenly היכל; and רקיע עזּו is the firmament spread out by God's omnipotence and testifying of God's omnipotence (Psa 68:35), not according to its front side, which is turned towards the earth, but according to the reverse or inner side, which is turned towards the celestial world, and which marks it off from the earthly world. The third and fourth hălalu give as the object of the praise that which is at the same time the ground of the praise: the tokens of His גּבוּרה, i.e., of His all-subduing strength, and the plenitude of His greatness (גּדלו = גּדלו), i.e., His absolute, infinite greatness. The fifth and sixth hălalu bring into the concert in praise of God the ram's horn, שׁופר, the name of which came to be improperly used as the name also of the metallic חצצרה (vid., on Psa 81:4), and the two kinds of stringed instruments (vid., Psa 33:2), viz., the nabla (i.e., the harp and lyre) and the kinnor (the cithern), the ψαλτήριον and the κιθάρα (κινύρα). The seventh hălalu invites to the festive dance, of which the chief instrumental accompaniment is the תּף (Arabic duff, Spanish adufe, derived from the Moorish) or tambourine. The eighth hălalu brings on the stringed instruments in their widest compass, מנּים (cf. Psa 45:9) from מן, Syriac menı̂n, and the shepherd's pipe, עגב (with the Gimel raphe = עוּגב); and the ninth and tenth, the two kinds of castanets (צלצלי, construct form of צלצלים, singular צלצל), viz., the smaller clear-sounding, and the larger deeper-toned, more noisy kinds (cf. κύμβαλον ἀλαλάζον, Co1 13:1), as צלצלי שׁמע (pausal form of שׁמע = שׁמע, like סתר in Deu 27:15, and frequently, from סתר = סתר) and צלצלי תרוּעה are, with Schlultens, Pfeifer, Burk, Kster, and others, to be distinguished.
John Gill Bible Commentary
Praise ye the Lord,.... Or, "hallelujah"; which, in the Targum, Septuagint, and Vulgate Latin versions, is the title of the psalm; and expresses the subject of it, the praise of the Lord; praise God in his sanctuary; in the temple, the house of his sanctuary as the Targum and R Judah; or in heaven, as R. Moses, his holy place, where he is praised by holy angels and glorified saints; or in the church below, of which the sanctuary or temple was a type. The Septuagint, Vulgate Latin, and the eastern versions, render it, "in his Holy Ones"; among his saints, in the assembly of them, where he is to be feared and praised: it may be translated, "in his Holy One" (r); and be understood of Christ, as it is by Cocceius; who is holy in both his natures, and is often called God's Holy One, and the Holy One of Israel; and whose human nature is a tabernacle or temple, wherein the fulness of the Godhead dwells; and in, and through, and for whom, the Lord is to be praised. Some render it, "for" or "because of his holiness" (s); the perfection of holiness in him; in which he is glorious and fearful in the praises of, and which appears in all his works of providence and grace; praise him in the firmament of his power; the heaven above us, so called, Gen 1:6; which, in the Hebrew language, has its name from its being spread and expanded over the earth; and, in the Greek and Latin tongues, from the firmness and stability of it; and which is a work of mighty power, and therefore so called; it particularly respects the starry heavens; for the sun, and moon, and stars, were placed in the firmament, Gen 1:14; or the air and atmosphere about us, that presses upon us, and keeps all firm and stable. And now as this shows forth the glory of God, and his handiwork, Psa 19:1; not only all in it should and do in their way praise the Lord; but especially men on earth, who enjoy the benefit of it. R. Judah understands this of the ark in the temple, called the ark of the Lord's strength. (r) "in sancto habitaculo suo", Vocceius; "in sancto ejus", Gejerus; , Symmachus apud Drusium. (s) "Ob sanctitatem ejus", Tirinus, Muis; "ob insignem sanctitatem ipsius", Campensis apud Gejerum.
Matthew Henry Bible Commentary
We are here, with the greatest earnestness imaginable, excited to praise God; if, as some suppose, this psalm was primarily intended for the Levites, to stir them up to do their office in the house of the Lord, as singers and players on instruments, yet we must take it as speaking to us, who are made to our God spiritual priests. And the repeated inculcating of the call thus intimates that it is a great and necessary duty, a duty which we should be much employed and much enlarged in, but which we are naturally backward to and cold in, and therefore need to be brought to, and held to, by precept upon precept, and line upon line. Observe here, I. Whence this tribute of praise arises, and out of what part of his dominion it especially issues. It comes, 1. From his sanctuary; praise him there. Let his priests, let his people, that attend there, attend him with their praises. Where should he be praised, but there where he does, in a special manner, both manifest his glory and communicate his grace? Praise God upon the account of his sanctuary, and the privileges which we enjoy by having that among us, Eze 37:26. Praise God in his holy ones (so some read it); we must take notice of the image of God as it appears on those that are sanctified, and love them for the sake of that image; and when we praise them we must praise God in them. 2. From the firmament of his power. Praise him because of his power and glory which appear in the firmament, its vastness, its brightness, and its splendid furniture; and because of the powerful influences it has upon this earth. Let those that have their dwelling in the firmament of his power, even the holy angels, lead in this good work. Some, by the sanctuary, as well as by the firmament of his power, understand the highest heavens, the residence of his glory; that is indeed his sanctuary, his holy temple, and there he is praised continually, in a far better manner than we can praise him. And it is a comfort to us, when we find we do it so poorly, that it is so well done there. II. Upon what account this tribute of praise is due, upon many accounts, particularly, 1. The works of his power (Psa 150:2): Praise him for his mighty acts; for his mightinesses (so the word is), for all the instances of his might, the power of his providence, the power of his grace, what he has done in the creation, government, and redemption of the world, for the children of men in general, for his own church and children in particular. 2. The glory and majesty of his being: Praise him according to his excellent greatness, according to the multitude of his magnificence (so Dr. Hammond reads it); not that our praises can bear any proportion to God's greatness, for it is infinite, but, since he is greater than we can express or conceive, we must raise our conceptions and expressions to the highest degree we can attain to. Be not afraid of saying too much in the praises of God, as we often do in praising even great and good men. Deus non patitur hyperbolum - We cannot speak hyperbolically of God; all the danger is of saying too little and therefore, when we have done our utmost, we must own that though we have praised him in consideration of, yet not in proportion to, his excellent greatness. III. In what manner this tribute must be paid, with all the kinds of musical instruments that were then used in the temple-service, Psa 150:3-5. It is well that we are not concerned to enquire what sort of instruments these were; it is enough that they were well known then. Our concern is to know, 1. That hereby is intimated how full the psalmist's heart was of the praises of God and how desirous he was that this good work might go on. 2. That in serving God we should spare no cost nor pains. 3. That the best music in God's ears is devout and pious affections, non musica chordula, sed cor - not a melodious string, but a melodious heart. Praise God with a strong faith; praise him with holy love and delight; praise him with an entire confidence in Christ; praise him with a believing triumph over the powers of darkness; praise him with an earnest desire towards him and a full satisfaction in him; praise him by a universal respect to all his commands; praise him by a cheerful submission to all his disposals; praise him by rejoicing in his love and solacing yourselves in his great goodness; praise him by promoting the interests of the kingdom of his grace; praise him by a lively hope and expectation of the kingdom of his glory. 4. That, various instruments being used in praising God, it should yet be done with an exact and perfect harmony; they must not hinder, but help one another. The New Testament concert, instead of this, is with one mind and one mouth to glorify God, Rom 15:6. IV. Who must pay this tribute (Psa 150:6): Let every thing that has breath praise the Lord. He began with a call to those that had a place in his sanctuary and were employed in the temple-service; but he concludes with a call to all the children of men, in prospect of the time when the Gentiles should be taken into the church, and in every place, as acceptably as at Jerusalem, this incense should be offered, Mal 1:11. Some think that in every thing that has breath here we must include the inferior creatures (as Gen 7:22), all in whose nostrils was the breath of life. They praise God according to their capacity. The singing of birds is a sort of praising God. The brutes do in effect say to man, "We would praise God if we could; do you do it for us." John in vision heard a song of praise from every creature which is in heaven, and on the earth, and under the earth, Rev 5:13. Others think that only the children of men are meant; for into them God has in a more peculiar manner breathed the breath of life, and they have become living souls, Gen 2:7. Now that the gospel is ordered to be preached to every creature, to every human creature, it is required that every human creature praise the Lord. What have we our breath, our spirit, for, but to spend it in praising God; and how can we spend it better? Prayers are called our breathings, Lam 3:56. Let every one that breathes towards God in prayer, finding the benefit of that, breathe forth his praises too. Having breath, let the praises of God perfume our breath; let us be in this work as in our element; let it be to us as the air we breathe in, which we could not live without. Having our breath in our nostrils, let us consider that it is still going forth, and will shortly go and not return. Since therefore we must shortly breathe our last, while we have breath let us praise the Lord, and then we shall breathe our last with comfort, and, when death runs us out of breath, we shall remove to a better state to breathe God's praises in a freer better air. The first three of the five books of psalms (according to the Hebrew division) concluded with Amen and Amen, the fourth with Amen, Hallelujah, but the last, and in it the whole book, concludes with only Hallelujah, because the last six psalms are wholly taken up in praising God and there is not a word of complaint or petition in them. The nearer good Christians come to their end the fuller they should be of the praises of God. Some think that this last psalm is designed to represent to us the work of glorified saints in heaven, who are there continually praising God, and that the musical instruments here said to be used are no more to be understood literally than the gold, and pearls, and precious stones, which are said to adorn the New Jerusalem, Rev 21:18, Rev 21:19. But, as those intimate that the glories of heaven are the most excellent glories, so these intimate that the praises the saints offer there are the most excellent praises. Prayers will there be swallowed up in everlasting praises; there will be no intermission in praising God, and yet no weariness - hallelujahs for ever repeated, and yet still new songs. Let us often take a pleasure in thinking what glorified saints are doing in heaven, what those are doing whom we have been acquainted with on earth, but who have gone before us thither; and let it not only make us long to be among them, but quicken us to do this part of the will of God on earth as those do it that are in heaven. And let us spend as much of our time as may be in this good work because in it we hope to spend a joyful eternity. Hallelujah is the word there (Rev 19:1, Rev 19:3); let us echo to it now, as those that hope to join in it shortly. Hallelujah, praise you the Lord.