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Mary Wilder Tileston
Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.
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Mary Wilder Tileston, preaching on John 4:34, emphasizes the importance of doing the will of God and finishing His work without complaint. She highlights the significance of working diligently and with a focus on God's glory rather than personal gain or pleasure. Tileston addresses the internal struggles and guilt that arise from not aligning one's work with God's purpose, stressing the need for order and a sole aim towards God in all endeavors.
The Correct Perspective
My meat is to do the will of Him that sent me, and to finish His work. --JOHN 4:34 THEY who tread the path of labor follow where My feet have trod; They who work without complaining do the holy will of God. --HENRY VAN DYKE WHENCE comes it that we have so many com.plaints, each saying that his occupation is a hin.drance to him, while notwithstanding his work is of God, who hindereth no man? Whence comes this in.ward reproof and sense of guilt which torment and disquiet you? Dear children, know that it is not your work which gives you this disquiet. No; it is your want of order in fulfilling your work. If you per.formed your work in the right method, with a sole aim to God, and not to yourselves, your own likes and dislikes, nor sought your own gain or pleasure, but only God's glory, in your work, it would be impossible that it should grieve your conscience. It is a shame for a man if he have not done his work properly, but so imperfectly that he has to be rebuked for it. For this is a sure sign that his works are not done in God, with a view to His glory and the good of his neighbor. --JOHN TAULER
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Mary Wilder Tileston was born on August 20, 1843, in Salem, Massachusetts, to Caleb Foote, owner and editor of the Salem Gazette, and Mary Wilder White Foote. Raised in a family with strong intellectual and religious ties—her brother Henry Wilder Foote became a Harvard-educated minister, and her brother Arthur Foote a noted composer—she attended private schools in Salem. On September 25, 1865, she married John Boies Tileston, a publisher’s son, and they had seven children: Mary, Margaret, Roger, Amelia, Wilder, Edith, and Eleanor. The family lived in Concord, Massachusetts, on a 200-acre farm from around 1874 to 1882, then moved to Salem and later Brookline, Massachusetts, where she died on July 3, 1934. Tileston’s career was centered on her literary contributions rather than preaching. Her most notable work, Daily Strength for Daily Needs, a collection of prose, verse, and scripture for daily reading, sold over 250,000 copies by 1910 and was highly regarded. She compiled other devotionals, including Prayers Ancient and Modern (1897) and children’s works like The Child’s Harvest of Verse (1910), reflecting her love for spiritual literature. While not a preacher by occupation, her anthologies served a preaching-like function, offering spiritual guidance to readers. Her legacy lies in these writings, which continue to inspire, rather than in a formal ministerial role.