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Mary Wilder Tileston
Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.
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Mary Wilder Tileston, preaching from Exodus 3:7, delves into the different layers of sorrow experienced by individuals. She distinguishes between visible sorrows, secret sorrows that can be shared with close ones or poured out to God, and the deepest sorrows that remain unspoken and can only be laid before God silently. Tileston emphasizes God's omniscience in acknowledging all forms of sorrow, from the external to the most hidden depths of pain.
I See Your Sorrows
And the Lord said, I have surely seen the affliction of my people which are in Egypt, and have heard their cry by reason of their taskmasters; for I know their sorrows. Exodus 3:7 THOU knowest, Lord, the weariness and sorrow Of the sad heart that comes to Thee for rest; Cares of today, and burdens for tomorrow, Blessings implored, and sins to be confessed; I come before Thee at Thy gracious word, And lay them at Thy feet,-Thou knowest, Lord. JANE BORTHWICK THAT sorrow which can be seen is the lightest form really, however apparently heavy; then there is that which is not seen, secret sorrows which yet can be put into words, and can be told to near friends as well as be poured out to God; but there are sorrows beyond these, such as are never told, and cannot be put into words, and may only be wordlessly laid before God: these are the deepest. Now comes the supply for each: "I have seen" that which is patent and external; "I have heard their cry," which is the expression of this, and of as much of the external as is expressible; but this would not go deep enough, so God adds, "I know their sorrows," down to very depths of all, those which no eye sees or ear ever heard. F. R. HAVERGAL
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Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.