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Mary Wilder Tileston
Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.
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Mary Wilder Tileston preaches about the beauty of living a righteous and useful life, emphasizing the importance of doing our duties cheerfully and orderly in the place where God has positioned us. She compares the sweet melody created by a life of obedience to God to the harmonious melodies of heaven, highlighting the significance of humbly following the example of Christ in all aspects of our lives.
Useful Life
Joy and gladness shall be found therein, thanksgiving, and the voice of melody. ISAIAH 51:3 If thou art living a righteous and a useful life, doing thy duty orderly and cheerfully where God has put thee, then thou art making sweeter melody in the ears of the Lord Jesus Christ, than if thou hadst the throat of a nightingale; for then thou in thy humble place art copying the everlasting harmony and melody which is in heaven. CHARLES KINGSLEY IN proportion as the perfect obedience of the life of Christ comes, through humility and prayer and thought, to be the constant aim of all our efforts; in proportion as we try, God helping us, to think and speak and act as He did, and through all the means of grace to sanctify Him in our hearts; we shall, with growing hope and with a wonder that is ever lost in gratitude, know that even our lives are not without the earnest of their rest in an eternal harmony; that through them there is sounding more and more the echo of a faultless music: and that He who loves that concord, He who alone can ever make us what He bids us be, will silence in us every harsh and jarring note; that our service too may blend with the consenting praise of all His Saints and Angels. FRANCIS PAGET
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Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.