Proverbs 7:9
Verse
Context
Sermons
Carter ConlonSummary
Commentary
- Jamieson-Fausset-Brown
- John Gill
- Tyndale
Jamieson-Fausset-Brown Bible Commentary
The time, twilight, ending in darkness. black . . . night--literally, "pupil," or, "eye," that is, middle of night.
John Gill Bible Commentary
In the twilight, in the evening, in the black and dark night. Which is the usual time adulterers take to commit their works of darkness in, by which they think to conceal them; they being such as they themselves do not care should be seen and known, Job 24:15; their works will not bear the sun and daylight, therefore they take the twilight and when the sun is set; and choose the night, and not light nights neither, but the blackest and darkest nights, as fittest for their purpose; most likely to meet with harlots, and less liable to be seen by their neighbours; but always to be seen by the omniscient God, with whom the darkness and the light are both alike. Perhaps these several words may express the time from the young man's first setting out to his drawing nigh to the harlot's house, and his being attacked and ensnared by her; when he first set out from his own or his father's house, it was "twilight", the sun was declining; by that time he had got good part of his way the sun set, and then it was "evening"; and when he came near the harlot's house it was "black and dark night": and this may represent the gradual and progressive growth of Popery; there was first a "twilight", a decline of the purity of Gospel light and knowledge, and then the sun of the Gospel set, which brought on an "evening", and issued in the gross "darkness" of Popery, represented by the Thyatirian church state, as before observed; since that, the "morning star" of the Reformation has appeared, but this is become obscure, we are in a twilight again; it is neither day nor night with us as yet, but a dark black night is hastening on; and it is easy to observe how many, like this foolish young man, are marching on in a stately manner to the harlot's house, or are verging to Popery, whether they design it or not. ; their works will not bear the sun and daylight, therefore they take the twilight and when the sun is set; and choose the night, and not light nights neither, but the blackest and darkest nights, as fittest for their purpose; most likely to meet with harlots, and less liable to be seen by their neighbours; but always to be seen by the omniscient God, with whom the darkness and the light are both alike. Perhaps these several words may express the time from the young man's first setting out to his drawing nigh to the harlot's house, and his being attacked and ensnared by her; when he first set out from his own or his father's house, it was "twilight", the sun was declining; by that time he had got good part of his way the sun set, and then it was "evening"; and when he came near the harlot's house it was "black and dark night": and this may represent the gradual and progressive growth of Popery; there was first a "twilight", a decline of the purity of Gospel light and knowledge, and then the sun of the Gospel set, which brought on an "evening", and issued in the gross "darkness" of Popery, represented by the Thyatirian church state, as before observed; since that, the "morning star" of the Reformation has appeared, but this is become obscure, we are in a twilight again; it is neither day nor night with us as yet, but a dark black night is hastening on; and it is easy to observe how many, like this foolish young man, are marching on in a stately manner to the harlot's house, or are verging to Popery, whether they design it or not. Proverbs 7:10 pro 7:10 pro 7:10 pro 7:10And, behold, there met him a woman,.... A married woman, and an adulteress, as the following account of her shows; as soon as ever she discerned the young man before described, who she knew, by his air, walk, and dress, was a fit person for her turn, she at once set out from her house, or the corner where she stood, and met him; she did not wait till he came up and made his suit to her, but she went out, and first attacked him; wherefore the word "behold" is prefixed as a note of admiration at the impudence of the woman, and as a note of attention to observe the consequence of this affair. This woman represents the woman on a scarlet-coloured beast, the mother of harlots, who, though she pretends to be the spouse of Christ, is an arrant whore, Rev 17:3; with the attire of a harlot; not with her face veiled, as Tamar was, Gen 38:14; for though that might be the sign of a harlot in the daytime, yet not in the night, as this was; rather with showy gaudy garments, such as the Athenian whores wore, or short ones, as the Romans; the word signifies one fitted to her body, neat and well shaped, to recommend her: so the woman, the whore of Rome, is said to be arrayed in purple and scarlet colour, and decked with gold, and precious stones, and pearls; signifying the outward pomp and splendour of the Romish religion, designed to captivate weak and unwary minds; see Gill on Rev 17:4; and subtle of heart; mistress of all artful and intriguing methods to seduce and ensnare (g); or, "reserved of heart" (h), cautious and wary what she said, told everything that was encouraging, but kept back what was discouraging; or she kept her own heart to herself, while she stole the hearts of others; so the Targum renders it, "which takes away the hearts of young men;'' and to the same purpose are the versions of the Septuagint, Syriac, and Arabic: the subtlety of the popes, priests, jesuits, and other emissaries of Rome, to deceive the hearts of the simple, is well known; the coming of antichrist was after the working of Satan, with all deceivableness of unrighteousness, Th2 2:9. (g) "Fallendique vias mille ministret amor", Tibullus ad Junonem, 6. v. 12. (h) "cauta corde", Tigurine version, Mercerus: Gejerus; "retento corde", Cocceius.
Tyndale Open Study Notes
7:9 Foolish actions are often associated with darkness (see 4:18-19; Eccl 2:13-14).
Proverbs 7:9
Warnings about the Adulteress
8crossing the street near her corner, strolling down the road to her house, 9at twilight, as the day was fading into the dark of the night.
- Scripture
- Sermons
- Commentary
- Jamieson-Fausset-Brown
- John Gill
- Tyndale
Jamieson-Fausset-Brown Bible Commentary
The time, twilight, ending in darkness. black . . . night--literally, "pupil," or, "eye," that is, middle of night.
John Gill Bible Commentary
In the twilight, in the evening, in the black and dark night. Which is the usual time adulterers take to commit their works of darkness in, by which they think to conceal them; they being such as they themselves do not care should be seen and known, Job 24:15; their works will not bear the sun and daylight, therefore they take the twilight and when the sun is set; and choose the night, and not light nights neither, but the blackest and darkest nights, as fittest for their purpose; most likely to meet with harlots, and less liable to be seen by their neighbours; but always to be seen by the omniscient God, with whom the darkness and the light are both alike. Perhaps these several words may express the time from the young man's first setting out to his drawing nigh to the harlot's house, and his being attacked and ensnared by her; when he first set out from his own or his father's house, it was "twilight", the sun was declining; by that time he had got good part of his way the sun set, and then it was "evening"; and when he came near the harlot's house it was "black and dark night": and this may represent the gradual and progressive growth of Popery; there was first a "twilight", a decline of the purity of Gospel light and knowledge, and then the sun of the Gospel set, which brought on an "evening", and issued in the gross "darkness" of Popery, represented by the Thyatirian church state, as before observed; since that, the "morning star" of the Reformation has appeared, but this is become obscure, we are in a twilight again; it is neither day nor night with us as yet, but a dark black night is hastening on; and it is easy to observe how many, like this foolish young man, are marching on in a stately manner to the harlot's house, or are verging to Popery, whether they design it or not. ; their works will not bear the sun and daylight, therefore they take the twilight and when the sun is set; and choose the night, and not light nights neither, but the blackest and darkest nights, as fittest for their purpose; most likely to meet with harlots, and less liable to be seen by their neighbours; but always to be seen by the omniscient God, with whom the darkness and the light are both alike. Perhaps these several words may express the time from the young man's first setting out to his drawing nigh to the harlot's house, and his being attacked and ensnared by her; when he first set out from his own or his father's house, it was "twilight", the sun was declining; by that time he had got good part of his way the sun set, and then it was "evening"; and when he came near the harlot's house it was "black and dark night": and this may represent the gradual and progressive growth of Popery; there was first a "twilight", a decline of the purity of Gospel light and knowledge, and then the sun of the Gospel set, which brought on an "evening", and issued in the gross "darkness" of Popery, represented by the Thyatirian church state, as before observed; since that, the "morning star" of the Reformation has appeared, but this is become obscure, we are in a twilight again; it is neither day nor night with us as yet, but a dark black night is hastening on; and it is easy to observe how many, like this foolish young man, are marching on in a stately manner to the harlot's house, or are verging to Popery, whether they design it or not. Proverbs 7:10 pro 7:10 pro 7:10 pro 7:10And, behold, there met him a woman,.... A married woman, and an adulteress, as the following account of her shows; as soon as ever she discerned the young man before described, who she knew, by his air, walk, and dress, was a fit person for her turn, she at once set out from her house, or the corner where she stood, and met him; she did not wait till he came up and made his suit to her, but she went out, and first attacked him; wherefore the word "behold" is prefixed as a note of admiration at the impudence of the woman, and as a note of attention to observe the consequence of this affair. This woman represents the woman on a scarlet-coloured beast, the mother of harlots, who, though she pretends to be the spouse of Christ, is an arrant whore, Rev 17:3; with the attire of a harlot; not with her face veiled, as Tamar was, Gen 38:14; for though that might be the sign of a harlot in the daytime, yet not in the night, as this was; rather with showy gaudy garments, such as the Athenian whores wore, or short ones, as the Romans; the word signifies one fitted to her body, neat and well shaped, to recommend her: so the woman, the whore of Rome, is said to be arrayed in purple and scarlet colour, and decked with gold, and precious stones, and pearls; signifying the outward pomp and splendour of the Romish religion, designed to captivate weak and unwary minds; see Gill on Rev 17:4; and subtle of heart; mistress of all artful and intriguing methods to seduce and ensnare (g); or, "reserved of heart" (h), cautious and wary what she said, told everything that was encouraging, but kept back what was discouraging; or she kept her own heart to herself, while she stole the hearts of others; so the Targum renders it, "which takes away the hearts of young men;'' and to the same purpose are the versions of the Septuagint, Syriac, and Arabic: the subtlety of the popes, priests, jesuits, and other emissaries of Rome, to deceive the hearts of the simple, is well known; the coming of antichrist was after the working of Satan, with all deceivableness of unrighteousness, Th2 2:9. (g) "Fallendique vias mille ministret amor", Tibullus ad Junonem, 6. v. 12. (h) "cauta corde", Tigurine version, Mercerus: Gejerus; "retento corde", Cocceius.
Tyndale Open Study Notes
7:9 Foolish actions are often associated with darkness (see 4:18-19; Eccl 2:13-14).