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Francois Fenelon
François de Salignac de La Mothe-Fénelon (1651 - 1715). French Catholic archbishop, theologian, and author born in Sainte-Mondane, Périgord, to noble but impoverished parents. Educated by tutors in Greek and Latin classics, he studied at the University of Cahors and Saint-Sulpice seminary in Paris, earning a theology doctorate in 1677. Ordained a priest in 1675, he directed Nouvelles Catholiques (1679-1685), educating young Huguenot converts, and preached in Saintonge (1685-1688) to persuade Protestants after the Edict of Nantes’ revocation, favoring persuasion over force. Named tutor to Louis XIV’s grandson, the Duc de Bourgogne, in 1689, he wrote Les Aventures de Télémaque (1699), a critique of absolutism that led to his banishment from court. Elected to the French Academy in 1693 and made Archbishop of Cambrai in 1695, he authored over 30 works, including Traité de l’éducation des filles (1687) and Explication des maximes des saints (1697), defending Quietist spirituality, which sparked conflict with Bishop Bossuet and papal condemnation in 1699. Unmarried, Fénelon lived ascetically, focusing on pastoral care in Cambrai. His words, “True prayer is only another name for the love of God,” reflect his mystical bent. His writings, translated into 60 languages, influenced Rousseau, Jefferson, and modern education, blending faith with humane governance. Despite controversies, his eloquent sermons and letters endure in Catholic and literary circles.
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Francois Fenelon emphasizes the concept of daily dying as a means to prepare for the final death. He highlights the importance of bearing our crosses, with self being the greatest one, and the need to rid ourselves of selfishness by learning to tolerate and support ourselves and others. Fenelon encourages daily self-reflection and humility to diminish the fear of death and anxieties driven by self-love, ultimately leading to a peaceful acceptance of the final transition.
Daily Dying Takes the Place of Final Death.
LETTER XXXV. Daily dying takes the place of final death. We must bear our crosses; self is the greatest of them; we are not entirely rid of it until we can tolerate ourselves as simply and patiently as we do our neighbor. If we die in part every day of our lives, we shall have but little to do on the last. What we so much dread in the future will cause us no fear when it comes, if we do not suffer its terrors to be exaggerated by the restless anxieties of self-love. Bear with yourself, and consent in all lowliness to be supported by your neighbor. O how utterly will these little daily deaths destroy the power of the final dying!
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François de Salignac de La Mothe-Fénelon (1651 - 1715). French Catholic archbishop, theologian, and author born in Sainte-Mondane, Périgord, to noble but impoverished parents. Educated by tutors in Greek and Latin classics, he studied at the University of Cahors and Saint-Sulpice seminary in Paris, earning a theology doctorate in 1677. Ordained a priest in 1675, he directed Nouvelles Catholiques (1679-1685), educating young Huguenot converts, and preached in Saintonge (1685-1688) to persuade Protestants after the Edict of Nantes’ revocation, favoring persuasion over force. Named tutor to Louis XIV’s grandson, the Duc de Bourgogne, in 1689, he wrote Les Aventures de Télémaque (1699), a critique of absolutism that led to his banishment from court. Elected to the French Academy in 1693 and made Archbishop of Cambrai in 1695, he authored over 30 works, including Traité de l’éducation des filles (1687) and Explication des maximes des saints (1697), defending Quietist spirituality, which sparked conflict with Bishop Bossuet and papal condemnation in 1699. Unmarried, Fénelon lived ascetically, focusing on pastoral care in Cambrai. His words, “True prayer is only another name for the love of God,” reflect his mystical bent. His writings, translated into 60 languages, influenced Rousseau, Jefferson, and modern education, blending faith with humane governance. Despite controversies, his eloquent sermons and letters endure in Catholic and literary circles.