Music uniquely expresses personal and national grief and identity through tradition.
See SOUL MUSIC.
MUSIC OF DESPAIR AND OF HOPE
On the occasion of the funeral service of King Edward VII, William Maxwell, in the _Record and Mail_, of Glasgow, writes as follows concerning the pipes and song:
No music can express the abandonment of grief like the pipes, for none is so individual. Its notes are the tradition of centuries of wild freedom, and are bound by no ordinary system. No music is so personal, for the pipes are the retainers of the clans.
They, too, wear the tartan, and voice the feelings of their clan--its joy and grief, its triumph and despair; and none is more national, for it embodies the soul of a people, its strength and its passions.
They are famous ballads to which the music of sorrow has been wedded. For there are two national ballads known as “The Flowers of the Forest,” and both are written by women. The first version was written by Jane Elliot, of Minto, and bewails at Flodden Field--
I’ve heard the lilting at our ewe milking,
Lasses a-lilting before the dawn of day;
But now they are moaning on ilka green loaning,
The flowers of the forest are a’ wede away.
The second song was written on the same subject by Alicia Rutherford, of Fernilie, afterward known as Mrs. Patrick Cockburn, and is generally regarded as the more effective in singing, if not in composition.
I’ve seen the forest, adorned the foremost,
With flowers of the fairest, most pleasant and gay;
Sae bonny was their blooming,
Their scents the air perfuming,
But now they are withered, and weeded away.
Oh, fickle fortune, why this cruel sporting?
Oh, why still perplex us, poor sons of a day?
Nae mair your smiles can cheer me,
Nae mair your frowns can fear me,
For the flowers of the forest are a’ wede away.
The words are beautiful, and instinct with sorrow when spoken or sung. But it is the music of the pipes that gives them supreme interpretation, and makes them the expression of grief so profound that “The Flowers of the Forest” has become the national dirge. Nor is sorrow their only note.
The pipes can sound--and have sounded on many a stricken field and in many an hour of despair--the triumph of hope and of victory over death. They have stirred the blood and cleared the head, and given strength to the arm of many a soldier who has never dreamed of the eagle plume blended with the heather and never heard through the mists of memory the clash of the broadsword on the targe--
I hear the pibroch sounding
Deep o’er the mountain glen,
While light springing footsteps are trampling the heath--
’Tis the march of the Cameron men.