Ausbund

Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.
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George Blaurock (Cajacob) preaches about the anticipation and preparation for the nighttime meal with God through Christ, emphasizing the importance of being clothed with the Spirit and freed from death and suffering. He warns against being unprepared like the foolish virgins whose oil ran out, stressing the need for enduring faith and pure love to enter the feast. Those who watch and wait with wisdom will inherit eternal possessions and experience the triumphant return of the king with a trumpet blast.
Prepare Us for the Nighttime Meal, Oh God
Prepare us for the nighttime meal, oh God, through Christ your beloved Son! Clothe us with your Spirit. Free us from death and suffering! When we shall eat at last of that nighttime meal, who shall wait upon us? The one who knows our hearts and redeems us from our sin! Blessed are those invited to the Lord's nighttime meal! Blessed are those who stay with Christ through all tribulation. He suffered. He hung on the cross, and those who follow him must suffer now. Oh Lord, give us pure love! Give us love to walk our way with joy! When our time comes to go, may we not, like the foolish virgins, find that the door to the feast has been closed. They cried, "Lord! Lord!" But their oil had run out while they were sleeping. Blessed is the one who watches with the wise virgins. He will inherit eternal possessions, and his eyes will see the clarity of God. The king will break out with a trumpet blast! The elect will join his parade! Therefore Zion, holy commune, look at what you have received! Hold it and keep yourself pure. Then you shall inherit the crown!36 -- George Blaurock (Cajacob), Ausbund, 5:22-33
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Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.