Ausbund

Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.
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The preacher in Ausbund, 114 urges Christians who have been born again to follow Jesus and take up their cross, emphasizing that the blood of Jesus cleanses those who believe and leave all to follow Him. Believers receive the Holy Spirit through faith and baptism, enabling them to overcome the flesh and find peace with God. Those washed by Christ's blood walk in the Spirit, guided by Him, and are reminded to stay pure and not be deceived, knowing that righteousness comes from doing what is right while sin leads to bondage.
Listen All You Christians
Listen all you Christians who have been born again! God's Son from the Kingdom of Heaven died on the cross and suffered death and shame. Let us follow him! Let us take up our cross! The blood of Jesus washes away the sins of those who leave all to follow him, and who believe on God alone -- even though they have sinned much. The Holy Spirit is given to those who believe and are baptized, if they follow Christ. With the Spirit they kill the flesh and find peace with God. Those who are washed and made free from sin with the blood of Christ walk in the Spirit with broken hearts. The Spirit rules them and shows them the way. Therefore, purified children of God -- born again -- keep yourselves pure! Let no man deceive you! The one who does right is right. The one who sins is a slave to sin. Those of us who have been washed with the blood of Christ and made free from sin, are tied together in our hearts. We now walk in the Spirit who shows us the right way and who rules in us. The Spirit rules in our sinful bodies, that are now dead. And in Christ we become members of his body (eingeleibt), and buried with him through baptism in his death. Now we live for him and keep his commandments. -- Ausbund, 114
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Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.