Ausbund

Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.
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Othmar Roth preaches about the importance of righteousness and fighting against sin to avoid eternal pain. He emphasizes the need for self-reflection, purification of the heart, humility, and avoiding gossip. Roth urges individuals to fear God, keep His commands, and pray for grace to be spared from sin. He highlights the significance of living in truth, seeking comfort in Jesus Christ's spirit, and the importance of Christ's intercession as the end of time approaches.
Man, Are You Tired of Being Sad?
Man, are you tired of being sad? Start doing what is right. Sin brings eternal pain, and one needs to fight it. Be serious! Get to know yourself first. Purify your heart and be humble. Then men may call you great. It is difficult for the one who loves to talk to get to know himself. If he would think of who he is, he would not have so much to say. Look at yourself! Leave the rest. Do not gossip. Be quiet . . . so that in the end you may not be put to shame. What you measure out will be measured to you. Christ treats all men fairly. No sin remains unpunished. Therefore fear God and keep his commands. No good deed remains without its reward. Pray for grace, early and late, and pray that we may be spared. If you want to be saved, keep away from sin! To be carnally minded is death. Leave the world! Leave your possessions! Leave your goods and your money! The one who thinks of death chooses the best and Christ earns grace for him. God will not forsake the one who lives in the truth. God is ready to hear us if we hate sin. Oh Jesus Christ, it is your spirit that comforts us. Do not leave us! Be merciful to us and intercede for us . . . as we near the end of time. -- Othmar Roth, Sankt Gallen in Switzerland, 1532, Ausbund 58
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Ausbund (First Published 1564 – Still in Use) The Ausbund is a historic Anabaptist hymnal, first compiled around 1564, making it one of the oldest Christian songbooks still in active use, particularly among Old Order Amish communities in North America. Its origins trace to the early 1530s in Passau, Bavaria, where over 50 Swiss Brethren Anabaptists, including preacher Michael Schneider and hymnist Hans Betz, were imprisoned in the Oberhaus Castle dungeon for their radical faith—adult baptism, rejection of state churches, and pacifism. Facing torture and execution under Catholic authorities, these martyrs composed 51 hymns, smuggled out as letters to sustain their persecuted brethren. Printed initially in German, the collection grew over time, with later editions adding songs from other Anabaptist writers, reaching about 137 hymns by the 1583 edition, though its exact early publication details remain murky due to underground printing presses. The Ausbund’s significance extends beyond its music to its role as a theological and cultural artifact, embodying Anabaptist resilience and spirituality. Lacking musical notation—tunes were memorized or adapted from folk melodies—it emphasizes lyrics of suffering, martyrdom, and hope, such as Schneider’s Psalm 139-inspired hymn or Betz’s reflections on persecution. Carried by Swiss and South German Anabaptists fleeing to Moravia and later by Amish immigrants to Pennsylvania in the 18th century, it became a cornerstone of worship, sung slowly in unison during services. Today, printed by the Amish in places like Lancaster County, it remains a living link to the Reformation era, its worn pages a testament to a faith forged in adversity, distinct from modern hymnals in its raw, unadorned devotion.