Ausbund
Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.
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Michael Schneider, in his sermon, reflects on the distress and persecution faced by believers who once lived in communal harmony, sharing everything and holding God's Word dear. Despite being chased away and afflicted by Satan, they remain steadfast in their faith, refusing to compromise for the return of their possessions. Schneider expresses the unwavering commitment to God, willing to endure any hardship to stay true to Him and await the promised restoration in a land free from corruption.
We Cry to You, Lord God
We cry to you, Lord God, and tell you about our distress here in the tower and stocks into which they have put us. We used to have a nice place. You used to let us see your treasure -- that great treasure you give us in eternal life, and for which we strove. That treasure is the Gemeinschaft once held in your commune when we all lived together, keeping your Word in such a way that not one false person could stand to live among us. We held all things in common. No one said, "This is mine alone." We shared everything. . . . Your children were glad to live this way but Satan did not leave them alone. . . . He chased them away from it and now afflicts them without mercy, saying, "Stand off from this heresy, this error and mob action which has led you astray. Stand off and we will let you live. We will return your goods to you." But oh God, we do not want to do that. Even if it should cost us our hides and hair, our bodies, our children and wives, we will stay with you. You will give us everything again in the land into which you will lead those of us who touch no unclean thing and who have not allowed ourselves to be led astray. -- Michael Schneider, Auspitz, written in the prison in Passau, Ausbund, 1564 edition
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Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.