Genesis 4:21
Genesis 4:21 in Multiple Translations
And his brother’s name was Jubal; he was the father of all who play the harp and flute.
And his brother’s name was Jubal: he was the father of all such as handle the harp and organ.
And his brother’s name was Jubal: he was the father of all such as handle the harp and pipe.
And his brother's name was Jubal: he was the father of all players on instruments of music.
He had a brother named Jubal; he was the father of all those who play stringed and wind instruments.
And his brothers name was Iubal, who was the father of all that play on the harpe and organes.
and the name of his brother [is] Jubal, he hath been father of every one handling harp and organ.
His brother’s name was Jubal, who was the father of all who handle the harp and pipe.
And his brother's name was Jubal: he was the father of all such as handle the harp and organ.
And his brother’s name was Jubal; he was the father of them that play upon the harp and the organs.
Later, Jabal was the first person who lived in tents because he traveled from place to place to take care of livestock. His younger brother’s name was Jubal. He was the first person who made/played a ◄lyre/stringed instrument► and a flute.
Adah had another son, called Jubal. Jubal grew up and was the first person to play musical instruments. He played a harp and a flute.
Berean Amplified Bible — Genesis 4:21
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Genesis 4:21 Interlinear (Deep Study)
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Hebrew Word Reference — Genesis 4:21
Study Notes — Genesis 4:21
- Context
- Cross References
- Genesis 4:21 Summary
- Frequently Asked Questions
- Reflection Questions
- Gill's Exposition on Genesis 4:21
- Jamieson-Fausset-Brown on Genesis 4:21
- Matthew Poole's Commentary on Genesis 4:21
- Trapp's Commentary on Genesis 4:21
- Ellicott's Commentary on Genesis 4:21
- Adam Clarke's Commentary on Genesis 4:21
- Cambridge Bible on Genesis 4:21
- Whedon's Commentary on Genesis 4:21
- Sermons on Genesis 4:21
Context — The Descendants of Cain
21And his brother’s name was Jubal; he was the father of all who play the harp and flute.
22And Zillah gave birth to Tubal-cain, a forger of every implement of bronze and iron. And the sister of Tubal-cain was Naamah. 23Then Lamech said to his wives: “Adah and Zillah, hear my voice; wives of Lamech, listen to my speech. For I have slain a man for wounding me, a young man for striking me.Cross References
| Reference | Text (BSB) | |
|---|---|---|
| 1 | Job 21:12 | singing to the tambourine and lyre and making merry at the sound of the flute. |
| 2 | Isaiah 5:12 | At their feasts are the lyre and harp, tambourines and flutes and wine. They disregard the actions of the LORD and fail to see the work of His hands. |
| 3 | Genesis 31:27 | Why did you run away secretly and deceive me, without even telling me? I would have sent you away with joy and singing, with tambourines and harps. |
| 4 | Romans 4:11–12 | And he received the sign of circumcision as a seal of the righteousness that he had by faith while he was still uncircumcised. So then, he is the father of all who believe but are not circumcised, in order that righteousness might be credited to them. And he is also the father of the circumcised who not only are circumcised, but who also walk in the footsteps of the faith that our father Abraham had before he was circumcised. |
| 5 | Amos 6:5 | You improvise songs on the harp like David and invent your own musical instruments. |
Genesis 4:21 Summary
Genesis 4:21 tells us about a man named Jubal, who was the father of all who play the harp and flute, indicating that he was a skilled musician and contributed to the development of music in early human history. This verse shows us that music has been a part of human culture from the beginning, and that it can be a powerful tool for expression, worship, and community building, as seen in Psalm 100:1-5. Just like Jubal, we can use our talents and creativity to bring joy and beauty to those around us, and to glorify God, as encouraged in 1 Corinthians 10:31. By embracing the arts and culture, we can deepen our appreciation for God's creation and our place in it, as described in Genesis 1:1.
Frequently Asked Questions
Who was Jubal and what was his significance?
Jubal, as mentioned in Genesis 4:21, was the brother of Jabal and the father of all who play the harp and flute, indicating his role in the development of music in early human history, similar to how Genesis 1:1 describes God's creation of the world with order and beauty.
What does the mention of musical instruments in this verse imply about early human culture?
The reference to the harp and flute in Genesis 4:21 suggests that music played a significant role in the cultural and social life of early humans, possibly serving as a means of expression, worship, or community building, much like the Psalms, such as Psalm 100:1-5, which emphasize the importance of music in worship.
How does Jubal's contribution to music relate to the broader biblical narrative?
Jubal's role in the development of music can be seen as part of the larger story of human creativity and culture, which is a reflection of God's own creative nature, as seen in Genesis 1:1, and is later expressed through the musical worship of God's people, such as in Exodus 15:1-21.
What can we learn from Jubal's example about the importance of arts and culture in our lives?
Jubal's example in Genesis 4:21 teaches us that arts and culture, including music, are valuable aspects of human life, and that they can be used to bring joy, beauty, and worship to our lives, as expressed in verses like Psalm 96:1-3, which encourage us to sing a new song to the Lord.
Reflection Questions
- What role does music play in my life, and how can I use it to worship and glorify God?
- How can I, like Jubal, use my talents and creativity to bring joy and beauty to those around me?
- What are some ways that I can express my gratitude to God for the gift of music and arts in my life?
- How can I balance my appreciation for arts and culture with the pursuit of spiritual growth and maturity, as described in verses like Colossians 3:1-3?
Gill's Exposition on Genesis 4:21
Jamieson-Fausset-Brown on Genesis 4:21
Matthew Poole's Commentary on Genesis 4:21
Trapp's Commentary on Genesis 4:21
Ellicott's Commentary on Genesis 4:21
Adam Clarke's Commentary on Genesis 4:21
Cambridge Bible on Genesis 4:21
Whedon's Commentary on Genesis 4:21
Sermons on Genesis 4:21
| Sermon | Description | |
|---|---|---|
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The Smell of Apostasy by Scott T. Brown | In this sermon, the preacher focuses on Isaiah chapter 5 and the judgment of God. He describes the judgment using three images: fire, a rotten root, and a blossom that vanishes. Th |
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The Cross by Dick Hussey | In this sermon, the preacher reflects on the final moments of Jesus on the cross. He emphasizes the brevity of Jesus' spoken words, lasting less than a minute, but the profound imp |
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Toronto Hebrew Academy. by Gareth Evans | Gareth Evans shares a powerful testimony of his journey from applying for a teaching position at Toronto Hebrew Academy to impacting the lives of students and the school's rabbi wi |
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Lessons From the Sacrifice of Isaac by Timothy Tow | Timothy Tow preaches on the profound story of Abraham's willingness to sacrifice his son Isaac, showcasing unwavering faith and obedience to God's command. The narrative highlights |
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Some Strictures on a Late Treatise, Called, a Fair and Rational Vindication of the Right of Infants to the Ordinance of Baptism. by John Gill | John Gill critiques David Bostwick's treatise on the right of infants to baptism, arguing that the scriptural basis he presents, particularly Acts 2:39, is misinterpreted and does |
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The Abrahamic Covenant by A.W. Pink | A.W. Pink explores the significance of the Abrahamic Covenant, emphasizing Abraham's unique role as 'the friend of God' and the father of all believers. He highlights how the coven |
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Part 12: The Abrahamic Covenant and Premillennialism by John F. Walvoord | John F. Walvoord delves into the significance of the covenant of God with Abraham, emphasizing its pivotal role in understanding the Old Testament and its extension into the New Te |






