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Mary Wilder Tileston
Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.
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Mary Wilder Tileston preaches on the resurrection of Jesus Christ, emphasizing His victory over death and Hades, and the eternal life He offers to all who believe in Him. She encourages believers to rejoice in the new life and beauty that God is constantly revealing to the world, symbolized by the return of spring and the singing of birds. Tileston highlights Easter as a time of great victory, perplexity solved, and triumph assured for Christians, calling it the news of a great victory.
Fear Not!
Fear not; I am the first and the last, and the Living One; and I was dead, and behold, I am alive for evermore, and I have the keys of death and of Hades. REVELATION 1:18 (R. V.) LET all things seen and unseen, Their notes of gladness blend, For Christ the Lord is risen, Our Joy that hath no end. ST. JOHN OF DAMASCUS A.D. 760 "THE time of the singing of birds is come,"--the time when nature calls aloud to us and bids us awaken out of the deadness of personal grief, and rejoice in the new manifestation of His beauty that God is making to the world. "Behold, I am alive for evermore, and the dead live to Me." Was not this the secret saying which the new verdure was writing all over the hills, and which the young pattering leaves and singing-birds were repeating in music? It must be well to have ears to hear and a heart that could respond with a little flutter of returning joy and thankfulness. ANNIE KEARY THE return of Easter should be to the Christian life the call of a trumpet. It is the news of a great victory. It is the solution of a great perplexity. It is the assurance of a great triumph. FREDERICK TEMPLE
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Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.