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6 Sermon Illustrations on Manliness

6 illustrations

Manliness in Christian preaching emphasizes courage, steadfastness, and leadership grounded in godly character. It calls men to embody strength tempered with integrity and to stand firm in faith amid trials (1 Corinthians 16:13). Illustrations often use images of warriors, leaders, or steadfast pillars to depict this noble calling.

Manliness

The world needs men of courage, cheer, and steadfastness to stand and lead.

The world has room for the manly man, with the spirit of manly cheer; The world delights in the man who smiles when his eyes keep back the tear; It loves the man who, when things go wrong, can take his place and stand With his face to the fight and his eyes to the light, and toil with a willing hand; The manly man is the country’s need, and the moment’s need, forsooth, With a heart that beats to the pulsing tread of the lilied leagues of truth; The world is his and it waits for him, and it leaps to hear the ring Of the blow he strikes and the wheels he turns and the hammers he dares to swing; It likes the forward look in his face, the poise of his noble head, And the onward lunge of his tireless will and the sweeps of his dauntless tread! Hurrah for the manly man who comes with sunlight on his face, And the strength to do and the will to dare and the courage to find his place! The world delights in the manly man, and the weak and evil flee When the manly man goes forth to hold his own on land or sea! (Text.)

--_American Israelite._

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles

Strength Without Control

Acts 24:25

Our family has been blessed with grandson number two - and, is it possible? I think he may be as cute as his older brother Jordan! Baby Blake has dark hair - in fact, so much that I'm jealous ... he's got big blue eyes, chubby cheeks ... he's only two months old so, frankly, he doesn't do much yet - but he's still fascinating to watch. For one thing, his neck muscles are really strong. No matter where you put him - on your shoulder, in your arms, sitting up in your lap - little Blake is able to raise up his head and try to flop it around so he can see what he wants to see. Unfortunately, as strong as he is, he doesn't have much control over where his head goes.

Well, I'm Ron Hutchcraft and I want to have A WORD WITH YOU today about "Strength Without Control."

Now, our little guy has lots of strength, but not much control. Unfortunately, there are a lot of big guys with the same problem. And it doesn't look nearly as cute on them.

Which is why God helps us understand one of the central issues of real manhood in our word for today from the Word of God. Proverbs 16:32 is a revealing mirror for every man to look into. God says, "Better a patient man than a warrior, a man who controls his temper than one who takes a city." That's a powerful comparison because guys are raised to believe that manhood is conquest - conquering in sports, conquering in business, conquering in relationships, conquering women.

But God says it's easier for a man to conquer a city than it is for him to conquer his own passions. So a man proves he's a real man, not by conquering an opponent or a woman or a goal - but by conquering himself. And so many of our half of the human race are like my little grandson - we're strong ... we can get things done, move things around, get our way, make things happen - but we may have strength without control.

In Titus 2, when Paul is giving instructions for how Christian men are supposed to live out their faith, he says, "Teach the older men to be ... self-controlled." (Titus 2:2) And then he says, "Similarly, encourage the young men to be self-controlled." (Titus 2:6) Old or young, what God is looking for in a man is that all too rare quality of self-control.

It may be that you're a strong man in many ways - maybe physically, intellectually, persuasively, financially. You've got a strong personality, a strong resume', a strong reputation. But it could also be that your strength is not under control - your temper ... your sexual desires ... your mouth. You're strong, but you're hurting people you love ... you're running over people, crushing people, running past people on your way to your goals. Too often, your words are rash and wounding, your temper is explosive, your passions are out of control.

That's when a man realizes he needs someone outside himself to give him the power to control his dark side. And that's when many men turn to the One the Bible calls the Savior - Jesus Christ. Jesus died on a cross to take the punishment for all our sinning and to break the power of this dark force called sin. He is very much a man's Savior. But maybe He's not yet your Savior. That could change ... this very day. Tell Jesus - the Son of God who became a man - that you're done driving ... that He's going to drive from now on.

Surrender usually means you lose. Except when you surrender to Jesus Christ. When a man surrenders to Him, he can finally win the battle over the animal inside him.

________________

Copyright © Ron Hutchcraft Ministries, Inc., PO Box 400, Harrison, AR 72602. Used by permission. Written by Ron Hutchcraft. "Practical Answers to Real Life Issues"

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from A Word With You by Ron Hutchcraft #3771 · Ron Hutchcraft via Kerux Sermon and Illustration Database strengthmanliness

Strength of A Man

The strength of a man isn’t in the deep tone of his voice.

It’s in the gentle words he whispers.

The strength of a man isn’t how many buddies he has.

It’s how good of buddies he is with his children.

The strength of a man isn’t in how respected he is at work.

It’s in how respected he is at home.

The strength of a man isn’t in how hard he hits.

It’s in how tender he touches.

The strength in a man isn’t in the hair on his chest.

It’s in his Heart … that lies within his chest.

The strength of a man isn’t in the weight he can lift.

It’s in the burdens he can carry.

from Source not recorded · (unknown) via Kerux Sermon and Illustration Database manliness

Ten Top Things That Make A Real Man

10. Comes home directly from work knowing his “real” job is about to start.

9. Is not afraid to get down on hands and knees and play “horsie”.

8. Kisses his children and shows them a man can be gentle.

7. Kisses his wife in front of his children so the children can be secure in the knowledge of a united home.

6. Hugs his family and says “I love you.”

5. Is not afraid to cry.

4. Goes with his family to church.

3. Values the advice of his wife.

2. Starts each day with a “quiet time”, talking to the Lord.

And the number one thing:

1. Prays

from Source not recorded · Jan, Co-editor; Words For Life via Kerux Sermon and Illustration Database manliness

Rampage and Relativism — A New Corruption of Masculinity

Job 16:17

In the film adaptation of Chuck Palahniuk's violent novel, FIGHT CLUB, character Tyler Durden points to his generation of young men as the “middle children of history.” Played by actor Brad Pitt, Durden represents the absolute collapse of masculinity into raw violence. This character joins his friends in seeking personal release and ecstasy through violent fights that send the participants regularly to the emergency room. In a haunting comment, Durden remarks: “We are a generation of men raised by women.” Is this our future?

Reporting in the December 11, 2005 edition of THE NEW YORK TIMES, Warren St. John describes the emergence of a new phenomenon -- “Neanderthal TV.” As St. John explains, this new approach to television venality and violence is being marketed to young males, mostly between the ages of eighteen and thirty. A male-oriented network, Spike TV, interviewed thousands of young men and determined that many of them wanted to see antisocial characters portrayed in television dramas. Beyond this, these young men are clearly identifying with these antisocial figures, along with their violence and amorality.

“Spike found that men responded not only to brave and extremely competent leads but to a menagerie of characters with strikingly antisocial tendencies,” St. John reports. These characters include Dr. Gregory House, “a Vicodin-popping physician” who is featured on Fox's “House,” Michael Scofield on “Prison Break,” and Vic Mackey, a major character on “The Shield.” Scofield is set on helping his brother break out of jail while Mackey is “a tough-guy cop who won't hesitate to beat a suspect senseless.” As St. John remarks, “Tony Soprano is their patron saint, and like Tony, within the confines of their shows, they are all 'good guys.'“

St. John's article points to a new and troubling phenomenon. Many of the most popular male characters featured in the entertainment industry represent extreme violence, sexual perversions, an absolute absence of morality, and the very “antisocial tendencies” Spike TV found to be so popular. At the same time, these characters are not merely featured, but they are now admired by millions of young men.

The reporter quotes Brent Hoff, age 36, who remarked that the message from these shows is: “Life is hard. Men gotta do what men gotta do, and if some people have to die in the process, so be it.” Hoff, a writer who lives in San Francisco, went on to explain that young men in his generation can easily relate to these characters. Speaking of Sawyer, a character on the ABC series “Lost,” who refused to help a fellow character find his lost child, Hoff commented: “If you watch Sawyer on 'Lost,' who is fundamentally good even if he does bad things, there's less to feel guilty about in yourself.” Of course, there is sufficient reason for concern when such a character is described as “fundamentally good even if he does bad things.” Nevertheless, Hoff went on to apply this observation as principle, noting that the observation and contemplation of these characters leaves less room for guilt in his own self analysis.

What kind of morality is at play here? As St. John explains, these shows reduce morality to a Darwinian principle that “in the social chaos of the modern world, the only sensible reflex is self-interest.”

Others have gone so far as to suggest that these characters and this kind of programming represent a new vision of masculinity. Gregory A. Randall, who is developing a new show for Spike TV called “Paradise Salvage,” said that the emergence and popularity of antisocial characters -- even leads -- can be traced to an intentional effort by the networks to attract young male viewers by mirroring their frustrations. “It's about comprehending from an entertainment point of view that men are living in a very complex conundrum today,” he told St. John. “We're supposed to be sensitive and evolved and yet still in touch with our neanderthal, animalistic, macho side.” Randall went on to argue that watching male characters who demonstrate such deeply flawed personalities but who nevertheless come out on top of the social hierarchy, makes young men feel better about their own character flaws and frustrations with male identity.

Randall made his point with rare candor: “You think, 'It's OK to go to a strip club and have a couple of beers with your buddies and still go home to your wife and baby and live with yourself.'“

In his article, St. John compares characters of older television classics as “men who have the occasional affair or who tip the bottle a little too much.” But these new characters are very different. “Instead they are unapologetic about killing, stealing, hoarding and beating their way to achieve personal goals that often conflict with the greed, apathy and of course the bureaucracies of the modern world.”

Others have attempted to explain this phenomenon in terms of social commentary. According to this line of argument, the popularity of these antisocial male characters can be traced to male frustration and being forced to work within a bland and bureaucratic corporate environment. Robert Thompson, director of the Center for the Study of Popular Television at Syracuse University, put it this way: “These kinds of characters are so satisfying to male viewers because culture has told them to be powerful and effective and to get things done, and at the same time they're living, operating and working in places that are constantly defying that.”

Of course, that line of argument has been around for a very long time. It was the theme of the 1956 movie “The Man in the Gray Flannel Suit,” and it has reappeared in new dress in virtually every generation. Professor Thompson goes so far as to suggest that the real “enemy” as understood by contemporary males is “the legal, cultural and social infrastructure of the nation itself.” Frankly, Dr. Thompson is overreaching, to say the least. It's hard to dignify this kind of media taste as social commentary. After all, these young male viewers are sought by the networks and cable channels precisely because they are the demographic that drives the sale of so many consumer products. It's hard to dignify and respect cultural angst in a generation that demands the latest technological gadgets and consumer goods.

Attracting the young male demographic is clearly the main ambition of those producing and marketing this new and savage form of television entertainment. As St. John observes, competition from the Internet, video games, and a vast array of cable channels has caught the attention of television producers who “are obsessed with developing shows that can capture the attention of young male viewers.”

Spike TV, owned by Viacom, “has ordered up a slate of new dramas based on characters whose minds are cauldrons of moral ambiguity,” he explains.

Paul Scheer, a 29-year-old actor and viewer of “Lost,” told St. John that a character can now even commit murder without alienating an audience. “You don't have to be defined by one act,” he commented. On “Lost,” three characters have killed others in cold blood, “and they're quote-unquote good people who you're rooting for every week,” Scheer observed. The moral he takes from these shows? “You can say 'I'm messed up and I left my wife, but I'm still a good guy.'“

Peter Liguori, creator of the FX shows “The Shield” and “Over There,” who now serves as president of Fox Entertainment, defended his programming: “I think that moral ambiguity is highly involving for an audience. Audiences I believe relate to characters they share the same flaws with.”

That is a truly frightening statement. Are we to believe that he is intentionally directing the programming of his network towards an audience of young males who share “the same flaws” as the violent, perverse, and antisocial characters he so willingly presents?

We are now witnessing the corruption of the masculine ideal into absolute violence and amorality. This phenomenon has developed over time, as manhood and the role of men in the home and in the society have been undermined by social, legal, economic, and ideological forces.

We now know that boys are doing more poorly in school than girls and that young women now outnumber young men on college campuses. The vast majority of violent crimes are committed by young men, and young males drive the statistics in virtually every form of antisocial behavior. The absence of strong male role models for boys and young men to respect and emulate -- especially fathers -- is surely the largest contributing factor to the rise in the social pathologies and antisocial behaviors.

The last thing we need is a tidal wave of entertainment that presents these very behaviors and warped visions of masculinity as ideals to be admired. As the comments from the young men cited in this article indicate, many of those young males who would not join the rampage nonetheless find in this programming a comforting message of moral relativism. These young men may not -- we should be glad to note -- engage in these behaviors themselves. Nevertheless, watching admired characters engage in these very same behaviors allows young male viewers room to justify and rationalize their own character flaws, irresponsibility, and worse.

Hollywood, we are often told, is a mirror of America. The rise of this amoral programming, revolving around themes ranging from rampage to relativism, should serve as a dire warning of where this culture is headed. A society whose young men celebrate violence and moral ambiguity is headed towards something even worse.

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Lesbians Raising Sons; Got A Problem With That?

“Brian, a bright and personable third-grader, brought home from school a form that frustrated him: his family tree, complete with empty spaces for mother, father, and four spaces for grandparents. Brian's parents are a lesbian couple; his father is an unknown sperm donor. Brian's mothers worked to persuade their son that nothing was wrong with this family -- instead, something was wrong with the school form.”

That story was told by Peggy F. Drexler, a research psychologist and advisory board member of the San Francisco Day School. It was published in the The San Francisco Chronicle last summer, and served notice that America is adopting “new family values.”

In her article, Drexler announced that she had “set out to study a new breed of mothers: lesbian couples raising sons.” As a researcher, Drexler decided to focus on this population, asking a series of critical questions. “Could boys prosper through the power of mothers alone? How would these boys develop a moral compass, a positive sense of themselves as male and confident independence without the presence of a father who knows best?”

Drexler was to publish her analysis in the journal Gender and Psychoanalysis, and she argued that “the sons of lesbian couples are thriving.”

According to Drexler, “Boys raised in two-mother families are vibrant, courageous individuals, effectively constructing their sense of self amid ordinary family love and extraordinary social change. These boys are articulate and thoughtful and deeply aware of their own emotional lives -- including the pain that comes from discrimination against their families. They exhibit all the usual traits of manliness, including athletic interests and skills. Significantly, they also demonstrate the openness and ease with feelings usually attributed to women.”

Drexler's rosy scenario, packaged as both academic research and a popular newspaper article, is evidence of efforts on the part of homosexual advocacy groups to push for the absolute normalization of homosexuality, homosexual “marriage,” and homosexual-led families. Most Americans have only a minimal or abstract understanding of what this represents.

A decidedly non-abstract perspective comes in the form of “Lesbians Raising Sons,” edited by Jess Wells and published by Alyson Books of Los Angeles. The book is not new, but it has found its way into many of the nation's leading bookstore chains and local stores. Anyone still in doubt about the scale of the social revolution we are now facing should take a quick look at this book and all will be explained.

In her introduction, Jess Wells explains that the whole issue of lesbians raising sons is due to a biological circumstance.

“A socially and biologically driven phenomenon is producing a disproportionate number of male children within the current lesbian baby boom,” Wells writes. “Lesbians who choose to undergo donor insemination now have at least a 65 percent chance of bearing a son.”

Wells went on to explain why this is so. She argues that male sperm weigh less than female sperm and therefore swim faster and are more likely to reach the egg ahead of sperm without a Y chromosome. The disproportionate number of boys born to lesbian mothers is thus, at least in part, an ironic slap in the face from an unforgiving biological fact.

Biology is one thing, parenting styles is another.

“We are parents unlike any others,” Wells argues, “and this is most evident in the mothering of our sons. Lesbian households are raising a new generation of men who will be significantly different from their counterparts from patriarchal families. Lesbian parenting by and large incorporates strong feminist concepts. Patriarchal families teach girls what they cannot do and teach boys what they cannot feel. They traditionally teach boys to sublimate their emotions into only two areas: anger and aggression.”

Lesbian mothers of sons, Wells asserts, will open up “more avenues for expression for our sons instead of limiting them to sports and sex.” According to her utopian vision, lesbians will teach boys “to dance, sing, decorate, play music, sew, and do theater and imaginative dress-up as well as play football and baseball, surf, ski, and shoot hoops.”

In the short span of this introductory essay, Wells presents lesbians mothering sons as revolutionaries ready to overthrow a patriarchal social order.

“The right wing reacts to lesbian mothers with a vengeance for several reasons,” Wells laments. “We procreate without intercourse; we raise sons without men in the house; and we teach boys not to oppress women, to feel, and to live free of gender restrictions and homophobia. We are not raising the next generation of patriarchs, and the right wing is coming at us with the full force of its power.”

“Lesbians Raising Sons” includes 36 additional chapters, all dealing with different dimensions of lesbian motherhood and sons. In her San Francisco Chronicle article, Peggy Drexler had argued that “boys have an innate ability to become men, a capacity that good parenting by males or females can nurture.” Based on her “research,” she asserted that boys “do not need a single male role model in-house to teach them how to hit a ball or become men.”

Perhaps she should have read “Lesbians Raising Sons.” If so, she would have encountered a very different line of argument and evidence.

In the book's first chapter, Sara Asch writes of her son, “who is apparently a girl and who, if he were old enough to read this, would be furious at me for using this male pronoun.” She goes on to explain that the boy wears 11 braids decorated with 88 beads.

“Flowing tresses is the effect he seeks, for he has studied well the white girls with their long, straight hair,” Asch writes. “He has watched the college girls who student-teach, the video mermaids, the female heroines of the silver screen. He knows how to toss his head just so, to tuck a lock behind his ear, to suck on a strand that reaches the mouth. And he covets the opportunity. His braids, done by his butchish mommy with loving care, some fear, and a deep commitment to his growing spirit, are his way into that tress experience.”

So much for “all the usual traits of manliness.”

Robin Morgan, writing of her own experience mothering a son, recalled the boy's “earliest bedtime stories were about strong female characters and gentle male characters.” According to Morgan, she and her partner “made them up ourselves because there were almost no antisexist children's books then available.” She also related that her son was very rarely disciplined or punished in any way. “Instead, we'd talk about it, not with rhetoric but with concrete examples of how speech and actions had consequences, how they hurt or heal people's feelings, bodies, lives.” She does relate that her son, now grown, now says, “I almost longed to be simply forbidden something or punished for something, like other kids.”

Morgan and her partner also worked to create a feminist environment in which their son would be raised.

“We tried to offer alternatives to the patriarchal 'norms,'“ she writes. “We celebrated Wiccan holidays with much pomp, while giving a superficial nod to Christmas and Hanukkah. He was offered -- and played with -- dolls and tea sets as well as with fire trucks and tractors.”

An even more extreme vision of lesbian motherhood and sons was related by Ruthann Robson as she explained the response of lesbian separatists to the birth of her son. Having been separatists themselves, they were puzzled by how they would deal with this baby boy. “What were two dykes going to do with this miniature emissary from the patriarchy who invaded our lives? One of us would be the one to give him a bath every night. The other one would be telling bedtime stories.”

Robson defines lesbian separatism as “an ethical forward/moral/political/social/theoretical lifestyle in which lesbians devote their considerable energies, insofar as it is possible, exclusively to other lesbians or, in some cases, exclusively to other women.”

Clearly, the birth of a boy ruins this women-only picture.

When Colby, Robson's son, was born, she even feared that her lesbian partner would leave her. “I kept thinking of all the concerts from which we'd be excluded, all the radical conferences at which we wouldn't be welcome, all the women's land on which we could never live.”

What happened? Robson tells that their friends largely left them. “Inez said she could no longer come to meetings at our house because our rooms exuded maleness.” Raquel, another friend, “told us she couldn't believe we simply didn't give up the 'male child' for adoption when 'the bourgeois' were starving for healthy white baby boys and it would be so easy for us to start over.” Another lesbian friend showed up to give speeches “about lesbian strength being dissipated, about lesbian separatist ethics, about lesbian obligations to the future, about the inviolability of gender.”

Finally, another lesbian, whose sexual advances Robson had rejected, “stood up at the Coconut Grove Lesbian Dance, Meeting, and Pot Luck and proposed a rule that would bar all 'lesbians in any way participating in male-energized households' from the group.”

In her own chapter, Jess Wells insisted that she had done everything within her power to avoid giving birth to a son.

“How had this happened?” Wells asked. “I had paid to have the sperm sex- selected. The sperm had been made to swim for hours, and the fastest swimmers -- the 'male' sperm -- had been poured down the sink.”

“I had been planning on a girl,” Wells remembered. “It was essential that I have a girl.” When she was told that her womb contained a boy, she was “profoundly disappointed.” As an ardent opponent of “male privilege, patriarchy, and male culture,” Wells didn't want anything to do with raising a boy.

Eventually, she was reconciled to the fact that her child was a boy and decided this could be a positive experience. “My son cannot take me away from the struggle for women's rights, nor can he force me to take an interest in anything that I don't deem interesting. He cannot be my oppressor because he is my child, and he cannot be a second chance to relive my life because he has his own life. He and I will explore each other's cultures, sharing what we can and respecting what we can't ... Both of us, respecting each other's sovereignty, can rejoice in our foreignness and celebrate our diversity.”

The prophets of political correctness now tell us that diversity is the order of the day, and that “diverse forms of family” are to be greeted with enthusiasm. Those who insist that marriage is the union of a man and a woman and that parenthood should flow from that union are now dismissed as intolerant, closed- minded extremists.

Even in the face of such intimidation, a quick look at “Lesbians Raising” Sons should be sufficient to help the vast majority of Americans know who the real extremists are.

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This column was adapted from Mohler's Crosswalk.com weblog. R. Albert Mohler Jr. is president of Southern Baptist Theological Seminary in Louisville, Kentucky. For more articles and resources by Mohler go to www.albertmohler.com.

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