God’s providence uses even a dog to reveal and bring justice to a murderer.
The fame of an English dog has been deservedly transmitted to posterity by a monument in basso rilievo, which still remains on the chimney piece of the grand hall at the castle of Montargis, in France; the sculpture represents a dog fighting with a champion, and was occasioned by the following circumstances:—
Aubri de Mondidier, a gentleman of family and fortune, traveling alone through the forest of Bondi, was murdered and buried under a tree. His dog, an English bloodhound, would not leave his master's grave for several days, till at length, compelled by hunger, he went to the house of an intimate friend of the unfortunate Aubri's at Paris, and by his melancholy howling seemed desirous of expressing the loss they had both sustained. He repeated his cries, ran to the door, then looked back to see if any one followed him, returned to his master's friend, pulled him by the sleeve, and with dumb eloquence entreated him to go with him.
The singularity of all the actions of the dog; his coming there without his master, whose faithful companion he always had been; the sudden disappearance of his master; and, perhaps, that divine dispensation of justice and events which will not permit the guilty to remain long undetected, made the company resolve to follow the dog, who conducted them to the tree, where he renewed his howl, scratching the earth with his feet, to signify that that was the spot they should search. Accordingly, on digging, the body of the unfortunate Aubri was found.
Some time after the dog accidentally met the assassin, who is styled, by all historians that relate this fact, the Chevalier Macaire; when, instantly seizing him by the throat, it was with great difficulty he was made to leave his prey.
Whenever he saw him after, the dog pursued and attacked him with equal fury. Such obstinate virulence in the animal, confined only to Macaire, appeared extraordinary to those persons who recollected the dog's fondness for his master, and, at the same time, several instances wherein Macaire had displayed his envy and hatred to Aubri de Mondidier.
Additional circumstances increased suspicion, which at length reached the royal ears. The king (Louis VIII.) sent for the dog. He appeared extremely gentle, till, perceiving Macaire in the midst of twenty noblemen, he ran directly towards him, growled, and flew at him as usual.
In those times, when no positive proof of a crime could be procured, an order was issued for a combat between the accuser and accused. These were denominated the judgment of God, from a persuasion that Heaven would sooner work a miracle than suffer innocence to perish with infamy.
The king, struck with such a collection of circumstantial evidence against Macaire, determined to refer the decision to the chance of war; or, in other words, he gave orders for a combat between the chevalier and the dog. The lists were appointed in the aisle of Notre Dame, then an unenclosed, uninhabited place; Macaire's weapon was a great cudgel.
The dog had an empty cask allowed for his retreat, to recover breath. The combatants being ready, the dog no sooner found himself at liberty than he ran round his adversary, avoiding his blows, menacing him on every side, till his strength was exhausted; then springing forward, he griped him by the throat, threw him on the ground, and forced him to confess his crime before the king and the whole court. In consequence of which the chevalier, after a few days, was convicted on his own acknowledgment, and beheaded on a scaffold in the aisle of Notre Dame.
The above curious recital, is translated from the Memoirs sur les Duels, and is confirmed by many judicious critical writers, particularly Julius Scaliger and Montfaucon, neither of them relators of fabulous stories.